Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▼CD: St. Matthew Passion (2 Richter)
#TitleLength
1St. Matthew Passion, BWV 244: Part I. Prayer on the Mount of Olives: 24. Recitative: "Und er kam zu senen Jüngern"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:44
2St. Matthew Passion, BWV 244: Part I. Prayer on the Mount of Olives: 25. Chorale: "Was mein Gott will, das g'scheh allzeit"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
1:07
3St. Matthew Passion, BWV 244: Part I. Prayer on the Mount of Olives: 26. Recitative: "Und er kam und fand sie aber schlafend"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:10
4St. Matthew Passion, BWV 244: Part I. Arrest of Jesus: 27a. Aria (Duet): "So ist mein Jesus nun gefangen" / 4b. [Chorus:] "Sind Blitze, sind Donner in Wolken verschwunden"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:01
5St. Matthew Passion, BWV 244: Part I. Arrest of Jesus: 28. Recitative: "Und siehe, einer aus denen, die mit Jesu waren"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:20
6St. Matthew Passion, BWV 244: Part I. Arrest of Jesus: 29. Chorale: "O Mensch, bewein dein Sünde groß"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals [Soprano in ripieno]:
Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:48
7St. Matthew Passion, BWV 244: Part II: Aria: "Ach, nun ist mein Jesus hin"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals and contralto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:59
8St. Matthew Passion, BWV 244: Part II. Jesus's Interrogation by the High Priests: 31. Recitative: "Die aber Jesum gegriffen hatten"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:05
9St. Matthew Passion, BWV 244: Part II. Jesus's Interrogation by the High Priests: 32. "Mir had die Welt trüglich gericht'"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08) and Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1958-06 until 1958-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
0:51
10St. Matthew Passion, BWV 244: Part II. Jesus's Interrogation by the High Priests: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals and bass vocals [High Priest]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals and tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:28
11St. Matthew Passion, BWV 244: Part II. Jesus's Interrogation by the High Priests: 34. Recitative: "Mein Jesus schweigt zu falschen Lügen stille"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:14
12St. Matthew Passion, BWV 244: Part II. Jesus's Interrogation by the High Priests: 35. Aria: "Geduld! Wenn mich falsche Zungen stechen!"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:44
13St. Matthew Passion, BWV 244: Part II. Peter's Denial: 36a. Recitative: "Und der Hohepriester antwortete" / 36b. Chorus: "Er ist des Todes schuldig"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
1:48
14St. Matthew Passion, BWV 244: Part II. Peter's Denial: 36c. Recitative: "Da speieten sie aus" / 36d. Chorus: "Weissage uns, Christe"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
0:42
15St. Matthew Passion, BWV 244: Part II. Peter's Denial: 37. CHorale: "Wer hat dich so geschlagen"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
1:00
16St. Matthew Passion, BWV 244: Part II. Peter's Denial: 38a. Recitative: "Petrus aber saß draußen"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (from 1958-06 until 1958-08)
soprano vocals [1st Maid]:
Antonia Fahberg (from 1958-06 until 1958-08)
soprano vocals [2nd Maid]:
Hertha Töpper (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
0:57
17St. Matthew Passion, BWV 244: Part II. Peter's Denial: 38b. Chorus: "Wahrlich, du bist auch einer von denen" / 38c. Recitative: "Da hub er an, sich zu verfluchen"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
1:41
18St. Matthew Passion, BWV 244: Part II. Peter's Denial: 39. Aria: "Erbarme dich, mein Gott"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1958-06 until 1958-08)
orchestrator:
Ton Koopman
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:46
19St. Matthew Passion, BWV 244: Part II. Peter's Denial: 40. Chorale: "Bin ich gleich von dir gewichen"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1958-06 until 1958-08)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
1:10
20St. Matthew Passion, BWV 244: Part II. Judas in the Temple: 41a. Recitative: "Des Morgens aber hielten alle Hohepriester" / 41b. Chorus: "Was gehet uns das an?"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
1:12
21St. Matthew Passion, BWV 244: Part II. Judas in the Temple: 41c. Recitative: "Und er warf die Silberlinge in den Tempel"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
0:49
22St. Matthew Passion, BWV 244: Part II. Judas in the Temple: 42. Aria: "Gebt mir meinen Jesum wieder"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:12
23St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 43. Recitative: "Sie hielten aber einen Rat"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:49
24St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 44. Chorale: "Befiehl du deine Wege"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
1:28
25St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 45a. Recitative: "Aug das Fest aber hatte der Landpfleger Gewohnheit" / 45b. Chorus: "Lass ihn kreuzigen"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals [Pilate's Wife]:
Antonia Fahberg (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:44
26St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 46. Chorale: "Wie wunderbarlich ist doch diese Strafe!"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1958-06 until 1958-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
1:14
27St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 47. Recitative: "Der Landpfleger sagte"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:15
28St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 48. Recitative: "Er hat uns allen wohlgetan"
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:19
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)