Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▼CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
#TitleLength
1"Halt im Gedächtnis Jesum Christ", BWV 67: 1. [Chorus:] "Halt im Gedächhtnis Jesum Christ"
harpsichord:
Friedbert Sammler (in 1931-04)
organ:
Günther Ramin (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (in 1931-04)
tenor vocals:
Hans Lissmann (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ"
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
3:56
2"Halt im Gedächtnis Jesum Christ", BWV 67: 2. Aria: "Mein Jesus ist erstanden"
harpsichord:
Friedbert Sammler (in 1931-04)
organ:
Günther Ramin (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (in 1931-04)
tenor vocals:
Hans Lissmann (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden"
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
3:10
3"Halt im Gedächtnis Jesum Christ", BWV 67: 3. Recitative: "Mein Jesu, heißest du des Todes Gift"
harpsichord:
Friedbert Sammler (in 1931-04)
organ:
Günther Ramin (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (in 1931-04)
tenor vocals:
Hans Lissmann (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift"
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:37
4"Halt im Gedächtnis Jesum Christ", BWV 67: 4. Chorale: "Erschienen ist der herrlich Tag"
harpsichord:
Friedbert Sammler (in 1931-04)
organ:
Günther Ramin (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (in 1931-04)
tenor vocals:
Hans Lissmann (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag"
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:47
5"Halt im Gedächtnis Jesum Christ", BWV 67: 5. Recitative: "Doch scheinet fast"
harpsichord:
Friedbert Sammler (in 1931-04)
organ:
Günther Ramin (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (in 1931-04)
tenor vocals:
Hans Lissmann (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast"
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:06
6"Halt im Gedächtnis Jesum Christ", BWV 67: 6. Aria: "Friede sei mit euch"
harpsichord:
Friedbert Sammler (in 1931-04)
organ:
Günther Ramin (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (in 1931-04)
tenor vocals:
Hans Lissmann (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!"
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
6:50
7"Halt im Gedächtnis Jesum Christ", BWV 67: 7. Chorale: "Du Friedefürst, Herr Jesu Christ"
harpsichord:
Friedbert Sammler (in 1931-04)
organ:
Günther Ramin (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (in 1931-04)
tenor vocals:
Hans Lissmann (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ"
lyricist:
Jakob Ebert
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:08
8St. Matthew Passion, BWV 244 (excerpts): 18. Evangelist, Jesus "Da kam Jesus mit ihnen zu einem Hofe"
bass vocals [Jesus]:
William Ravelli (on 1939-04-02)
tenor vocals [Evangelist]:
Karl Erb (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (on 1939-04-02)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:44
9St. Matthew Passion, BWV 244 (excerpts): 19. Recitativo (Tenor, Chorus) "O Schmerz! Hier zittert das gequälte Herz!"
choir vocals:
Toonkunstkoor Amsterdam (on 1939-04-02)
tenor vocals:
Louis van Tulder (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (on 1939-04-02)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:59
10St. Matthew Passion, BWV 244 (excerpts): 20. Aria (Tenor, Chorus) "Ich will bei meinen Jesu wachen"
choir vocals:
Toonkunstkoor Amsterdam (on 1939-04-02)
tenor vocals:
Louis van Tulder (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (on 1939-04-02)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:07
11St. Matthew Passion, BWV 244 (excerpts): 21. Evangelist, Jesus "Und ging hin ein wenig"
bass vocals [Jesus]:
William Ravelli (on 1939-04-02)
tenor vocals [Evangelist]:
Karl Erb (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (on 1939-04-02)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:12
12St. Matthew Passion, BWV 244 (excerpts): 24. Evangelist, Jesus "Und er kam zu seinen Jüngern"
bass vocals [Jesus]:
William Ravelli (on 1939-04-02)
tenor vocals [Evangelist]:
Karl Erb (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (on 1939-04-02)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:07
13St. Matthew Passion, BWV 244 (excerpts): 25. Choral "Was mein Gott will, das g'scheh allzeit"
choir vocals:
Toonkunstkoor Amsterdam (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (on 1939-04-02)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
2:12
14St. Matthew Passion, BWV 244 (excerpts): 26. Recitative: "Und er karn und fand sie aber schlafend"
baritone vocals [baritone - Judas]:
