| # | Title | Artist | Length |
|---|
| 1 | “Liebster Gott, wann werd' ich sterben?”, BWV 8: 1. [Chorus]: “Liebster Gott, wann werd' ich sterben?”- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- flute:
- Aurèle Nicolet (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore I]:
- Horst Schneider (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore II]:
- Edgar Shann (from 1959-07 until 1959-08)
- choir vocals:
- Münchener Bach‐Chor (from 1959-07 until 1959-08)
- orchestra:
- Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
- conductor:
- Karl Richter (from 1959-07 until 1959-08)
- balance engineer:
- Walter Alfred Wettler
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1959)
- recorded at:
- Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
- recording of:
- Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (from 1959-07 until 1959-08)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-09-24)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- Caspar Neumann
- part of:
- Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?"
| Johann Sebastian Bach | 8:27 |
| 2 | “Liebster Gott, wann werd' ich sterben?”, BWV 8: 2. Aria: “Was willst du dich, mein Geist, entsetzen” (tenor)- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- flute:
- Aurèle Nicolet (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore I]:
- Horst Schneider (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore II]:
- Edgar Shann (from 1959-07 until 1959-08)
- tenor vocals:
- Ernst Haefliger (from 1959-07 until 1959-08)
- orchestra:
- Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
- conductor:
- Karl Richter (from 1959-07 until 1959-08)
- balance engineer:
- Walter Alfred Wettler
- phonographic copyright (℗) by:
- Polydor International GmbH
- recorded at:
- Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
- recording of:
- Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (from 1959-07 until 1959-08)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-09-24)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?"
| Johann Sebastian Bach | 4:22 |
| 3 | “Liebster Gott, wann werd' ich sterben?”, BWV 8: 3. Recitative: “Zwar fühlt mein schwaches Herz” (alto)- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- flute:
- Aurèle Nicolet (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore I]:
- Horst Schneider (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore II]:
- Edgar Shann (from 1959-07 until 1959-08)
- alto vocals:
- Hertha Töpper (from 1959-07 until 1959-08)
- orchestra:
- Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
- conductor:
- Karl Richter (from 1959-07 until 1959-08)
- balance engineer:
- Walter Alfred Wettler
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1959)
- recorded at:
- Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
- recording of:
- Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (from 1959-07 until 1959-08)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-09-24)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?"
| Johann Sebastian Bach | 1:29 |
| 4 | “Liebster Gott, wann werd' ich sterben?”, BWV 8: 4. Aria: “Doch weichet, ihr tollen, vergeblichen Sorgen!” (bass)- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- flute:
- Aurèle Nicolet (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore I]:
- Horst Schneider (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore II]:
- Edgar Shann (from 1959-07 until 1959-08)
- bass vocals:
- Kieth Engen (from 1959-07 until 1959-08)
- orchestra:
- Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
- conductor:
- Karl Richter (from 1959-07 until 1959-08)
- balance engineer:
- Walter Alfred Wettler
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1959)
- recorded at:
- Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
- recording of:
- Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (from 1959-07 until 1959-08)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-09-24)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- version of:
- Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!"
- part of:
- Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?"
| Johann Sebastian Bach | 5:56 |
| 5 | “Liebster Gott, wann werd' ich sterben?”, BWV 8: 5. Recitative: “Behalte nur, o Welt, das Meine!” (soprano)- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- flute:
- Aurèle Nicolet (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore I]:
- Horst Schneider (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore II]:
- Edgar Shann (from 1959-07 until 1959-08)
- soprano vocals:
- Ursula Buckel (from 1959-07 until 1959-08)
- orchestra:
- Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
- conductor:
- Karl Richter (from 1959-07 until 1959-08)
- balance engineer:
- Walter Alfred Wettler
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1959)
- recorded at:
- Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
- recording of:
- Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (from 1959-07 until 1959-08)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-09-24)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?"
