Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 207, 204, 216a (1726-1728)
2CD: Cantatas 198, 201 (1727-1729)
3CD: Cantatas 213, 214 (1733)
4CD: Cantatas 211, 215 (1734)
5CD: Cantatas 206, 30a (1736-1737)
6CD: Cantatas 209, 210, 212 (1730s-1740s)
7CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8CD: Cantatas 56, 82, 4
9CD: Cantatas 31, 104, 57
10CD: Cantatas 199, 173, 74, 151
11CD: Easter Oratorio / Cantata 140
12CD: Cantatas 170, 159, 102
13CD: Cantatas 80, 52, 84, 209
14CD: Cantatas 82, 158, 56
15CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17CD: Cantatas 92, 126, 182 (Easter)
18CD: Cantatas 1, 4, 67, 104 (Easter)
#TitleLength
1"Wie schön leuchtet der Morgenstern", BWV 1: 1. [Chorale:] "Wie schön leuchtet der Morgenstern"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
cor anglais:
Kurt Hausmann (in 1968-07) and Andreas Schwinn (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
horn [horn I]:
Hermann Baumann (in 1968-07)
horn [horn II]:
Werner Meyendorf (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
violin:
Otto Büchner (in 1968-07) and Kurt Christian Stier (in 1968-07)
violin [violin I]:
Otto Büchner (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
7:58
2"Wie schön leuchtet der Morgenstern", BWV 1: 2. Recitative: "Du wahrer Gottes und Marien Sohn"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
horn [horn I]:
Hermann Baumann (in 1968-07)
horn [horn II]:
Werner Meyendorf (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
violin [violin I]:
Otto Büchner (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (in 1968-07)
tenor vocals:
Ernst Haefliger (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:02
3"Wie schön leuchtet der Morgenstern", BWV 1: 3. Aria: "Erfüllet, ihr himmlischen göttlichen Flammen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
cor anglais and cor anglais [cor anglais I]:
Kurt Hausmann (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
horn [horn I]:
Hermann Baumann (in 1968-07)
horn [horn II]:
Werner Meyendorf (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
violin [violin I]:
Otto Büchner (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (in 1968-07)
soprano vocals:
Edith Mathis (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
5:01
4"Wie schön leuchtet der Morgenstern", BWV 1: 4. Recitative: "Ein irdscher Glanz, ein leiblich Licht"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
horn [horn I]:
Hermann Baumann (in 1968-07)
horn [horn II]:
Werner Meyendorf (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
violin [violin I]:
Otto Büchner (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:20
5"Wie schön leuchtet der Morgenstern", BWV 1: 5. Aria: "Unser Mund und Ton der Saiten"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
horn [horn I]:
Hermann Baumann (in 1968-07)
horn [horn II]:
Werner Meyendorf (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
violin:
Otto Büchner (in 1968-07) and Kurt Christian Stier (in 1968-07)
violin [violin I]:
Otto Büchner (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (in 1968-07)
tenor vocals:
Ernst Haefliger (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
6:10
6"Wie schön leuchtet der Morgenstern", BWV 1: 6. Chorale: "Wie bin ich doch so herzlich froh"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
horn [horn I]:
Hermann Baumann (in 1968-07)
horn [horn II]:
Werner Meyendorf (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
violin [violin I]:
Otto Büchner (in 1968-07)
violin [violin II]:
Kurt Christian Stier (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:55
7"Christ lag in Todes Banden", BWV 4: 1. Sinfonia
executive producer:
Wolfgang Werner
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
1:38
8"Christ lag in Todes Banden", BWV 4: 2. Versus 1: "Christ Lag in Todes Banden"
executive producer:
Wolfgang Werner
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
4:23
9"Christ lag in Todes Banden", BWV 4: 3. Versus 2: "Den Tod niemand zwingen kunnt"
executive producer:
Wolfgang Werner
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
alto vocals, choir vocals and soprano vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
4:00
10"Christ lag in Todes Banden", BWV 4: 4. Versus 3: "Jesus Christus, Gottes Sohn"
executive producer:
Wolfgang Werner
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
choir vocals and tenor vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
