Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▼CD: Cantatas 199, 173, 74, 151
#TitleLength
1"Mein Herze schwimmt im Blut", BWV 199: 1. Recitative: "Mein Herze schwimmt im Blut"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
2:06
2"Mein Herze schwimmt im Blut", BWV 199: 2. Aria [- Recitative]: "Stumme Seufzer, stille Klagen"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
8:27
3"Mein Herze schwimmt im Blut", BWV 199: 3. Recitative: "Doch Gott muss mir genädig sein"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
1:19
4"Mein Herze schwimmt im Blut", BWV 199: 4. Aria: "Tief gebückt und voller Reue"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
9:20
5"Mein Herze schwimmt im Blut", BWV 199: 5. Recitative: "Auf diese Schmerzensreu"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
0:17
6"Mein Herze schwimmt im Blut", BWV 199: 6. Chorale: "Ich, dein betrübtes Kind"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
2:00
7"Mein Herze schwimmt im Blut", BWV 199: 7. Recitative: "Ich lege mich in diese Wunden"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
0:49
8"Mein Herze schwimmt im Blut", BWV 199: 8. Aria: "Wie freudig ist mein Herz"
engineered in:
Detmold, Nordrhein-Westfalen, Germany (in 1969-09)
producer:
Vittorio Negri
oboe:
Gernot Schmalfuss
soprano vocals:
Elly Ameling
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz"
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
2:09
9"Erhöhtes Fleisch und Blut", BWV 173: 1. Recitative: "Erhöhtes Fleisch und Blut"
producer:
Volker Straus
baritone vocals:
Hermann Prey (in 1971-03)
choir vocals:
Kantorei Barmen-Gemarke (in 1971-03)
mezzo-soprano vocals:
Júlia Hamari (in 1971-03)
soprano vocals:
Ileana Cotrubaș (in 1971-03)
tenor vocals:
Kurt Equiluz (in 1971-03)
orchestra:
Deutsche Bachsolisten (in 1971-03)
conductor:
Helmut Winschermann (in 1971-03)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1971-03)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
0:41
10"Erhöhtes Fleisch und Blut", BWV 173: 2. Aria: "Ein geheiligtes Gemüte"
producer:
Volker Straus
baritone vocals:
Hermann Prey (in 1971-03)
choir vocals:
Kantorei Barmen-Gemarke (in 1971-03)
mezzo-soprano vocals:
Júlia Hamari (in 1971-03)
soprano vocals:
Ileana Cotrubaș (in 1971-03)
tenor vocals:
Kurt Equiluz (in 1971-03)
orchestra:
Deutsche Bachsolisten (in 1971-03)
conductor:
Helmut Winschermann (in 1971-03)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1971-03)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:11
11"Erhöhtes Fleisch und Blut", BWV 173: 3. Aria: "Gott will, o ihr Menschenkinder"
producer:
Volker Straus
baritone vocals:
Hermann Prey (in 1971-03)
choir vocals:
Kantorei Barmen-Gemarke (in 1971-03)
mezzo-soprano vocals:
Júlia Hamari (in 1971-03)
soprano vocals:
Ileana Cotrubaș (in 1971-03)
tenor vocals:
Kurt Equiluz (in 1971-03)
orchestra:
Deutsche Bachsolisten (in 1971-03)
conductor:
Helmut Winschermann (in 1971-03)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1971-03)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:45
12"Erhöhtes Fleisch und Blut", BWV 173: 4. Aria: "So hat Gott die Welt geliebt"
producer:
Volker Straus
baritone vocals:
Hermann Prey (in 1971-03)
choir vocals:
Kantorei Barmen-Gemarke (in 1971-03)
mezzo-soprano vocals:
Júlia Hamari (in 1971-03)
soprano vocals:
Ileana Cotrubaș (in 1971-03)
tenor vocals:
Kurt Equiluz (in 1971-03)
orchestra:
Deutsche Bachsolisten (in 1971-03)
conductor:
Helmut Winschermann (in 1971-03)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1971-03)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
3:53
13"Erhöhtes Fleisch und Blut", BWV 173: 5. Recitative: "Unendlichster, den man doch Vater nennt"
producer:
Volker Straus
baritone vocals:
Hermann Prey (in 1971-03)
choir vocals:
Kantorei Barmen-Gemarke (in 1971-03)
mezzo-soprano vocals:
Júlia Hamari (in 1971-03)
soprano vocals:
Ileana Cotrubaș (in 1971-03)
tenor vocals:
Kurt Equiluz (in 1971-03)
orchestra:
Deutsche Bachsolisten (in 1971-03)
conductor:
Helmut Winschermann (in 1971-03)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1971-03)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:33
14"Erhöhtes Fleisch und Blut", BWV 173: 6. Chorus: "Ruhre, Hochster, unsern Geist"
producer:
Volker Straus
baritone vocals:
Hermann Prey (in 1971-03)
choir vocals:
Kantorei Barmen-Gemarke (in 1971-03)
mezzo-soprano vocals:
Júlia Hamari (in 1971-03)
soprano vocals:
Ileana Cotrubaș (in 1971-03)
tenor vocals:
Kurt Equiluz (in 1971-03)
orchestra:
Deutsche Bachsolisten (in 1971-03)
conductor:
Helmut Winschermann (in 1971-03)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1971-03)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
2:43
15"Wer mich liebet, der wird mein Wort halten", BWV 74: 1. [Chorale:] "Wer mich liebet, der wird mein Wort halten"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": I. Coro "Wer mich liebet, der wird mein Wort halten"
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
3:52
16"Wer mich liebet, der wird mein Wort halten", BWV 74: 2. Aria: "Komm, komm, mein Herze steht dir offen"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": II. Aria (Sopran) "Komm, komm, mein Herze steht dir offen"
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
2:55
