The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie

2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae

3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)

4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)

5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I

6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II

7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III

8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV

9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V

10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI

11▶CD: Monteverdi: Orfeo (beginning)

12▶CD: Monteverdi: Orfeo (conclusion)

13▶CD: La Chanson et la danse – Paris, vers 1540

14▶CD: La Chanson de Lausanne

15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms

16▶CD: De Lalande: De profundis / Regina cœli

17▶CD: I Dolci Frutti: Venice before Monteverdi (I)

18▶CD: I Dolci Frutti: Venice before Monteverdi (II)

19▶CD: Gabrieli: Sacrae Symphoniae vol. 1

20▶CD: Gabrieli: Sacrae Symphoniae vol. 2

21▶CD: Bach: Magnificat / Cantata BWV 187

22▶CD: Bach: Mass in B minor, BWV 232 (beginning)

23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)

24▶CD: Carissimi: Jephté et Trois motets

25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix

26▶CD: Charpentier: Messe pour les trépassés (1)

27▶CD: Charpentier: Messe pour les trépassés (2)

28▶CD: Bach: Missae breves I

29▶CD: Bach: Missae breves II

30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano

31▶CD: Marcello: Seven Psalms I

32▶CD: Marcello: Seven Psalms II

33▶CD: Monteverdi: Madrigali I

34▶CD: Monteverdi: Madrigali II

35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056

36▶CD: Vivaldi: Sacred Music I

37▶CD: Monteverdi: Madrigali III-V (I)

38▶CD: Monteverdi: Madrigali III-V (II)

39▶CD: J.C. Bach: Fortepiano Concertos

40▶CD: Vivaldi: Sacred Music II

41▶CD: Vivaldi: Sacred Music III

42▶CD: Vivaldi: Sacred Music IV

43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi

44▶CD: Vivaldi: Sacred Music V

45▶CD: Bach: Cantatas I

46▶CD: Bach: Cantatas II

47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)

48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)

49▶CD: Vivaldi: Sacred Music VI

50▶CD: Charpentier: Le jugement dernier / Beatus vir

51▶CD: Monteverdi: Magrigali VI-VIII (I)

52▶CD: Monteverdi: Madrigali VI-VIII (II)

53▶CD: Bach: Mass in B minor, BWV 232 (beginning)