1:57
11"Christ lag in Todes Banden", BWV 4: 5. Versus 4: "Es war ein wunderlicher Krieg"
executive producer:
Wolfgang Werner
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
2:13
12"Christ lag in Todes Banden", BWV 4: 6. Versus 5: "Hier ist das rechte Osterlamm"
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
4:36
13"Christ lag in Todes Banden", BWV 4: 7. Versus 6: "So feiern wir das hohe Fest"
executive producer:
Wolfgang Werner
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
choir vocals, soprano vocals and tenor vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
2:02
14"Christ lag in Todes Banden", BWV 4: 8. Versus 7: "Wir essen und leben wohl"
producer:
Rainer Brock
bassoon:
Karl Kolbinger (in 1968-07)
cello:
Fritz Kiskalt (in 1968-07)
double bass:
Herbert Duft (in 1968-07)
organ:
Hedwig Bilgram (in 1968-07) and Elmar Schloter (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (in 1968-07)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
1:24
15"Halt im Gedächtnis Jesum Christ", BWV 67: 1. [Chorus:] "Halt im Gedächtnis Jesum Christ"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
vocals:
Münchener Bach‐Chor (in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
2:58
16"Halt im Gedächtnis Jesum Christ", BWV 67: 2. Aria: "Mein Jesus ist erstanden"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
tenor vocals:
Peter Schreier (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
2:42
17"Halt im Gedächtnis Jesum Christ", BWV 67: 3. Recitative: "Mein Jesu, heißest du des Todes Gift"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
alto vocals:
Anna Reynolds (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:46
18"Halt im Gedächtnis Jesum Christ", BWV 67: 4. Chorale: "Erschienen ist der herrlich Tag"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (from 1973-05 until 1973-06)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:43
19"Halt im Gedächtnis Jesum Christ", BWV 67: 5. Recitative: "Doch scheint fast"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
alto vocals:
Anna Reynolds (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:13
20"Halt im Gedächtnis Jesum Christ", BWV 67: 6. Aria [& Chorus]: "Friede sei mit euch!"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
bass vocals:
Dietrich Fischer‐Dieskau (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
5:11
21"Halt im Gedächtnis Jesum Christ", BWV 67: 7. Chorale: "Du Friedefürst, Herr Jesu Christ"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (from 1973-05 until 1973-06)
lyricist:
Jakob Ebert
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:10
22"Du Hirte Israel, höre", BWV 104: 1. [Chorus:] "Du Hirte Israel, höre"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
4:53
23"Du Hirte Israel, höre", BWV 104: 2. Recitative: "Der höchste Hüter sorgt vor mich"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
tenor vocals:
Peter Schreier (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
0:48
24"Du Hirte Israel, höre", BWV 104: 3. Aria: "Verbirgt mein Hirte sich zu lange"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
tenor vocals:
Peter Schreier (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
3:12
25"Du Hirte Israel, höre", BWV 104: 4. Recitative: "Ja, dieses Wort ist meiner Seelen Speise"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
bass vocals:
Dietrich Fischer‐Dieskau (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
1:12
26"Du Hirte Israel, höre", BWV 104: 5. Aria: "Beglückte Herde, Jesu Schafe"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
bass vocals:
Dietrich Fischer‐Dieskau (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
8:24
27"Du Hirte Israel, höre", BWV 104: 6. Chorale: "Der Herr ist mein getreuer Hirt"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt" (from 1973-05 until 1973-06)
lyricist:
Kornelius Becker
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 13)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
1:07
19CD: Cantatas 34, 68, 39 (Whitsun)
20CD: Cantatas 30, 147 (Whitsun)
21CD: Cantatas 76, 21 (Trinity)
22CD: Cantatas 135, 10, 45, 105 (Trinity)
23CD: Cantatas 51, 78, 8, 130 (Trinity)
24CD: Cantatas 27, 5, 60, 26 (Trinity)
25CD: St. Matthew Passion (1 Richter)
26CD: St. Matthew Passion (2 Richter)
27CD: St. Matthew Passion (3 Richter)
28CD: Great Singers (1952-1965)
29CD: Great Singers (1967-2011)
30CD: Great Singers (Period Instruments)