Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 1 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Tracklist

1▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)

2▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)

3▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)

4▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)

5▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)

6▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)

7▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)

8▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)

9▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)

10▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)

11▶CD: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)

12▶CD: Bach: St. John Passion, BWV 245 (Part II cont.)

13▶CD: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)

14▶CD: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)

15▶CD: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)

16▶CD: Karl Richter Rehearses Bach's Christmas Oratorio

17▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63

18▶CD: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171

19▶CD: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13

20▶CD: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82

21▶CD: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23

22▶CD: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182

23▶CD: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67

24▶CD: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12

25▶CD: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87

26▶CD: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34

27▶CD: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129

28▶CD: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135

29▶CD: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24

30▶CD: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93

31▶CD: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10

32▶CD: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178

33▶CD: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102

34▶CD: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137

35▶CD: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17

36▶CD: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27

37▶CD: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148

38▶CD: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56

39▶CD: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55

40▶CD: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26

41▶CD: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140

42▶CD: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106

43▶CD: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51

44▶CD: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202

45▶CD: Bach: 20 Sacred Songs from Schemelli's Song-Book

46▶CD: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050

47▶CD: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067

48▶CD: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044

49▶CD: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R

50▶CD: Bach: Harpsichord Concertos, BWV 1052-1055

51▶CD: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061

52▶CD: Bach: Harpsichord Concertos, BWV 1062-1065

53▶CD: Bach: Musical Offering, BWV 1079

54▶CD: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016

55▶CD: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019

56▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)

57▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013

58▶CD: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988

59▶CD: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435

60▶CD: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548

61▶CD: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588

62▶CD: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582

63▶CD: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548

64▶CD: Bach: Organ Concertos nos. 1-6, BWV 592-597

65▶CD: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183

66▶CD: Beethoven: Mass in C major, op. 86

67▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)

68▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)

69▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)

70▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)

71▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)

72▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)

73▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)

74▶CD: Handel: Samson, HWV 57 (Symfony, Act I)

