Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▼CD: Verdi: I Lombardi (II)
#TitleArtistLength
1I Lombardi: Atto III: La conversione. “Gerusalem!... Gerusalem!...” (Pellegrini)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi5:31
2I Lombardi: Atto III: La conversione. “Dove sola m'inoltro?” (Giselda)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:57
3I Lombardi: Atto III: La conversione. “Oh belle, a questa misera” (Giselda)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:51
4I Lombardi: Atto III: La conversione. “Che vid'io mai?” (Arvino)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:21
5I Lombardi: Atto III: La conversione. Preludio
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:21
6I Lombardi: Atto III: La conversione. “Qui posa il fianco” (Giselda)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
bass vocals [Pagano]:
Samuel Ramey (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:25
7I Lombardi: Atto III: La conversione. “Qual voluttà trascorrere sento” (Oronte)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
bass vocals [Pagano]:
Samuel Ramey (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:11
8I Lombardi: Atto IV: Santo Sepolcro. “Componi, o cara vergine” (Coro di spiriti celesti)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:54
9I Lombardi: Atto IV: Santo Sepolcro. “In cielo benedetto” (Oronte)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:07
10I Lombardi: Atto IV: Santo Sepolcro. “Qual prodigio!...” (Giselda)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:34
11I Lombardi: Atto IV: Santo Sepolcro. “O signore, dal tetto natìo ci chiamasti” (Crociati e pellegrini)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:55
12I Lombardi: Atto IV: Santo Sepolcro. “Al Siloe! Al Siloe!” (Giselda, Arvino, Eremita)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
bass vocals [Pagano]:
Samuel Ramey (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:10
13I Lombardi: Atto IV: Santo Sepolcro. “Questa è mia tenda...” (Arvino)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
bass vocals [Pagano]:
Samuel Ramey (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:45
14I Lombardi: Atto IV: Santo Sepolcro. “Un breve istante” (Pagano)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
bass vocals [Pagano]:
Samuel Ramey (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:00
15I Lombardi: Atto IV: Santo Sepolcro. “Te lodiamo, gran Dio di vittoria” (Coro)
recording engineer:
James Lock and John Pellowe
engineer:
Krzysztof Jarosz and Michael Mailes
producer:
Ray Minshull and Morten Winding
editor:
Nigel Gayler and Ian Watson
bass vocals [Pagano]:
Samuel Ramey (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:01
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)