| Johann Sebastian Bach | 1:39 |
| 6 | “Liebster Gott, wann werd' ich sterben?”, BWV 8: 6. Chorale: “Herrscher über Tod und Leben”- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- flute:
- Aurèle Nicolet (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore I]:
- Horst Schneider (from 1959-07 until 1959-08)
- oboe d'amore [oboe d'amore II]:
- Edgar Shann (from 1959-07 until 1959-08)
- choir vocals:
- Münchener Bach‐Chor (from 1959-07 until 1959-08)
- orchestra:
- Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
- conductor:
- Karl Richter (from 1959-07 until 1959-08)
- balance engineer:
- Walter Alfred Wettler
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1959)
- recorded at:
- Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
- recording of:
- Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (from 1959-07 until 1959-08)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-09-24)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- Caspar Neumann
- part of:
- Breitkopf 389 Choralgesänge (number: 227)
- part of:
- Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?"
| Johann Sebastian Bach | 2:01 |
| 7 | “Bringet dem Herrn Ehre seines Namens”, BWV 148: 1. Chorus: “Bringet dem Herrn Ehre seines Namens”- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe I]:
- Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe II]:
- Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
- trumpet:
- Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
- violin:
- Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
- choir vocals:
- Münchener Bach‐Chor (in 1977-02, in 1977-06, in 1978-02)
- orchestra:
- Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
- conductor:
- Karl Richter (in 1977-02, in 1977-06, in 1978-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
- recording of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
| Johann Sebastian Bach | 3:55 |
| 8 | “Bringet dem Herrn Ehre seines Namens”, BWV 148: 2. Aria: “Ich eile, die Lehren des Lebens zu hören” (tenor)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe I]:
- Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe II]:
- Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
- trumpet:
- Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
- violin:
- Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
- tenor vocals:
- Peter Schreier (in 1977-02, in 1977-06, in 1978-02)
- orchestra:
- Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
- conductor:
- Karl Richter (in 1977-02, in 1977-06, in 1978-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
- recording of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
| Johann Sebastian Bach | 5:02 |
| 9 | “Bringet dem Herrn Ehre seines Namens”, BWV 148: 3. Recitative: “So wie der Hirsch nach frischem Wasser schreit” (alto)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe I]:
- Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe II]:
- Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
- trumpet:
- Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
- violin:
- Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
- alto vocals:
- Julia Hamari (in 1977-02, in 1977-06, in 1978-02)
- orchestra:
- Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
- conductor:
- Karl Richter (in 1977-02, in 1977-06, in 1978-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
- recording of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
| Johann Sebastian Bach | 2:09 |
| 10 | “Bringet dem Herrn Ehre seines Namens”, BWV 148: 4. Aria: “Mund und Herze steht dir offen” (alto)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe I]:
- Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe II]:
- Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
- trumpet:
- Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
- violin:
- Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
- alto vocals:
- Julia Hamari (in 1977-02, in 1977-06, in 1978-02)
- orchestra:
- Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
- conductor:
- Karl Richter (in 1977-02, in 1977-06, in 1978-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
- recording of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
| Johann Sebastian Bach | 6:01 |
| 11 | “Bringet dem Herrn Ehre seines Namens”, BWV 148: 5. Recitative: “Bleib auch, mein Gott, in mir” (tenor)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe I]:
- Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe II]:
- Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
- trumpet:
- Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
- violin:
- Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
- tenor vocals:
- Peter Schreier (in 1977-02, in 1977-06, in 1978-02)
- orchestra:
- Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
- conductor:
- Karl Richter (in 1977-02, in 1977-06, in 1978-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
- recording of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
| Johann Sebastian Bach | 1:12 |
| 12 | “Bringet dem Herrn Ehre seines Namens”, BWV 148: 6. Chorale: “Führ auch mein Herz und Sinn”- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe I]:
- Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
- oboe [oboe II]:
- Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
- trumpet:
- Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
- violin:
- Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
- choir vocals:
- Münchener Bach‐Chor (in 1977-02, in 1977-06, in 1978-02)
- orchestra:
- Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
- conductor:
- Karl Richter (in 1977-02, in 1977-06, in 1978-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
- recording of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" (in 1977-06)
- lyricist:
- Johann Heermann
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Breitkopf 389 Choralgesänge (number: 29)
- part of:
- Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
| Johann Sebastian Bach | 1:05 |
