The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)
24▶CD: Carissimi: Jephté et Trois motets
25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▶CD: Bach: Missae breves II
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▶CD: Bach: Cantatas I
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▼CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
#TitleArtistLength
1Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:21
2Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
baritone vocals:
Philippe Huttenlocher (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:11
3Mass in B minor, BWV 232: Credo. XIX. Confiteor (chorus)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:55
4Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:26
5Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
6Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:07
7Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:45
8Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:08
9Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:10
10Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
producer:
Michel Garcin
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:56
11Magnificat in D major, BWV 243: I. Magnificat (chorus)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:09
12Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
soprano vocals [soprano II]:
Jennifer Smith (from 1979-09-29 until 1979-10-06)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:30
13Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
soprano vocals [soprano I]:
Rachel Yakar (from 1979-09-29 until 1979-10-06)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:23
14Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:22
15Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:27
16Magnificat in D major, BWV 243: VI. Et misericorida (alto, tenor)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
alto vocals:
Birgit Finnilä (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (catch all for arrangements) (from 1979-09-29 until 1979-10-06)
composer:
Johann Sebastian Bach
arrangement of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
Johann Sebastian Bach4:00
17Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
18Magnificat in D major, BWV 243: VIII. Deposuit potentes (tenor)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:10
19Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
alto vocals:
Birgit Finnilä (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (for piano, Rummel) (from 1979-09-29 until 1979-10-06)
composer:
Johann Sebastian Bach
arranger:
Walter Rummel
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach2:55
20Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
alto vocals:
Birgit Finnilä (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
soprano vocals [soprano I]:
Rachel Yakar (from 1979-09-29 until 1979-10-06)
soprano vocals [soprano II]:
Jennifer Smith (from 1979-09-29 until 1979-10-06)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Ensemble Instrumental de Lausanne (from 1979-09-29 until 1979-10-05) and Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:26
21Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:17
22Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
recording engineer:
Pierre Lavoix (from 1979-09-29 until 1979-10-05)
producer:
Michel Garcin (from 1979-09-29 until 1979-10-05)
editor:
Françoise Garcin (from 1979-09-29 until 1979-10-05)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (from 1979-09-29 until 1979-10-05)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
mezzo-soprano vocals [alto]:
Birgit Finnilä (from 1979-09-29 until 1979-10-05)
soprano vocals:
Jennifer Smith (from 1979-09-29 until 1979-10-05) and Rachel Yakar (from 1979-09-29 until 1979-10-05)
tenor vocals:
Anthony Rolfe Johnson (from 1979-09-29 until 1979-10-05)
orchestra:
Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix
recorded at:
Temple de Lutry in Lutry, Vaud, Switzerland (from 1979-09-29 until 1979-10-05, from 1979-09-29 until 1979-10-06)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1979-09-29 until 1979-10-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1979-09-29 until 1979-10-06)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▶CD: Cavalli: Ercole amante (conclusion)
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▶CD: Handel: Messiah, KV 572 (conclusion)
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)