The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)
24▶CD: Carissimi: Jephté et Trois motets
25▼CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
#TitleArtistLength
1Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
part of:
Ezechia
Giacomo Carissimi2:04
2Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
part of:
Ezechia
Giacomo Carissimi1:47
3Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
part of:
Ezechia
Giacomo Carissimi7:19
4Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
part of:
Ezechia
Giacomo Carissimi4:42
5Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
part of:
Ezechia
Giacomo Carissimi3:34
6Tolle Sponsa for soprano, bass, chorus and continuo
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Tolle Sponsa for soprano, bass, chorus and continuo (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi7:43
7Messa a otto voci, IGC 27: Kyrie
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Messa a otto voci, IGC 27: Kyrie (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi1:56
8Messa a otto voci, IGC 27: Gloria
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Messa a otto voci, IGC 27: Gloria (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi3:47
9Messa a otto voci, IGC 27: Credo
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Messa a otto voci, IGC 27: Credo (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi6:27
10Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi2:13
11Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi3:36
12Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi2:41
13Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi3:36
14Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus)
producer:
Michel Garcin
vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
orchestra:
Ochestre de la Fondation Gulbenkian de Lisbonne (from 1972-07-12 until 1972-07-13)
conductor:
Michel Corboz (from 1972-07-12 until 1972-07-13)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1972-07-12 until 1972-07-13)
recording of:
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus) (from 1972-07-12 until 1972-07-13)
composer:
Giacomo Carissimi
Giacomo Carissimi2:54
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▶CD: Bach: Missae breves II
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▶CD: Bach: Cantatas I
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▶CD: Cavalli: Ercole amante (conclusion)
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▶CD: Handel: Messiah, KV 572 (conclusion)
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)