Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Tracklist

1CD: Bellini: Beatrice di Tenda (I)
2CD: Bellini: Beatrice di Tenda (II)
3CD: Donizetti: La fille du régiment (I)
4CD: Donizetti: La fille du régiment (II)
5CD: Verdi: Messa da Requiem
6CD: Mascagni: L'amico Fritz (I)
7CD: Mascagni: L'amico Fritz (II)
8CD: R. Strauss: Der Rosenkavalier (I)
9CD: R. Strauss: Der Rosenkavalier (II)
10CD: R. Strauss: Der Rosenkavalier (III)
11CD: Donizetti: L'elisir d'amore (I)
12CD: Donizetti: L'elisir d'amore (II)
13CD: Verdi: Un ballo in maschera (I)
14CD: Verdi: Un ballo in maschera (II)
15CD: Verdi: Macbeth (I)
16CD: Verdi: Macbeth (II)
17CD: Rossini: Stabat Mater
18CD: Verdi: Rigoletto (I)
19CD: Verdi: Rigoletto (II)
20CD: Donizetti: Lucia di Lammermoor (I)
21CD: Donizetti: Lucia di Lammermoor (II)
22CD: Puccini: Turandot (I)
23CD: Puccini: Turandot (II)
24CD: Puccini: La bohème (I)
25CD: Puccini: La bohème (II)
26CD: Bellini: I puritani (I)
27CD: Bellini: I puritani (II)
28CD: Bellini: I puritani (III)
29CD: Puccini: Madama Butterfly (I)
30CD: Puccini: Madama Butterfly (II)
31CD: Donizetti: La favorita (I)
32CD: Donizetti: La favorita (II)
33CD: Donizetti: Maria Stuarda (I)
34CD: Donizetti: Maria Stuarda (II)
35CD: Verdi: Luisa Miller (I)
36CD: Verdi: Luisa Miller (II)
37CD: Mascagni: Cavalleria rusticana
38CD: Leoncavalla: Pagliacci
39CD: Verdi: Il trovatore (I)
40CD: Verdi: Il trovatore (II)
41CD: Puccini: Tosca (I)
42CD: Puccini: Tosca (II)
43CD: Rossini: Petite messe solennelle
44CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45CD: Rossini: Guglielmo Tell (I)
46CD: Rossini: Guglielmo Tell (II)
47CD: Rossini: Guglielmo Tell (III)
48CD: Rossini: Guglielmo Tell (IV)
49CD: Verdi: La traviata (I)
50CD: Verdi: La traviata (II)
51CD: Bellini: La sonnambula (I)
52CD: Bellini: La sonnambula (II)
53CD: Ponchielli: La Gioconda (I)
54CD: Ponchielli: La Gioconda (II)
55CD: Ponchielli: La Gioconda (III)
56CD: Boito: Mefistofele (I)
57CD: Boito: Mefistofele (II)
58CD: Verdi: Un ballo in maschera (I)
59CD: Verdi: Un ballo in maschera (II)
60CD: Giordano: Andrea Chénier (I)
61CD: Giordano: Andrea Chénier (II)
62CD: Mozart: Idomeneo (I)
63CD: Mozart: Idomeneo (II)
64CD: Mozart: Idomeneo (III)
65CD: Bellini: Norma (I)
66CD: Bellini: Norma (II)
67CD: Bellini: Norma (III)
68CD: Verdi: Aida (I)
69CD: Verdi: Aida (II)
70CD: Verdi: Aida (III)
71CD: Verdi: Ernani (I)
72CD: Verdi: Ernani (II)
73CD: Berlioz: Requiem
74CD: Verdi: Rigoletto (I)
75CD: Verdi: Rigoletto (II)
76CD: Donizetti: L'elisir d'amore (I)
77CD: Donizetti: L'elisir d'amore (II)
78CD: Verdi: Il trovatore (I)
79CD: Verdi: Il trovatore (II)
80CD: Verdi: Otello (I)
81CD: Verdi: Otello (II)
82CD: Verdi: La traviata (I)
83CD: Verdi: La traviata (II)
84CD: Leoncavallo: Pagliacci
85CD: Puccini: Manon Lescaut (I)
86CD: Puccini: Manon Lescaut (II)
87CD: Verdi: Don Carlo (I)
88CD: Verdi: Don Carlo (II)
89CD: Verdi: Don Carlo (III)
90CD: Verdi: Rigoletto (I)
91CD: Verdi: Rigoletto (II)
92CD: Verdi: I Lombardi (I)
93CD: Verdi: I Lombardi (II)
94Blu-ray: Donizetti: L'elisir d'amore
95Blu-ray: Verdi: Rigoletto
96Blu-ray: Donizetti: Lucia di Lammermoor
97Blu-ray: Puccini: Turandot
98Blu-ray: Puccini: La bohème
99Blu-ray: Puccini: Madama Butterfly
#TitleArtistLength
1Madama Butterfly: Atto I. “... E soffitto e pareti” (Pinkerton)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
recording of:
Madama Butterfly: Atto I. Introduction (Orchestra) (in 1974-01)
composer:
Giacomo Puccini
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:56
2Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:30
3Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals and baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:59
4Madama Butterfly: Atto I. “America for ever” (Pinkerton)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:34
5Madama Butterfly: Atto I. “Ier l'altro il Consolato” (Sharpless)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:09
6Madama Butterfly: Atto I. “Ecco. Son giunte al sommo del pendio” (Goro)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo” (Goro, amiche di Butterfly, Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:43
7Madama Butterfly: Atto I. “Gran ventura” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:52
8Madama Butterfly: Atto I. “L'Imperial Commissario” (Goro)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [La zio Yakusidè]:
Wolfgang Schneider (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [La cugina di Cio-Cio-San]:
Martha Heigl (in 1974-01)
soprano vocals [La zia di Cio-Cio-San]:
Erna Maria Mühlberger (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:32
9Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:51
