Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▼CD: Puccini: Tosca (II)
#TitleArtistLength
1Tosca: Atto II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:13
2Tosca: Atto II. “Ha più forte sapore la conquista violenta ... Spoletta è giunto” (Scarpia, Sciarrone)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:19
3Tosca: Atto II. “O galant uomo, come andò la caccia?” (Spoletta, Scarpia, Cavaradossi, coro, Tosca)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:29
4Tosca: Atto II. “Ov'è Angelotti? ... Mario, tu qui?!” (Scarpia, Sciarrone, Tosca, Cavaradossi)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:12
5Tosca: Atto II. “Sciarrone: che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:05
6Tosca: Atto II. “Orsu, Tosca, parlate ... Mario, consenti, ch'io parti?” (Scarpia, Tosca, Cavaradossi, Spoletta)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:45
7Tosca: Atto II. “Floria... - Amore ... Nel pozzo del giardino. Va, Spoletta! ... Eccellenza, quali nuove!” (Cavaradossi, Tosca, Scarpia, Sciarrone)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:35
8Tosca: Atto II. “Vittoria! Vittoria!” (Cavaradossi, Tosca, Scarpia)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:38
9Tosca: Atto II. “Quanto?” (Tosca, Scarpia)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:37
10Tosca: Atto II. “Vissi d’arte” (Tosca, Scarpia)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:34
11Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:06
12Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini7:36
13Tosca: Atto III. “Io de' sospiri” (Un pastore)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
solo treble vocals [Un pastore]:
Walter Baratti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:50
14Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Carceriere]:
John Tomlinson (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:25
15Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
choir vocals:
Chor der Wiener Staatsoper
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
Orchester der Wiener Staatsoper and National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:56
16Tosca: Atto III. “Ah! Franchigia a Floria Tosca...” (Cavaradossi, Tosca)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:37
17Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca, Carceriere)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini7:47
18Tosca: Atto III. “Come è lunga l’attesa!” (Tosca)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:29
19Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Sciarrone, Spoletta, soldati)
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
choir vocals:
London Opera Chorus (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:33
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)