The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)
24▶CD: Carissimi: Jephté et Trois motets
25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▶CD: Bach: Missae breves II
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▶CD: Bach: Cantatas I
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▼CD: Cavalli: Ercole amante (conclusion)
#TitleArtistLength
1Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli2:52
2Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:16
3Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ombra d'Eutyro]:
Malcolm King (from 1980-01-23 until 1980-01-29)
mezzo-soprano vocals [Dejanira]:
Patricia Miller (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli5:04
4Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli2:01
5Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
mezzo-soprano vocals [Dejanira]:
Patricia Miller (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli4:02
6Ercole amante: Atto V. Sinfonia
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V. Sinfonia (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:06
7Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ombra d'Eutyro]:
Malcolm King (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:07
8Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:53
9Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
tenor vocals [Laomedonte]:
Michael Goldthorpe (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:29
10Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ombra di Bussride]:
John Tomlinson (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:13
11Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ombra d'Eutyro]:
Malcolm King (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:50
12Ercole amante: Atto V, Scene 1. Sinfonia
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 1. Sinfonia (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli2:39
13Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ercole]:
Ulrik Cold (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
tenor vocals [Licco]:
Ricardo Cassinelli (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli2:22
14Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ercole]:
Ulrik Cold (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli4:36
15Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ercole]:
Ulrik Cold (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli4:17
16Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
tenor vocals [Licco]:
Ricardo Cassinelli (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:39
17Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
mezzo-soprano vocals [Dejanira]:
Patricia Miller (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
tenor vocals [Hyllo]:
Keith Lewis (from 1980-01-23 until 1980-01-29)
tenor vocals [Licco]:
Ricardo Cassinelli (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli5:49
18Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
mezzo-soprano vocals [Giunone]:
Yvonne Minton (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:18
19Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
mezzo-soprano vocals [Dejanira]:
Patricia Miller (from 1980-01-23 until 1980-01-29)
mezzo-soprano vocals [Giunone]:
Yvonne Minton (from 1980-01-23 until 1980-01-29)
soprano vocals [Jole]:
Felicity Palmer (from 1980-01-23 until 1980-01-29)
tenor vocals [Hyllo]:
Keith Lewis (from 1980-01-23 until 1980-01-29)
tenor vocals [Licco]:
Ricardo Cassinelli (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli3:40
20Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:53
21Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
bass vocals [Ercole]:
Ulrik Cold (from 1980-01-23 until 1980-01-29)
soprano vocals [Belezza]:
Colette Alliot-Lugaz (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:08
22Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro)
producer:
Michel Garcin
harpsichord:
Luciano Sgrizzi (from 1980-01-23 until 1980-01-29)
choir vocals:
English Bach Festival Chorus (from 1980-01-23 until 1980-01-29)
orchestra:
English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29)
conductor:
Michel Corboz (from 1980-01-23 until 1980-01-29)
balance engineer:
Pierre Lavoix
concertmaster:
Christopher Hirons (from 1980-01-23 until 1980-01-29)
recorded at:
All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29)
recording of:
Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro) (from 1980-01-23 until 1980-01-29)
composer:
Francesco Cavalli
part of:
Ercole amante
Francesco Cavalli1:18
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▶CD: Handel: Messiah, KV 572 (conclusion)
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)