| # | Title | Artist | Length |
|---|
| 1 | “Du Hirte Israel, höre”, BWV 104: 1. Chorus: “Du Hirte Israel, höre”- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
- cello:
- Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
- double bass:
- Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore I]:
- Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore II]:
- Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
- organ:
- Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
- choir vocals:
- Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
- orchestra:
- Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
- conductor:
- Karl Richter (from 1973-05 until 1973-06, in 1973-10)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
- recording of:
- Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre" (from 1973-05 until 1973-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 104 "Du Hirte Israel, höre"
| Johann Sebastian Bach | 4:54 |
| 2 | “Du Hirte Israel, höre”, BWV 104: 2. Recitative: “Der höchste Hüter sorgt für mich” (tenor)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
- cello:
- Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
- double bass:
- Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore I]:
- Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore II]:
- Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
- organ:
- Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
- tenor vocals:
- Peter Schreier (from 1973-05 until 1973-06, in 1973-10)
- orchestra:
- Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
- conductor:
- Karl Richter (from 1973-05 until 1973-06, in 1973-10)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
- recording of:
- Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich" (from 1973-05 until 1973-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 104 "Du Hirte Israel, höre"
| Johann Sebastian Bach | 0:49 |
| 3 | “Du Hirte Israel, höre”, BWV 104: 3. Aria: “Verbirgt mein Hirte sich zu lange” (tenor)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
- cello:
- Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
- double bass:
- Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore I]:
- Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore II]:
- Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
- organ:
- Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
- tenor vocals:
- Peter Schreier (from 1973-05 until 1973-06, in 1973-10)
- orchestra:
- Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
- conductor:
- Karl Richter (from 1973-05 until 1973-06, in 1973-10)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
- recording of:
- Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange" (from 1973-05 until 1973-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 104 "Du Hirte Israel, höre"
| Johann Sebastian Bach | 3:12 |
| 4 | “Du Hirte Israel, höre”, BWV 104: 4. Recitative: “Ja, dieses Wort ist meiner Seelen Speise” (bass)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
- cello:
- Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
- double bass:
- Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore I]:
- Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore II]:
- Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
- organ:
- Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
- bass vocals:
- Dietrich Fischer‐Dieskau (from 1973-05 until 1973-06, in 1973-10)
- orchestra:
- Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
- conductor:
- Karl Richter (from 1973-05 until 1973-06, in 1973-10)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
- recording of:
- Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise" (from 1973-05 until 1973-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 104 "Du Hirte Israel, höre"
| Johann Sebastian Bach | 1:13 |
| 5 | “Du Hirte Israel, höre”, BWV 104: 5. Aria: “Beglückte Herde, Jesu Schafe” (bass)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
- cello:
- Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
- double bass:
- Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore I]:
- Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore II]:
- Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
- organ:
- Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
- bass vocals:
- Dietrich Fischer‐Dieskau (from 1973-05 until 1973-06, in 1973-10)
- orchestra:
- Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
- conductor:
- Karl Richter (from 1973-05 until 1973-06, in 1973-10)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
- recording of:
- Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe" (from 1973-05 until 1973-06)
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Kantate, BWV 104 "Du Hirte Israel, höre"
| Johann Sebastian Bach | 8:25 |
| 6 | “Du Hirte Israel, höre”, BWV 104: 6. Chorale: “Der Herr ist mein getreuer Hirt”- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
- cello:
- Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
- double bass:
- Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore I]:
- Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
- oboe d'amore [oboe d'amore II]:
- Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
- organ:
- Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
- choir vocals:
- Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
- orchestra:
- Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
- conductor:
- Karl Richter (from 1973-05 until 1973-06, in 1973-10)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
- recording of:
- Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt" (from 1973-05 until 1973-06)
- lyricist:
- Kornelius Becker
- composer:
- Johann Sebastian Bach (in 1724)
- part of:
- Breitkopf 389 Choralgesänge (number: 13)
- part of:
- Kantate, BWV 104 "Du Hirte Israel, höre"
| Johann Sebastian Bach | 1:16 |
| 7 | “Weinen, Klagen, Sorgen, Zagen”, BWV 12: 1. Sinfonia. Adagio assai- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- oboe:
- Robert Eliscú (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- trumpet:
- Pierre Thibaud (from 1974-01 until 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (from 1974-01 until 1974-02)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | 2:48 |
| 8 | “Weinen, Klagen, Sorgen, Zagen”, BWV 12: 2. Chorus: “Weinen, Klagen, Sorgen, Zagen”- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- trumpet:
- Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- choir vocals:
- Münchener Bach‐Chor (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (from 1974-01 until 1974-02)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | 8:26 |
| 9 | “Weinen, Klagen, Sorgen, Zagen”, BWV 12: 3. Recitative: “Wir müssen durch viel Trübsal” (alto)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- trumpet:
- Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- alto vocals:
- Anna Reynolds (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (from 1974-01 until 1974-02)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | 1:11 |
| 10 | “Weinen, Klagen, Sorgen, Zagen”, BWV 12: 4. Aria: “Kreuz und Krone sind verbunden” (alto)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- oboe:
- Manfred Clement (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- trumpet:
- Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- alto vocals:
- Anna Reynolds (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (from 1974-01 until 1974-02)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | 6:53 |
| 11 | “Weinen, Klagen, Sorgen, Zagen”, BWV 12: 5. Aria: “Ich folge Christo nach” (bass)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- trumpet:
- Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- bass vocals:
- Theo Adam (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (from 1974-01 until 1974-02)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | 2:24 |
| 12 | “Weinen, Klagen, Sorgen, Zagen”, BWV 12: 6. Aria: “Sei getreu, alle Pein” (tenor)- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- trumpet:
- Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- tenor vocals:
- Peter Schreier (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (from 1974-01 until 1974-02)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | 3:58 |
| 13 | “Weinen, Klagen, Sorgen, Zagen”, BWV 12: 7. Chorale: “Was Gott tut, das ist wohlgetan”- recording engineer:
- Klaus Scheibe and Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- trumpet:
- Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- choir vocals:
- Münchener Bach‐Chor (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (from 1974-01 until 1974-02)
- lyricist:
- Samuel Rodigast
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Breitkopf 389 Choralgesänge (number: 340)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| Johann Sebastian Bach | 0:59 |
