Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 207, 204, 216a (1726-1728)
2CD: Cantatas 198, 201 (1727-1729)
3CD: Cantatas 213, 214 (1733)
4CD: Cantatas 211, 215 (1734)
5CD: Cantatas 206, 30a (1736-1737)
6CD: Cantatas 209, 210, 212 (1730s-1740s)
7CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8CD: Cantatas 56, 82, 4
9CD: Cantatas 31, 104, 57
10CD: Cantatas 199, 173, 74, 151
11CD: Easter Oratorio / Cantata 140
12CD: Cantatas 170, 159, 102
#TitleLength
1"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria "Vergnügte Ruh, beliebte Seelenlust"
producer:
Erik Smith
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (in 1966-01)
balance engineer:
Kenneth Wilkinson
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:58
2"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 2. Recitative: "Die Welt, das Sündenhaus"
producer:
Erik Smith
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (in 1966-01)
balance engineer:
Kenneth Wilkinson
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:47
3"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 3. Aria: "Wie jammern mich doch die verkehrten Herzen"
producer:
Erik Smith
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (in 1966-01)
balance engineer:
Kenneth Wilkinson
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
7:26
4"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 4. Recitative: "Wer sollte sich demnach"
producer:
Erik Smith
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (in 1966-01)
balance engineer:
Kenneth Wilkinson
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:24
5"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 5. Aria: "Mir ekelt mehr zu leben"
producer:
Erik Smith
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (in 1966-01)
balance engineer:
Kenneth Wilkinson
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:53
6"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 1. Arioso & Recitative: "Sehet, wir gehn hinauf gen Jerusalem"3:26
7"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 2. Duet: "Ich folge dir nach" (Alto, Soprano)
producer:
Erik Smith
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord
choir vocals:
St. Anthony Singers (in 1966-01)
contralto vocals:
Janet Baker (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (in 1966-01)
balance engineer:
Kenneth Wilkinson
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
Paul Gerhardt (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:58
8"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 3. Recitative: "Nun will ich mich, mein Jesu" (Tenore)1:28
9"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 4. Aria: "Es ist vollbracht" (Basso)5:29
10"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 5. Chorale: "Jesu, deine Passion ist mir lauter Freude"1:55
11"Herr, deine Augen sehen nach dem Glauben", BWV 102: 1. [Chorus:] "Herr, deine Augen sehen nach dem Glauben!"6:25
12"Herr, deine Augen sehen nach dem Glauben", BWV 102: 2. Recitative: "Wo ist das Ebenbild"1:23
13"Herr, deine Augen sehen nach dem Glauben", BWV 102: 3. Aria: "Weh, der Seele, die den Schaden"5:45
14"Herr, deine Augen sehen nach dem Glauben", BWV 102: 4. Arioso: "Verachtest du den Reichtum seiner Gnade"3:24
15"Herr, deine Augen sehen nach dem Glauben", BWV 102: 5. Aria: "Erschrecke doch, du allzu sichre Seele!"4:55
16"Herr, deine Augen sehen nach dem Glauben", BWV 102: 6. Recitative: "Beim Warten ist Gefahr"1:32
17"Herr, deine Augen sehen nach dem Glauben", BWV 102: 7. Chorale: "Heut lebst du, heut bekehre dich"2:48
13CD: Cantatas 80, 52, 84, 209
14CD: Cantatas 82, 158, 56
15CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17CD: Cantatas 92, 126, 182 (Easter)
18CD: Cantatas 1, 4, 67, 104 (Easter)
19CD: Cantatas 34, 68, 39 (Whitsun)
20CD: Cantatas 30, 147 (Whitsun)
21CD: Cantatas 76, 21 (Trinity)
22CD: Cantatas 135, 10, 45, 105 (Trinity)
23CD: Cantatas 51, 78, 8, 130 (Trinity)
24CD: Cantatas 27, 5, 60, 26 (Trinity)
25CD: St. Matthew Passion (1 Richter)
26CD: St. Matthew Passion (2 Richter)
27CD: St. Matthew Passion (3 Richter)
28CD: Great Singers (1952-1965)
29CD: Great Singers (1967-2011)
30CD: Great Singers (Period Instruments)