Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 1 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Tracklist

1▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
2▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
3▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
4▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
5▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
6▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
7▼CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
#TitleLength
1Matthäus-Passion, BWV 244: Part II. 58. Aria: “Aus Liebe will mein Heiland sterben” (soprano)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:32
2Matthäus-Passion, BWV 244: Part II. 59. Recitative: “Sie schrien aber noch mehr” (Evangelist) / Chorus: “Lass ihn kreuzigen!” / Recitative: “Da aber Pilatus sahe” (Evangelist, Pilate) / Recitative: “Da gab er ihnen Barrabam los” (Evangelist)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:09
3Matthäus-Passion, BWV 244: Part II. 60. Recitative: “Erbarm es Gott!” (alto)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:01
4Matthäus-Passion, BWV 244: Part II. 61. Aria: “Können Tränen meiner Wangen” (alto)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
8:03
5Matthäus-Passion, BWV 244: Part II. 62. Recitative: “Da nahmen die Kriegsknechte” (Evangelist) / Chorus: “Gegrüßet seist du, Judenkönig!” / Recitative: “Und speieten ihn an” (Evangelist)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:17
6Matthäus-Passion, BWV 244: Part II. 63. Chorale: “O Haupt voll Blut und Wunden”
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:58
7Matthäus-Passion, BWV 244: Part II. 64. Recitative: “Und da sie ihn verspottet hatten” (Evangelist)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:12
8Matthäus-Passion, BWV 244: Part II. 65. Recitative: “Ja, freilich will in uns das Fleisch und Blut” (bass)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:41
9Matthäus-Passion, BWV 244: Part II. 66. Aria: “Komm, süßes Kreuz” (bass)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:27
10Matthäus-Passion, BWV 244: Part II. 67. Recitative: “Und da die an die Stätte kamen” (Evangelist) / Chorus: “Der du den Tempel Gottes zerbrichst” / Recitative: “Desgleichen auch die Hohenpriester” (Evangelist) / Chorus: “Andern hat er geholfen”
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
3:37
11Matthäus-Passion, BWV 244: Part II. 68. Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:20
12Matthäus-Passion, BWV 244: Part II. 69. Recitative: “Ach Golgatha, unselges Golgatha!” (alto)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:42
13Matthäus-Passion, BWV 244: Part II. 70. Aria with Chorus: “Schet, Jesus hat die Hand” (alto)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:51
14Matthäus-Passion, BWV 244: Part II. 71. Recitative: “Und von der sechsten Stunde an” (Evangelist, Jesus) / Chorus: “Der rufet dem Elias!” / Recitative: “Und bald lief einer unter ihnen” (Evangelist) / Chorus: “Halt, lass schen” / Recitative: “Aber Jesus schrie abermal laut” (Evangelist)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
2:59
15Matthäus-Passion, BWV 244: Part II. 72. Chorale: “Wenn ich einmal soll scheiden”
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
2:02
16Matthäus-Passion, BWV 244: Part II. 73a. Recitative: “Und siehe da, der Vorhang im Tempel zerriss” (Evangelist) / Chorus: “Wahrlich, dieser ist Gottes Sohn gewesen”
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
2:33
17Matthäus-Passion, BWV 244: Part II. 73b. Recitative: “Und es waren viel Weiber da” (Evangelist)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
1:33
18Matthäus-Passion, BWV 244: Part II. 74. Recitative: “Am Abend, da es kühle war” (bass)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:15
19Matthäus-Passion, BWV 244: Part II. 75. Aria: “Mache dich, main Herze, rein” (bass)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:09
20Matthäus-Passion, BWV 244: Part II. 76. Recitative: “Und Joseph nahm den Leib” (Evangelist) / Chorus: “Herr, wir haben gedacht” / Recitative: “Pilatus sprach zu ihnen” (Evangelist, Pilate)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:53
21Matthäus-Passion, BWV 244: Part II. 77. Recitative with Chorus: “Nun ist der Herr zur Ruh gebracht” (soloists)
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:30
22Matthäus-Passion, BWV 244: Part II. 78. Chorus: “Wir setzen uns mit Tränen nieder”
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:28
8▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
9▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
10▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
11▶CD: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
12▶CD: Bach: St. John Passion, BWV 245 (Part II cont.)
13▶CD: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
14▶CD: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
15▶CD: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
16▶CD: Karl Richter Rehearses Bach's Christmas Oratorio
17▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
18▶CD: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
19▶CD: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
20▶CD: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
21▶CD: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
22▶CD: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
23▶CD: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
24▶CD: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
25▶CD: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
26▶CD: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
27▶CD: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
28▶CD: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
29▶CD: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
30▶CD: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
31▶CD: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
32▶CD: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
33▶CD: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
34▶CD: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
35▶CD: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
36▶CD: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
37▶CD: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
38▶CD: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
39▶CD: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
40▶CD: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
41▶CD: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
42▶CD: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
43▶CD: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
44▶CD: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
45▶CD: Bach: 20 Sacred Songs from Schemelli's Song-Book
46▶CD: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
47▶CD: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
48▶CD: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
49▶CD: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
50▶CD: Bach: Harpsichord Concertos, BWV 1052-1055
51▶CD: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
52▶CD: Bach: Harpsichord Concertos, BWV 1062-1065
53▶CD: Bach: Musical Offering, BWV 1079
54▶CD: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
55▶CD: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
56▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
57▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
58▶CD: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
59▶CD: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
60▶CD: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
61▶CD: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
62▶CD: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
63▶CD: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
64▶CD: Bach: Organ Concertos nos. 1-6, BWV 592-597
65▶CD: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
66▶CD: Beethoven: Mass in C major, op. 86
67▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
68▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
69▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
70▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
71▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
72▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
73▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
74▶CD: Handel: Samson, HWV 57 (Symfony, Act I)
75▶CD: Handel: Samson, HWV 57 (Act II)
76▶CD: Handel: Samson, HWV 57 (Act III)
77▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
78▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
79▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
80▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
81▶CD: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
82▶CD: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
83▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
84▶CD: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
85▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
86▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
87▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
88▶CD: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
89▶CD: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
90▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
91▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
92▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
93▶CD: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
94▶CD: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
95▶CD: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
96▶CD: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
97▶CD: In dulci jubilo: 18 European Christmas Carols
98▶Blu-ray: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
99▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
100▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)