| # | Title | Artist | Length |
|---|
| 1 | “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part I. 1. [Chorus]: “Es ist dir gesagt, Mensch, was gut ist”- recording engineer and balance engineer:
- Walter Alfred Wettler
- executive producer:
- Prof. Dr. Hans Hickmann
- producer:
- Karl-Heinz Schneider
- flute:
- Aurèle Nicolet (from 1959-07 until 1959-08)
- choir vocals:
- Münchener Bach‐Chor (from 1959-07 until 1959-08)
- orchestra:
- Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
- conductor:
- Karl Richter (from 1959-07 until 1959-08)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1959)
- recorded at:
- Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
- recording of:
- Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 1959-07 until 1959-08)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
| Johann Sebastian Bach | 5:47 |
| 2 | “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part I. 2. Recitative: “Der Höchste lässt mich seinen Willen wissen” (tenor) | Johann Sebastian Bach | 1:28 |
| 3 | “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part I. 3. Aria: “Weiß ich Gottes Rechte” (tenor) | Johann Sebastian Bach | 3:47 |
| 4 | “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 4. Arioso: “Es werden viele zu mir sagen” (bass) | Johann Sebastian Bach | 3:24 |
| 5 | “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 5. Aria: “Wer Gott bekennt aus wahrem Herzensgrund” (alto) | Johann Sebastian Bach | 3:49 |
| 6 | “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 6. Recitative: “So wird denn Herz und Mund” (alto) | Johann Sebastian Bach | 1:33 |
| 7 | “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 7. Chorale: “Gib, dass ich tu' mit Fleiß” | Johann Sebastian Bach | 1:19 |
| 8 | “Herr, gehe nicht ins Gericht”, BWV 105: 1. Chorus: “Herr, gehe nicht ins Gericht”- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- trumpet:
- Paul Lachenmeier (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
| Johann Sebastian Bach | 6:05 |
| 9 | “Herr, gehe nicht ins Gericht”, BWV 105: 2. Recitative: “Mein Gott, verwirf mich nicht” (alto)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- trumpet:
- Paul Lachenmeier (in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1976-03, in 1976-10) and Júlia Hamari (in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
| Johann Sebastian Bach | 1:17 |
| 10 | “Herr, gehe nicht ins Gericht”, BWV 105: 3. Aria: “Wir zittern und wanken” (soprano)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- trumpet:
- Paul Lachenmeier (in 1976-03, in 1976-10, in 1977-06)
- soprano vocals:
- Edith Mathis (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
| Johann Sebastian Bach | 7:44 |
| 11 | “Herr, gehe nicht ins Gericht”, BWV 105: 4. Recitative: “Wohl aber dem, der seinen Bürgen weiß” (bass)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- trumpet:
- Paul Lachenmeier (in 1976-03, in 1976-10, in 1977-06)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
| Johann Sebastian Bach | 1:42 |
| 12 | “Herr, gehe nicht ins Gericht”, BWV 105: 5. Aria: “Kann ich nur Jesum mir zum Freunde machen” (tenor)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- trumpet:
- Paul Lachenmeier (in 1976-03, in 1976-10, in 1977-06)
- tenor vocals:
- Peter Schreier (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
| Johann Sebastian Bach | 6:15 |
| 13 | “Herr, gehe nicht ins Gericht”, BWV 105: 6. Chorale: “Nun, ich weiß, du wirst mir stillen”- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- trumpet:
- Paul Lachenmeier (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1723)
- part of:
- Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
| Johann Sebastian Bach | 1:50 |
| 14 | “Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 1. Chorus: “Herr, deine Augen sehen nach dem Glauben”- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- engineered at:
- Herkulessaal in München, Bayern, Germany (in 1977-06)
- recording of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- part of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
| Johann Sebastian Bach | 6:12 |
| 15 | “Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 2. Recitative: “Wo ist das Ebenbild, das Gott uns eingepräget” (bass)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- engineered at:
- Herkulessaal in München, Bayern, Germany (in 1977-06)
- recording of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
| Johann Sebastian Bach | 1:25 |
| 16 | “Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 3. Aria: “Weh der Seele, die den Schaden nicht mehr kennt” (alto)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- engineered at:
- Herkulessaal in München, Bayern, Germany (in 1977-06)
- recording of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
| Johann Sebastian Bach | 6:18 |
| 17 | “Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 4. Arioso: “Verachtest du den Reichtum seiner Gnade” (bass)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- engineered at:
- Herkulessaal in München, Bayern, Germany (in 1977-06)
- recording of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- part of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
| Johann Sebastian Bach | 2:46 |
| 18 | “Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part II. 5. Aria: “Erschrecke doch, du allzu sichre Seele” (tenor)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- tenor vocals:
- Peter Schreier (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- engineered at:
- Herkulessaal in München, Bayern, Germany (in 1977-06)
- recording of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
- revision of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele"
| Johann Sebastian Bach | 3:55 |
| 19 | “Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part II. 6. Recitative: “Beim Warten ist Gefahr” (alto)- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- engineered at:
- Herkulessaal in München, Bayern, Germany (in 1977-06)
- recording of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
| Johann Sebastian Bach | 1:25 |
| 20 | “Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part II. 7. Chorale: “Heut lebst du, heut bekehre dich”- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
- engineered at:
- Herkulessaal in München, Bayern, Germany (in 1977-06)
- recording of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- Johann Heermann (in 1630)
- part of:
- Breitkopf 389 Choralgesänge (number: 320)
- part of:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
| Johann Sebastian Bach | 1:58 |