17"Wer mich liebet, der wird mein Wort halten", BWV 74: 3. Recitative: "Die Wohnung ist bereit"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": III. Recitativo (Alt) "Die Wohnung ist bereit"
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
0:56
18"Wer mich liebet, der wird mein Wort halten", BWV 74: 4. Aria: "Ich gehe hin"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Bass) "Ich gehe hin und komme wieder zu euch"
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
2:55
19"Wer mich liebet, der wird mein Wort halten", BWV 74: 5. Aria: "Kommt! eilet, stimmet Sait und Lieder"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
5:52
20"Wer mich liebet, der wird mein Wort halten", BWV 74: 6. Recitative: "Es ist nichts Verdammliches an denen"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VI. Recitativo (Bass) "Es ist nichts Verdammliches an denen"
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
0:32
21"Wer mich liebet, der wird mein Wort halten", BWV 74: 7. Aria: "Nichts kann mich erretten"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VII. Aria (Alt) "Nichts kann mich erretten"
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
5:43
22"Wer mich liebet, der wird mein Wort halten", BWV 74: 8. Chorale: "Kein Menschenkind hier auf der Erd"
producer:
Wilhelm Hellweg
bass-baritone vocals:
William Reimer (in 1972-01)
choir vocals:
Nederlands Vocal Ensemble (in 1972-01)
mezzo-soprano vocals:
Júlia Hamari (in 1972-01)
soprano vocals:
Ileana Cotrubaș (in 1972-01)
tenor vocals:
Kurt Equiluz (in 1972-01)
orchestra:
Deutsche Bachsolisten (in 1972-01)
conductor:
Helmut Winschermann (in 1972-01)
recorded at:
Viersen in Nordrhein-Westfalen, Germany (in 1972-01)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VIII. Choral "Kein Menschenkind hier auf der Erd"
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 223)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
1:15
23"Süßer Trost, mein Jesus kömmt", BWV 151: 1. Aria "Süßer Trost, mein Jesus kömmt" (9:"27)
producer:
Volker Straus
bass-baritone vocals:
William Reimer (in 1968-06)
choir vocals:
Westfälische Kantorei (in 1968-06)
contralto vocals:
Birgit Finnilä (in 1968-06)
soprano vocals:
Agnes Giebel (in 1968-06)
tenor vocals:
Dieter Ellenbeck (in 1968-06)
orchestra:
Deutsche Bachsolisten (in 1968-06)
conductor:
Helmut Winschermann (in 1968-06)
recorded at:
Herforder Münsterkirche in Herford, Nordrhein-Westfalen, Germany (in 1968-06)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt"
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
9:28
24"Süßer Trost, mein Jesus kömmt", BWV 151: 2. Recitative: "Erfreue dich, mein Herz"
producer:
Volker Straus
bass-baritone vocals:
William Reimer (in 1968-06)
choir vocals:
Westfälische Kantorei (in 1968-06)
contralto vocals:
Birgit Finnilä (in 1968-06)
soprano vocals:
Agnes Giebel (in 1968-06)
tenor vocals:
Dieter Ellenbeck (in 1968-06)
orchestra:
Deutsche Bachsolisten (in 1968-06)
conductor:
Helmut Winschermann (in 1968-06)
recorded at:
Herforder Münsterkirche in Herford, Nordrhein-Westfalen, Germany (in 1968-06)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz"
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
1:23
25"Süßer Trost, mein Jesus kömmt", BWV 151: 3. Aria: "In Jesu Demut kann ich Trost"
producer:
Volker Straus
bass-baritone vocals:
William Reimer (in 1968-06)
choir vocals:
Westfälische Kantorei (in 1968-06)
contralto vocals:
Birgit Finnilä (in 1968-06)
soprano vocals:
Agnes Giebel (in 1968-06)
tenor vocals:
Dieter Ellenbeck (in 1968-06)
orchestra:
Deutsche Bachsolisten (in 1968-06)
conductor:
Helmut Winschermann (in 1968-06)
recorded at:
Herforder Münsterkirche in Herford, Nordrhein-Westfalen, Germany (in 1968-06)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost"
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
6:34
26"Süßer Trost, mein Jesus kömmt", BWV 151: 4. Recitative: "Du teurer Gottessohn"
producer:
Volker Straus
bass-baritone vocals:
William Reimer (in 1968-06)
choir vocals:
Westfälische Kantorei (in 1968-06)
contralto vocals:
Birgit Finnilä (in 1968-06)
soprano vocals:
Agnes Giebel (in 1968-06)
tenor vocals:
Dieter Ellenbeck (in 1968-06)
orchestra:
Deutsche Bachsolisten (in 1968-06)
conductor:
Helmut Winschermann (in 1968-06)
recorded at:
Herforder Münsterkirche in Herford, Nordrhein-Westfalen, Germany (in 1968-06)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn"
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
1:04
27"Süßer Trost, mein Jesus kömmt", BWV 151: 5. Chorale: "Heut schleußt er wieder auf die Tür"
producer:
Volker Straus
bass-baritone vocals:
William Reimer (in 1968-06)
choir vocals:
Westfälische Kantorei (in 1968-06)
contralto vocals:
Birgit Finnilä (in 1968-06)
soprano vocals:
Agnes Giebel (in 1968-06)
tenor vocals:
Dieter Ellenbeck (in 1968-06)
orchestra:
Deutsche Bachsolisten (in 1968-06)
conductor:
Helmut Winschermann (in 1968-06)
recorded at:
Herforder Münsterkirche in Herford, Nordrhein-Westfalen, Germany (in 1968-06)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür"
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Nikolaus Hermann (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 235)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
0:48
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)