10Madama Butterfly: Atto I. “Ieri son salita tutta sola in segreto alla Missione” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:15
11Madama Butterfly: Atto I. “Tutti zitti!” (Goro)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Il Commissario Imperiale]:
Hans Helm (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:11
12Madama Butterfly: Atto I. “O Kami! O Kami!” (Amiche)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [Il Bonzo]:
Marius Rintzler (in 1974-01)
bass vocals [La zio Yakusidè]:
Wolfgang Schneider (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [La cugina di Cio-Cio-San]:
Martha Heigl (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini0:36
13Madama Butterfly: Atto I. “Cio-Cio-San!” (Parenti, amiche)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [Il Bonzo]:
Marius Rintzler (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:44
14Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
mezzo-soprano vocals and mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:20
15Madama Butterfly: Atto I. “Viene la sera” (Pinkerton)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:32
16Madama Butterfly: Atto I. “Vogliatemi bene” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:59
17Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini7:36
18Madama Butterfly: Atto II. “Un bel dì vedremo” (Butterfly)
recording engineer:
Jack Law (on 1974-01-31), James Lock (on 1974-01-31) and Gordon Parry (on 1974-01-31)
assistant producer:
Michael Woolcock
producer:
Christopher Raeburn
soprano vocals [Butterfly]:
Mirella Freni (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (on 1974-01-31)
conductor:
Herbert von Karajan (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:42
19Madama Butterfly: Atto II, parte 1. “C'è. Entrate” (Goro)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini6:42
20Madama Butterfly: Atto II, parte 1. “Si sa che aprir la porta” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:04
21Madama Butterfly: Atto II, parte 1. “Udiste?” (Goro)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:00
22Madama Butterfly: Atto II, parte 1. “Ora a noi. Sedete qui” (Sharpless)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:56
23Madama Butterfly: Atto II, parte 1. “Ebbene, che fareste, Madama Butterfly?” (Sharpless)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:53
24Madama Butterfly: Atto II, parte 1. “E questo? E questo?” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “È questo? È questo?” (Butterfly, Sharpless) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:27
25Madama Butterfly: Atto II, parte 1. “Che tua madre dovrà prenderti in braccio” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:18
26Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [La madre di Cio-Cio-San]:
Evamaria Hurdes (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:01
27Madama Butterfly: Atto II, parte 1. “Una nave da Guerra” (Suzuki)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:45
28Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:39
29Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [L'ufficiale del registro]:
Siegfried Rudolf Frese (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:34
30Madama Butterfly: Atto II, parte 1. (Coro a bocca chiusa)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
chorus master:
Norbert Balatsch (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:04
31Madama Butterfly: Atto II, parte 2. Intermezzo
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini6:16
32Madama Butterfly: Atto II, parte 2. (fischi d'uccelli dal giardino)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:49
33Madama Butterfly: Atto II, parte 2. “Già il sole!” (Suzuki)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:32
34Madama Butterfly: Atto II, parte 2. “Chi sia?” (Suzuki)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:33
35Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:10
36Madama Butterfly: Atto II, parte 2. “Non ve l'avevo detto?” (Sharpless)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:54
37Madama Butterfly: Atto II, parte 2. “Addio fiorito asil” (Pinkerton)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:10
38Madama Butterfly: Atto II, parte 2. “Suzuki! Suzuki! Dove sei?” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:56
39Madama Butterfly: Atto II, parte 2. “Tu, Suzuki, che sei tanto buona” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:45
40Madama Butterfly: Atto II, parte 2. “Come una mosca prigioniera” (Suzuki)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:44
41Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly)
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:34
100CD: Puccini: La bohème (I)
101CD: Puccini: La bohème (II)