Eberhard Wächter (in 1953-06)
bass-baritone vocals [bass-baritone - Jesus]:
Heinz Rehfuss (in 1953-06)
choir vocals:
Wiener Kammerchor (in 1953-06)
contralto vocals:
Hilde Rössel‐Majdan (in 1953-06)
soprano vocals:
Magda László (in 1953-06)
tenor vocals [tenor - Evangelist]:
Hugues Cuénod (in 1953-06)
orchestra:
Orchester der Wiener Staatsoper (in 1953-06)
conductor:
Hermann Scherchen (in 1953-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1953-06)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:20
15St. Matthew Passion, BWV 244 (excerpts): 27a. Aria (Duet): "So ist mein Jesus nun gefangen" / 27b. [Chorus:] "Sind Blitze, sind Donner in Wolken verschwunden"
baritone vocals [baritone - Judas]:
Eberhard Wächter (in 1953-06)
bass-baritone vocals [bass-baritone - Jesus]:
Heinz Rehfuss (in 1953-06)
choir vocals:
Wiener Kammerchor (in 1953-06)
contralto vocals:
Hilde Rössel‐Majdan (in 1953-06)
soprano vocals:
Magda László (in 1953-06)
tenor vocals [tenor - Evangelist]:
Hugues Cuénod (in 1953-06)
orchestra:
Orchester der Wiener Staatsoper (in 1953-06)
conductor:
Hermann Scherchen (in 1953-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1953-06)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:26
16"Gottes Zeit ist die allerbeste Zeit", BWV 106: 1. Sonatina
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:02
17"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2a. [Chorus:] "Gottes Zeit ist die allerbeste Zeit"
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit"
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:46
18"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2b. "Ach, Herr, lehre uns bedenken"
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken"
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:22
19"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2c. "Bestelle dein Haus!"
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus"
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:08
20"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2d. "Es ist der alte Bund"
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund"
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:58
21"Gottes Zeit ist die allerbeste Zeit", BWV 106: 3a. "In deine Hände befehl"
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist"
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:09
22"Gottes Zeit ist die allerbeste Zeit", BWV 106: 3b. "Heute wirst du mit mir"
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir"
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:58
23"Gottes Zeit ist die allerbeste Zeit", BWV 106: 4. [Chorus:] "Glorie, Lob, Ehr und Herrlichkeit"
baritone vocals:
Alfred Poell (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel‐Majdan (in 1951)
tenor vocals:
Waldemar Kmentt (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (in 1951)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit"
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:53
24"Es erhub sich ein Streit", BWV 19: 1. [Chorus:] "Es erhub sich ein Streit"
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (on 1952-06-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
5:02
25"Es erhub sich ein Streit", BWV 19: 2. Recitative: "Gottlob! der Drache liegt"
bass vocals:
Hermann Schey
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (on 1952-06-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
1:11
26"Es erhub sich ein Streit", BWV 19: 3. Aria: "Gott schickt uns Mahanaim zu"
soprano vocals:
Gunthild Weber
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (on 1952-06-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
4:26
27"Es erhub sich ein Streit", BWV 19: 4. Recitative: "Was ist der schnöde Mensch, das Erdenkind?"
tenor vocals:
Helmut Krebs
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (on 1952-06-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:50
28"Es erhub sich ein Streit", BWV 19: 5. Aria: "Bleibt, ihr Engel, bleibt bei mir!"
tenor vocals:
Helmut Krebs
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (on 1952-06-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
7:42
29"Es erhub sich ein Streit", BWV 19: 6. Recitative: "Lasst uns das Angesicht der drommen Engel lieben"
soprano vocals:
Gunthild Weber
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (on 1952-06-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:38
30"Es erhub sich ein Streit", BWV 19: 7. Chorus: "Lass dein Engel mit mir fahren"
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (on 1952-06-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
1:28
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)