The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)
24▶CD: Carissimi: Jephté et Trois motets
25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▼CD: Bach: Missae breves II
#TitleArtistLength
1Mass in G major, BWV 236: Kyrie (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:25
2Mass in G major, BWV 236: Gloria (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:02
3Mass in G major, BWV 236: Gratias agimus tibi (bass)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
bass vocals:
Philippe Huttenlocher (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:39
4Mass in G major, BWV 236: Domine Deus (soprano, alto)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
alto vocals:
Nicole Rossier (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
soprano vocals:
Wally Staempfli (from 1972-12-02 until 1972-12-03, on 1972-12-05) and Wally Stämpfli (from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:49
5Mass in G major, BWV 236: Quoniam (tenor)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
tenor vocals:
John Elwes (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
performer:
Olivier Dufour
balance engineer:
Peter Willemoës
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach6:07
6Mass in G major, BWV 236: Cum Sancto Spiritu (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:48
7Mass in G minor, BWV 235: Kyrie (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach7:42
8Mass in G minor, BWV 235: Gloria (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:03
9Mass in G minor, BWV 235: Gratias agimus tibi (bass)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
bass vocals:
Philippe Huttenlocher (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:55
10Mass in G minor, BWV 235: Domine fili (alto)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
alto vocals:
Hanna Schaer (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach5:59
11Mass in G minor, BWV 235: Qui tollis (tenor)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
tenor vocals:
Olivier Dufour (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:59
12Mass in G minor, BWV 235: Cum Sancto Spiritu (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:59
13Sanctus in D major, BWV 238 (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Sanctus D-Dur, BWV 238 (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 238)
recording of:
Sanctus D-Dur, BWV 238 (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 238)
recording of:
Sanctus D-Dur, BWV 238 (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 238)
Johann Sebastian Bach3:25
14Christe eleison, BWV 242 (soprano, alto)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
alto vocals:
Nicole Rossier (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
soprano vocals:
Wally Staempfli (from 1972-12-02 until 1972-12-03, on 1972-12-05) and Wally Stämpfli (from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Christe eleison g-Moll, BWV 242 (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 242) and Bach Compendium (number: BC E 8)
recording of:
Christe eleison g-Moll, BWV 242 (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 242) and Bach Compendium (number: BC E 8)
recording of:
Christe eleison g-Moll, BWV 242 (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 242) and Bach Compendium (number: BC E 8)
Johann Sebastian Bach2:16
15Sanctus in C major, BWV 237 (chorus)
producer:
Michel Garcin
cello:
Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
flute:
Marianne Clement (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
harpsichord:
Jörg Ewald Dähler (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
lute:
Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
oboe d'amore:
Jean-Paul Goy (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
viola da gamba:
Françoise Winzap (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
violin:
Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
orchestra:
Orchestre de Chambre de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
conductor:
Michel Corboz (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02)
balance engineer:
Peter Willemoës
recording of:
Sanctus C-Dur, BWV 237 (from 1972-12-02 until 1972-12-03)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 237)
recording of:
Sanctus C-Dur, BWV 237 (on 1972-12-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 237)
recording of:
Sanctus C-Dur, BWV 237 (from 1973-04-29 until 1973-05-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 237)
Johann Sebastian Bach1:45
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▶CD: Bach: Cantatas I
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▶CD: Cavalli: Ercole amante (conclusion)
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▶CD: Handel: Messiah, KV 572 (conclusion)
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)