Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▼CD: Donizetti: L'elisir d'amore (I)
#TitleArtistLength
1L’elisir d’amore: Atto I. Preludio
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Preludio (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:59
2L’elisir d’amore: Atto I. “Bel conforto al mietitori” (Giannetta, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:09
3L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara!” (Nemorino, Giannetta, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:21
4L’elisir d’amore: Atto I. “Benedette queste carte!” (Adina, Nemorino, Giannetta, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!” … “Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:04
5L’elisir d’amore: Atto I. “Marcia Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) (Cavatina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:28
6L’elisir d’amore: Atto I. “Or se m'ami, come io t'amo” (Belcore, Adina, Nemorino, Giannetta, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Or se m’ami, com’io t’amo” (Belcore) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:41
7L’elisir d’amore: Atto I. “Una parola, o Adina” (Nemorino, Adina)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti9:14
8L’elisir d’amore: Atto I. “Che vuol dire cotesta suonata?” (mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:53
9L’elisir d’amore: Atto I. “Udite, udite, o rustici” (Dulcamara, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:59
10L’elisir d’amore: Atto I. “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:48
11L’elisir d’amore: Atto I. “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:37
12L’elisir d’amore: Atto I. “Caro elisir! Sei mio!” (Nemorino)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:47
13L’elisir d’amore: Atto I. “Chi è mai quel matto?” (Adina, Nemorino)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals:
Fernando Pavarotti (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:01
14L’elisir d’amore: Atto I. “Esulti pur la Barbara” (Nemorino, Adina)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:46
15L’elisir d’amore: Atto I. “Tran tran tran tran... in guerra ed in amor” (Belcore, Adina, Nemorino)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Terzetto “Tran, tran, tran...In guerra ed in amor” (Belcore, Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:40
16L’elisir d’amore: Atto I. “Signor sargente” (Giannetta, Belcore, Nemorino, Adina, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e quartetto “Signor sargente, di voi richiede la vostra gente” (Giannetta, Belcore, Nemorino, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:51
17L’elisir d’amore: Atto I. “Adina credimi” (Nemorino, Belcore, Adina, Giannetta, mietitori)
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:16
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)