75▼CD: Handel: Samson, HWV 57 (Act II)
#	Title	Artist	Length
1	Samson, HWV 57: Act II, Scene 1. Recitative: “Trust yet in God!” (Manoa) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) bass vocals [Manoa]: Thomas Stewart (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:23
2	Samson, HWV 57: Act II, Scene 1. Recitative: “My evils hopeless are!” (Samson, Micah) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) alto vocals [Micah]: Norma Procter (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:55
3	Samson, HWV 57: Act II, Scene 1. Air: “Return, oh God of hosts!” (Micah) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) alto vocals [Micah]: Norma Procter (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	5:50
4	Samson, HWV 57: Act II, Scene 1. Air and Chorus of Israelites: “To dust his glory they would tread” (Micah) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) alto vocals [Micah]: Norma Procter (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	4:20
5	Samson, HWV 57: Act II, Scene 2. Recitative: “But who is this?” (Micah, Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) alto vocals [Micah]: Norma Procter (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:14
6	Samson, HWV 57: Act II, Scene 2. Recitative: “With doubtful feet” (Dalila, Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Dalila]: Martina Arroyo (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:45
7	Samson, HWV 57: Act II, Scene 2. Air: “With plaintive notes” (Virgin) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Virgin]: Sheila Armstrong (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	7:12
8	Samson, HWV 57: Act II, Scene 2. Recitative: “Did Love constrain thee?” (Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:37
9	Samson, HWV 57: Act II, Scene 2. Air: “Your charms to ruin led the way” (Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	3:41
10	Samson, HWV 57: Act II, Scene 2. Recitative: “Forgive what's done” (Dalila) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Dalila]: Martina Arroyo (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:41
11	Samson, HWV 57: Act II, Scene 2. Duet: “My faith and truth” (Dalila, Virgin) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Dalila]: Martina Arroyo (from 1968-10 until 1968-11) soprano vocals [Virgin]: Helen Donath (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	5:39
12	Samson, HWV 57: Act II, Scene 2. Chorus of Virgins: “Her faith and truth” recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:23
13	Samson, HWV 57: Act II, Scene 2. Air, 1st verse: “To fleeting pleasures make your court” (Dalila) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Dalila]: Martina Arroyo (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	2:25
14	Samson, HWV 57: Act II, Scene 2. Chorus of Virgins: “Her faith and truth” recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:26
15	Samson, HWV 57: Act II, Scene 2. Air, 2nd verse: “How charming is domestic ease!” (Dalila) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Dalila]: Martina Arroyo (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	2:26
16	Samson, HWV 57: Act II, Scene 2. Chorus of Virgins: “Her faith and truth” recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:25
17	Samson, HWV 57: Act II, Scene 2. Recitative: “Ne'er think of that!” (Samson, Dalila) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Dalila]: Martina Arroyo (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:45
18	Samson, HWV 57: Act II, Scene 2. Duet: “Traitor to love!” (Dalila, Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Dalila]: Martina Arroyo (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:46
19	Samson, HWV 57: Act II, Scene 3. Recitative: “She's gone!” (Micah, Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) alto vocals [Micah]: Norma Procter (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:18
20	Samson, HWV 57: Act II, Scene 3. Air: “It is not virtue” (Israelitish Man) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) soprano vocals [Israelitish Man]: Helen Donath (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	4:48
21	Samson, HWV 57: Act II, Scene 3. Recitative: “Favour'd of heaven is he” (Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:31
22	Samson, HWV 57: Act II, Scene 3. Chorus of Israelites: “To man God's universal law” recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	2:25
23	Samson, HWV 57: Act II, Scene 4. Recitative: “No words of peace” (Micah, Harapha, Samson) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) alto vocals [Micah]: Norma Procter (from 1968-10 until 1968-11) bass vocals [Harapha]: Ezio Flagello (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:53
24	Samson, HWV 57: Act II, Scene 4. Air: “Honour and arms scorn such a foe” (Harapha) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) bass vocals [Harapha]: Ezio Flagello (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	5:26
25	Samson, HWV 57: Act II, Scene 4. Recitative: “Cam'st thou for this” (Samson, Harapha) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) bass vocals [Harapha]: Ezio Flagello (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:36
26	Samson, HWV 57: Act II, Scene 4. Duet: “Go, baffled coward, go” (Samson, Harapha) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) bass vocals [Harapha]: Ezio Flagello (from 1968-10 until 1968-11) tenor vocals [Samson]: Alexander Young (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	2:32
27	Samson, HWV 57: Act II, Scene 4. Recitative: “Here lies the proof” (Micah) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) alto vocals [Micah]: Norma Procter (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:04
28	Samson, HWV 57: Act II, Scene 4. Chorus of Israelites: “Hear, Jacob's God” recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	3:38
29	Samson, HWV 57: Act II, Scene 4. Recitative: “Dragon, arise!” (Harapha) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) bass vocals [Harapha]: Ezio Flagello (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	0:15
30	Samson, HWV 57: Act II, Scene 4. Air: “To song and dance we give the day” (A Philistine) recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) tenor vocals [A Philistine]: Jerry J. Jennings (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	3:29
31	Samson, HWV 57: Act II, Scene 4. Chorus of Philistines: “To song and dance we give the day” recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	1:57
32	Samson, HWV 57: Act II, Scene 4. Double Chorus of Israelites and Philistines: “Fix'd in his everlasting seat” recording engineer: Heinz Wildhagen producer: Dr. Manfred Richter bassoon: Detlev Kühl (from 1968-10 until 1968-11) cello: Kenneth Heath (from 1968-10 until 1968-11) double bass: Herbert Duft (from 1968-10 until 1968-11) flute: Wolfgang Haag (from 1968-10 until 1968-11) and Herbert Segel (from 1968-10 until 1968-11) harpsichord: Iwona Fütterer (from 1968-10 until 1968-11) horn: Hermann Baumann (from 1968-10 until 1968-11) and Werner Meyendorf (from 1968-10 until 1968-11) oboe: Manfred Clement (from 1968-10 until 1968-11) and Andreas Schwinn (from 1968-10 until 1968-11) organ: Elmar Schloter (from 1968-10 until 1968-11) trombone: Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (from 1968-10 until 1968-11) trumpet: Maurice André (from 1968-10 until 1968-11) and Paul Lachenmeier (from 1968-10 until 1968-11) choir vocals: Münchener Bach‐Chor (from 1968-10 until 1968-11) orchestra: Münchener Bach‐Orchester (from 1968-10 until 1968-11) conductor: Karl Richter (from 1968-10 until 1968-11) recorded at: Herkulessaal in München, Bayern, Germany (from 1968-10 until 1968-11)	George Frideric Handel	3:12

76▶CD: Handel: Samson, HWV 57 (Act III)

77▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)

78▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)

79▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)

80▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)

81▶CD: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281

82▶CD: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna

83▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334

84▶CD: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b

85▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323

86▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327

87▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318

88▶CD: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1

89▶CD: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)

90▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323

91▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327

92▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330

93▶CD: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101

94▶CD: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti

95▶CD: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260

96▶CD: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46

97▶CD: In dulci jubilo: 18 European Christmas Carols

98▶Blu-ray: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)

99▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)

100▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

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photography:	Siegfried Lauterwasser Werner Neumeister
miscellaneous support:	Nicole Albring (task: creative production manager) Martin Dirnberger (task: product manager) Alan Newcombe (task: compilation)
design:	Mareike Walter
booklet editor:	Annette Nubbemeyer Eva Reisinger texthouse

purchase for mail-order:	https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info] https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]

Complete Recordings on Archiv Produktion and Deutsche Grammophon

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Genres: classical

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