54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat

55▼CD: Cavalli: Ercole amante (beginning)
#	Title	Artist	Length
1	Ercole amante: Prologo. Sinfonia producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. Sinfonia (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	2:05
2	Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) choir vocals: English Bach Festival Chorus (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:45
3	Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) bass vocals [Tevere]: John Tomlinson (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:58
4	Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) choir vocals: English Bach Festival Chorus (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:32
5	Ercole amante: Prologo. Sinfonia producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. Sinfonia (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:13
6	Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Cinthia]: Marilyn Hill Smith (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	2:03
7	Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) choir vocals: English Bach Festival Chorus (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:18
8	Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Cinthia]: Marilyn Hill Smith (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:54
9	Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) choir vocals: English Bach Festival Chorus (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:21
10	Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:50
11	Ercole amante: Atto I. Sinfonia producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto I. Sinfonia (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:05
12	Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) bass vocals [Ercole]: Ulrik Cold (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	4:40
13	Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) alto vocals [Le tre grazie]: Kerry Brown (from 1980-01-23 until 1980-01-29) bass vocals [Ercole]: Ulrik Cold (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Dejanira]: Patricia Miller (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Giunone]: Yvonne Minton (from 1980-01-23 until 1980-01-29) soprano vocals [Il Paggio]: Agnès de Crouzat (from 1980-01-23 until 1980-01-29) soprano vocals [Jole]: Felicity Palmer (from 1980-01-23 until 1980-01-29) soprano vocals [Le tre grazie]: Ann Mackay (from 1980-01-23 until 1980-01-29) and Judith Rees (from 1980-01-23 until 1980-01-29) soprano vocals [Venere]: Colette Alliot-Lugaz (from 1980-01-23 until 1980-01-29) tenor vocals [Hyllo]: Keith Lewis (from 1980-01-23 until 1980-01-29) tenor vocals [Licco]: Ricardo Cassinelli (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:11
14	Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Venere]: Colette Alliot-Lugaz (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	2:56
15	Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) alto vocals [Le tre grazie]: Kerry Brown (from 1980-01-23 until 1980-01-29) bass vocals [Ercole]: Ulrik Cold (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Dejanira]: Patricia Miller (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Giunone]: Yvonne Minton (from 1980-01-23 until 1980-01-29) soprano vocals [Il Paggio]: Agnès de Crouzat (from 1980-01-23 until 1980-01-29) soprano vocals [Jole]: Felicity Palmer (from 1980-01-23 until 1980-01-29) soprano vocals [Le tre grazie]: Ann Mackay (from 1980-01-23 until 1980-01-29) and Judith Rees (from 1980-01-23 until 1980-01-29) soprano vocals [Venere]: Colette Alliot-Lugaz (from 1980-01-23 until 1980-01-29) tenor vocals [Hyllo]: Keith Lewis (from 1980-01-23 until 1980-01-29) tenor vocals [Licco]: Ricardo Cassinelli (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:38
16	Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Giunone]: Yvonne Minton (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:04
17	Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	4:12
18	Ercole amante: Atto II. Sinfonia producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II. Sinfonia (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:38
19	Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Jole]: Felicity Palmer (from 1980-01-23 until 1980-01-29) tenor vocals [Hyllo]: Keith Lewis (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:15
20	Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Il Paggio]: Agnès de Crouzat (from 1980-01-23 until 1980-01-29) tenor vocals [Hyllo]: Keith Lewis (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	2:25
21	Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Jole]: Felicity Palmer (from 1980-01-23 until 1980-01-29) tenor vocals [Hyllo]: Keith Lewis (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:00
22	Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Il Paggio]: Agnès de Crouzat (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:00
23	Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Il Paggio]: Agnès de Crouzat (from 1980-01-23 until 1980-01-29) tenor vocals [Licco]: Ricardo Cassinelli (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	3:58
24	Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Dejanira]: Patricia Miller (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	6:00
25	Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Dejanira]: Patricia Miller (from 1980-01-23 until 1980-01-29) tenor vocals [Licco]: Ricardo Cassinelli (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:20
26	Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Dejanira]: Patricia Miller (from 1980-01-23 until 1980-01-29) tenor vocals [Licco]: Ricardo Cassinelli (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:57
27	Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Pasitea]: Rosemary Hardy (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:56
28	Ercole amante: Atto II, Scene 6. Coro producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 6. Coro (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	2:14
29	Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) soprano vocals [Pasitea]: Rosemary Hardy (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:34
30	Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Giunone]: Yvonne Minton (from 1980-01-23 until 1980-01-29) soprano vocals [Pasitea]: Rosemary Hardy (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:59
31	Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) bass vocals [Ercole]: Ulrik Cold (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Dejanira]: Patricia Miller (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Giunone]: Yvonne Minton (from 1980-01-23 until 1980-01-29) soprano vocals [Il Paggio]: Agnès de Crouzat (from 1980-01-23 until 1980-01-29) soprano vocals [Jole]: Felicity Palmer (from 1980-01-23 until 1980-01-29) soprano vocals [Venere]: Colette Alliot-Lugaz (from 1980-01-23 until 1980-01-29) tenor vocals [Hyllo]: Keith Lewis (from 1980-01-23 until 1980-01-29) tenor vocals [Licco]: Ricardo Cassinelli (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	0:42
32	Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti) producer: Michel Garcin harpsichord: Luciano Sgrizzi (from 1980-01-23 until 1980-01-29) bass vocals [Ercole]: Ulrik Cold (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Dejanira]: Patricia Miller (from 1980-01-23 until 1980-01-29) mezzo-soprano vocals [Giunone]: Yvonne Minton (from 1980-01-23 until 1980-01-29) soprano vocals [Il Paggio]: Agnès de Crouzat (from 1980-01-23 until 1980-01-29) soprano vocals [Jole]: Felicity Palmer (from 1980-01-23 until 1980-01-29) soprano vocals [Pasitea]: Rosemary Hardy (from 1980-01-23 until 1980-01-29) soprano vocals [Venere]: Colette Alliot-Lugaz (from 1980-01-23 until 1980-01-29) tenor vocals [Hyllo]: Keith Lewis (from 1980-01-23 until 1980-01-29) tenor vocals [Licco]: Ricardo Cassinelli (from 1980-01-23 until 1980-01-29) orchestra: English Bach Festival Orchestra (from 1980-01-23 until 1980-01-29) conductor: Michel Corboz (from 1980-01-23 until 1980-01-29) balance engineer: Pierre Lavoix concertmaster: Christopher Hirons (from 1980-01-23 until 1980-01-29) recorded at: All Saints Church in London, England, United Kingdom (from 1980-01-23 until 1980-01-29) recording of: Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti) (from 1980-01-23 until 1980-01-29) composer: Francesco Cavalli part of: Ercole amante	Francesco Cavalli	1:53

56▶CD: Cavalli: Ercole amante (continuing)

57▶CD: Cavalli: Ercole amante (conclusion)

58▶CD: Handel: Suites from Rodrigo & Il pastor fido

59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)

60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)

61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)

62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)

63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)

64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)

65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)

66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)

67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)

68▶CD: Monteverdi: Orfeo (beginning)

69▶CD: Monteverdi: Orfeo (conclusion)

70▶CD: Purcell: Dido and Aeneas

71▶CD: Handel: Messiah, KV 572 (beginning)

72▶CD: Handel: Messiah, KV 572 (conclusion)

73▶CD: Bach: Mass in B minor, BWV 232 (beginning)

74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)

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purchase for mail-order:	https://www.prestomusic.com/classical/products/9369917--michel-corboz-the-complete-erato-recordings [info]
discography entry:	https://www.warnerclassics.com/release/michel-corboz-recordings [info]

The Complete Erato Recordings: Baroque & Renaissance Eras

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