| # | Title | Length |
|---|
| 1 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 1. [Chorus:] "Lass, Fürstin, lass noch einen Strahl"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 5:14 |
| 2 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 2. Recitative: "Dein Sachsen, dein bestürztes Meißen"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- soprano vocals:
- Nancy Argenta (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 1:01 |
| 3 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 3. Aria: "Verstummt, verstummt, ihr holden Saiten"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- soprano vocals:
- Nancy Argenta (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 3:35 |
| 4 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 4. Recitative:" "Der Glocken bebendes Getön"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- countertenor vocals [alto]:
- Michael Chance (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 0:51 |
| 5 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 5. Aria: "Wie starb die Heldin so vergnügt"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- countertenor vocals [alto]:
- Michael Chance (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 7:13 |
| 6 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 6. Recitative: "Ihr Leben ließ die Kunst zu sterben"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- tenor vocals:
- Anthony Rolfe Johnson (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 0:54 |
| 7 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 7. [Chorus:] "An dir, du Fürbild großer Frauen"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 1:43 |
| 8 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 8. [Aria:] "Der Ewigkeit saphirnes Haus"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- tenor vocals:
- Anthony Rolfe Johnson (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 3:41 |
| 9 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 9. Recitative - Arioso - Recitative: "Was Wunder ists"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- bass vocals:
- Stephen Varcoe (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 2:06 |
| 10 | "Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 10. Chorus ultimus: "Doch, Königin, du stirbest nicht"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1989-09)
- orchestra:
- English Baroque Soloists (in 1989-09)
- conductor:
- Sir John Eliot Gardiner (in 1989-09)
- balance engineer:
- Ulrich Vette
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1989-09)
- premiered in:
- Leipzig, Sachsen, Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen, Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| 4:23 |
| 11 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 1. Chorus: "Geschwinde, ihr wirbeInden Winde" | 4:18 |
| 12 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 2. Recitative: "Und du bist doch so unverschämt und frei" | 1:41 |
| 13 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 3. Aria: "Patron, das macht der Wind" | 2:12 |
| 14 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 4. Recitative: "Was braucht ihr euch zu zanken" | 1:00 |
| 15 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 5. Aria: "Mit Verlangen drück ich deine zarten Wangen" | 7:23 |
| 16 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 6. Recitative: "Pan, rücke deine Kehle nun" | 0:20 |
| 17 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 7. Aria: "Zu Tanze, zu Sprunge, so wackelt das Herz" | 4:41 |
| 18 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 8. Recitative: Nunmehro Richter her!" | 0:48 |
| 19 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 9. Aria: "Phoebus, deine Melodei hat due Anmut selbst" | 4:11 |
| 20 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 10. Recitative: "Komm, Midas, sage du nun an"- producer:
- Wolfgang Mitlehner
- bass vocals [bass - Pan]:
- Stefan Geyer (in 1996-11)
- bass-baritone vocals [bass-baritone - Phoebus]:
- Hans-Georg Wimmer (in 1996-11)
- choir vocals:
- Ex Tempore (in 1996-11)
- countertenor vocals [countertenor - Mercury]:
- Axel Köhler (in 1996-11)
- soprano vocals [soprano - Momus]:
- Dana Hanchard (in 1996-11)
- tenor vocals [tenor I - Tmolus]:
- Christoph Genz (in 1996-11)
- tenor vocals [tenor II - Midas]:
- Scot Weir (in 1996-11)
- orchestra:
- Musica Antiqua Köln (in 1996-11)
- conductor:
- Reinhard Goebel (in 1996-11)
- chorus master:
- Florian Heyerick (in 1996-11)
- balance engineer:
- Hans‐Ulrich Bastin
- recorded at:
- Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
- recording of:
- Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": X. Recitativo (Tenor II e Bass II) "Komm, Midas, sage du nun an" (in 1996-11)
- premiered in:
- Leipzig, Sachsen, Germany (in 1729)
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
| 0:58 |
| 21 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 11. Aria: "Pan ist Meister, lasst ihn gehn" | 4:16 |
| 22 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 12. Recitative: "Wie, Midas, bist du toll"- producer:
- Wolfgang Mitlehner
- bass vocals [bass - Pan]:
- Stefan Geyer (in 1996-11)
- bass-baritone vocals [bass-baritone - Phoebus]:
- Hans-Georg Wimmer (in 1996-11)
- choir vocals:
- Ex Tempore (in 1996-11)
- countertenor vocals [countertenor - Mercury]:
- Axel Köhler (in 1996-11)
- soprano vocals [soprano - Momus]:
- Dana Hanchard (in 1996-11)
- tenor vocals [tenor I - Tmolus]:
- Christoph Genz (in 1996-11)
- tenor vocals [tenor II - Midas]:
- Scot Weir (in 1996-11)
- orchestra:
- Musica Antiqua Köln (in 1996-11)
- conductor:
- Reinhard Goebel (in 1996-11)
- chorus master:
- Florian Heyerick (in 1996-11)
- balance engineer:
- Hans‐Ulrich Bastin
- recorded at:
- Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
- recording of:
- Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XII. Recitativo (Tutti) "Wie, Midas, bist du toll" (in 1996-11)
- premiered in:
- Leipzig, Sachsen, Germany (in 1729)
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
| 1:16 |
| 23 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 13. Aria: "Aufgeblasne Hitze, aber wenig Grütze" | 5:40 |
| 24 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 14. Recitative: "Du guter Midas, geh nun hin" | 1:15 |
| 25 | "Geschwinde, ihr wirbelnden Winde", BWV 201: 15. Chorus: "Labt das Herz, ihr holden Saiten" | 2:20 |
