Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 207, 204, 216a (1726-1728)
2CD: Cantatas 198, 201 (1727-1729)
3CD: Cantatas 213, 214 (1733)
4CD: Cantatas 211, 215 (1734)
5CD: Cantatas 206, 30a (1736-1737)
6CD: Cantatas 209, 210, 212 (1730s-1740s)
7CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8CD: Cantatas 56, 82, 4
9CD: Cantatas 31, 104, 57
10CD: Cantatas 199, 173, 74, 151
11CD: Easter Oratorio / Cantata 140
12CD: Cantatas 170, 159, 102
13CD: Cantatas 80, 52, 84, 209
14CD: Cantatas 82, 158, 56
15CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17CD: Cantatas 92, 126, 182 (Easter)
18CD: Cantatas 1, 4, 67, 104 (Easter)
19CD: Cantatas 34, 68, 39 (Whitsun)
20CD: Cantatas 30, 147 (Whitsun)
21CD: Cantatas 76, 21 (Trinity)
22CD: Cantatas 135, 10, 45, 105 (Trinity)
23CD: Cantatas 51, 78, 8, 130 (Trinity)
#TitleLength
1"Jauchzet Gott in allen Landen", BWV 51: 1. Aria: "Jauchzet Gott in allen Landen!"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
trumpet:
Willi Bauer (in 1959-08)
soprano vocals:
Maria Stader (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1959-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:37
2"Jauchzet Gott in allen Landen", BWV 51: 2. Recitative: "Wir beten zu dem Tempel an"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
trumpet:
Willi Bauer (in 1959-08)
soprano vocals:
Maria Stader (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1959-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:46
3"Jauchzet Gott in allen Landen", BWV 51: 3. Aria: "Höchster, mache deine Güte"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
trumpet:
Willi Bauer (in 1959-08)
soprano vocals:
Maria Stader (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1959-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:48
4"Jauchzet Gott in allen Landen", BWV 51: 4. Chorale: "Sei Lob und Preis mit Ehren"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
trumpet:
Willi Bauer (in 1959-08)
soprano vocals:
Maria Stader (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1959-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
3:26
5"Jauchzet Gott in allen Landen", BWV 51: [Aria:] "Halleluja"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
trumpet:
Willi Bauer (in 1959-08)
soprano vocals:
Maria Stader (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1959-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:23
6"Jesu, der du meine Seele", BWV 78: 1. [Chorale:] "Jesu, der du meine Seele"
executive producer:
Prof. Dr. Hans Hickmann
instruments and orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
choir vocals:
Münchener Bach‐Chor (in 1961-07)
conductor:
Karl Richter (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
5:34
7"Jesu, der du meine Seele", BWV 78: 2. Aria Duet: "Wir eilen mit schwachen, doch emsigen Schritten"
executive producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (in 1961-07)
soprano vocals:
Ursula Buckel (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
5:42
8"Jesu, der du meine Seele", BWV 78: 3. Recitative: "Ach! ich bin ein Kind der Sünden"
executive producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenor) "Ach! ich bin ein Kind der Sünden" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
2:40
9"Jesu, der du meine Seele", BWV 78: 4. Aria: "Das Blut, so meine Schuld durchstreicht"
executive producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (in 1961-07)
tenor vocals:
John van Kesteren (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenor) "Das Blut, so meine Schuld durchstreicht" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
3:43
10"Jesu, der du meine Seele", BWV 78: 5. Recitative: "Die Wunden, Nägel, Kron und Grab"
executive producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Bass) "Die Wunden, Nägel, Kron und Grab" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
3:04
11"Jesu, der du meine Seele", BWV 78: 6. Aria: "Nun, du wirst mein Gewissen stillen"
executive producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VI. Aria (Bass) "Nun du wirst mein Gewissen stillen" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
3:22
12"Jesu, der du meine Seele", BWV 78: 7. Chorale: "Herr, ich glaube, hilf mir Schwachen"
executive producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" (in 1961-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 188)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
1:40
13"Liebster Gott, wann werd ich sterben", BWV 8: 1. [Chorale:] "Liebster Gott, wann werd ich sterben"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
8:25
14"Liebster Gott, wann werd ich sterben", BWV 8: 2. Aria: "Was willst du dich, mein Geist, entsetzen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
4:22
15"Liebster Gott, wann werd ich sterben", BWV 8: 3. Recitative: "Zwar fühlt mein schwaches Herz"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
1:29
16"Liebster Gott, wann werd ich sterben", BWV 8: 4. Aria: "Doch weichet, ihr tollen, vergeblichen Sorgen!"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
bass vocals:
Kieth Engen (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
5:56
17"Liebster Gott, wann werd ich sterben", BWV 8: 5. Recitative: "Behalte nur, o Welt, das Meine!"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
soprano vocals:
Ursula Buckel (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
1:39
18"Liebster Gott, wann werd ich sterben", BWV 8: 6. Chorale: "Herrscher über Tod und Leben"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
2:00
19"Herr Gott, dich loben alle wir", BWV 130: 1. [Chorale:] "Herr Gott, dich loben alle wir"
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": I. Coro "Herr Gott, dich loben alle wir" (in 1976-03)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
3:00
20"Herr Gott, dich loben alle wir", BWV 130: 2. Recitative: "Ihr heller Glanz und hohe Weisheit zeigt"
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
alto vocals:
Trudeliese Schmidt (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": II. Recitativo (Alt) "Ihr heller Glanz und hohe Weisheit zeigt" (in 1976-03)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
1:11
21"Herr Gott, dich loben alle wir", BWV 130: 3. Aria: "Der alte Drache brennt vor Neid"
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
Chandler Goetting (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
bass vocals:
Dietrich Fischer‐Dieskau (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": III. Aria (Bass) "Der alte Drache brennt vor Neid" (in 1976-03)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
3:59
22"Herr Gott, dich loben alle wir", BWV 130: 4. Recitative: "Wohl aber uns, dass Tag und Nacht"
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
soprano vocals:
Edith Mathis (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": IV. Recitativo (Sopran, Tenor) "Wohl aber uns, daß Tag und Nacht" (in 1976-03)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
1:24
23"Herr Gott, dich loben alle wir", BWV 130: 5. Aria: "Lass, o Fürst der Cherubinen"
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": V. Aria (Tenor) "Laß, o Fürst der Cherubinen" (in 1976-03)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
4:30
24"Herr Gott, dich loben alle wir", BWV 130: 6. Chorale: "Darum wir billig loben dich"
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": VI. Choral "Darum wir billig loben dich" (in 1976-03)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 131)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
1:17
24CD: Cantatas 27, 5, 60, 26 (Trinity)
25CD: St. Matthew Passion (1 Richter)
26CD: St. Matthew Passion (2 Richter)
27CD: St. Matthew Passion (3 Richter)
28CD: Great Singers (1952-1965)
29CD: Great Singers (1967-2011)
30CD: Great Singers (Period Instruments)