Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▼CD: Cantatas 56, 82, 4
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1"Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen"
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1951-06)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
8:37
2"Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitative: "Mein Wandel auf der Welt"
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1951-06)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
2:11
3"Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch"
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1951-06)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
6:43
4"Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitative: "Ich stehe fertig und bereit"
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1951)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:56
5"Ich will den Kreuzstab gerne tragen", BWV 56: 5. Chorale: "Komm, o Tod, du Schlafes Bruder"
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau
choir vocals:
Berlin Motet Choir (in 1951-06)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1951)
composer:
Johann Sebastian Bach (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:48
6"Ich habe genug", BWV 82: 1. Aria: "Ich habe genug"
producer:
Fred Hamel
oboe:
Hermann Töttcher (from 1951-06-20 until 1951-06-22)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22) and RIAS Kammerorchester (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1951-06-20 until 1951-06-22)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1951-06-20 until 1951-06-22)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
7:27
7"Ich habe genug", BWV 82: 2. Recitative: "Ich habe genug! Mein Trost ist nur allein"
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:26
8"Ich habe genug", BWV 82: 3. Aria: "Schlummert ein, ihr matten Augen"
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
7:20
9"Ich habe genug", BWV 82: 4. Recitative: "Mein Gott, wann kömmt das schöne: Nun!"
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
0:59
10"Ich habe genug", BWV 82: 5. Aria: "Ich freue mich auf meinen Tod"
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
3:59
11"Christ lag in Todesbanden", BWV 4: 1. Sinfonia
organ:
Maria Jung
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
1:17
12"Christ lag in Todesbanden", BWV 4: 2. Versus 1: "Christ lag in Todes Banden"
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
5:49
13"Christ lag in Todesbanden", BWV 4: Versus 2: "Den Tod niemand zwingen kunnt"
organ:
Maria Jung
alto vocals and soprano vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
4:31
14"Christ lag in Todesbanden", BWV 4: Versus 3: "Jesus Christus, Gottes Sohn"
organ:
Maria Jung
tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (for piano, Rummel) (in 1950-08)
composer:
Johann Sebastian Bach
arranger:
Walter Rummel
arrangement of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
2:21
15"Christ lag in Todesbanden", BWV 4: Versus 4: "Es war ein wunderlicher Krieg"
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
3:05
16"Christ lag in Todesbanden", BWV 4: Versus 5: "Hier ist das rechte Osterlamm"
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany (in 1950-08)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
4:21
17"Christ lag in Todesbanden", BWV 4: Versus 6: "So feiern wir das hohe Fest"
organ:
Maria Jung
soprano vocals and tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
2:34
18"Christ lag in Todesbanden", BWV 4: Versus 7: "Wir essen und wir leben wohl"
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
1:29
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)