Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▼CD: Bellini: Norma (III)
#TitleArtistLength
1Norma: Atto II. Introduzione
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II. Introduzione
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:32
2Norma: Atto II. “Domono entrambi... non vedran la mano che li percuote” (Norma, Clotilde)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
mezzo-soprano vocals [Clotilde]:
Diana Montague (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” (Norma, Clotilde)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:04
3Norma: Atto II. “Mi chiami, o Norma!” (Adalgisa, Norma)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
soprano vocals [Adalgisa]:
Montserrat Caballé (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Scena “Mi chiami, o Norma?” (Norma, Adalgisa)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:16
4Norma: Atto II. “Deh! con te, con te li prendi” (Norma, Adalgisa)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
soprano vocals [Adalgisa]:
Montserrat Caballé (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Duetto “Deh! con te, con te li prendi” (Norma, Adalgisa)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:48
5Norma: Atto II. “Mira, o Norma, a' tuoi ginocchi questi cari tuoi pargoletti” (Adalgisa, Norma)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
soprano vocals [Adalgisa]:
Montserrat Caballé (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:14
6Norma: Atto II. “Sì, fino all'ore estreme compagna tua m'avrai” (Norma, Adalgisa)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
soprano vocals [Adalgisa]:
Montserrat Caballé (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Adalgisa, Norma)
composer:
Vincenzo Bellini
librettist:
Felice Romani
part of:
Norma: Atto II
Vincenzo Bellini2:18
7Norma: Atto II. “Non parti?” (Guerrieri)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
choir vocals [Guerrieri]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 2. “Non parti?” (coro) (chorus of the warriors)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:20
8Norma: Atto II. “Guerrieri! a voi venirne credea foriero d'avvenir migliore” (Oroveso, Guerrieri)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Guerrieri]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 2. Recitativo “Guerrieri! a voi venirne” (Oroveso, coro)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:33
9Norma: Atto II. “Ei tornerà” (Norma, Clotilde)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
mezzo-soprano vocals [Clotilde]:
Diana Montague (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Scena “Ei tornerà. Sì!” (Norma, Clotilde)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:43
10Norma: Atto II. “Squilla il bronzo del Dio!” (Druidi, Sacerdotesse, Oroveso, Norma)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:40
11Norma: Atto II. “Guerra, Guerra!” (Norma, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:41
12Norma: Atto II. “Né compi il rito, o Norma? né la vittima acceni?” (Oroveso, Norma, Clotilde, Pollione, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
mezzo-soprano vocals [Clotilde]:
Diana Montague (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Recitativo “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione)
lyricist and librettist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:34
13Norma: Atto II. “In mia man alfin tu sei” (Norma, Pollione)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Duetto “In mia man alfin tu sei” (Norma, Pollione)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:54
14Norma: Atto II. “Già mi pasco ne'tuoi sguardi” (Norma, Pollione)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Già mi pasco ne' tuoi sguardi” (Norma, Pollione)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:16
15Norma: Atto II. “Dammi quel ferro” (Pollione, Norma, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Dammi quel ferro!” (Pollione, Norma, Oroveso, Coro)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:07
16Norma: Atto II. “Qual cor tradisti” (Norma, Pollione, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Qual cor tradisti” (Norma, Pollione, Oroveso, Coro)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:30
17Norma: Atto II. “Norma! deh! Norma, scolpati!” (Oroveso, Druidi, Sacerdotesse, Norma, Pollione)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Druidi]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Norma!.. deh! Norma, scòlpati! …” (Coro, Norma, Pollione, Oroveso)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:13
18Norma: Atto II. “Deh! non volerli vittime del mio fatale errore” (Norma, Pollione, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall and James Lock
assistant producer:
Peter Wadland
producer:
Andrew Cornall
bass vocals [Oroveso]:
Samuel Ramey (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Deh! non volerli vittime” (Norma, Oroveso, Coro, Pollione)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:19
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)