Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
#TitleLength
1Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 1. Credo in unum Deum
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:50
2Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 2. Patrem omnipotentem
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:57
3Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 3. Et in unum Dominium
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:18
4Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 4. Et incarnatus est
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:43
5Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 5. Crucifixus
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:00
6Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 6. Et resurrexit
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:41
7Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 7. Et in Spiritum sanctum
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:30
8Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 8. Confiteor
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:56
9Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 9. Et expecto
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:11
10Mass in B minor, BWV 232: Part III: Sanctus
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:00
11Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 1. Osanna in excelsis
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:42
12Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 2. Benedictus
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:13
13Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 3. Osanna in excelsis
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:43
14Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 4. Agnus Dei
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:33
15Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 5. Dona nobis pacem
producer and balance engineer:
Stephan Reh
baritone vocals:
Peter Harvey (in 2013-05)
bass vocals:
Jakob Bloch Jespersen (in 2013-05)
countertenor vocals:
Alex Potter (in 2013-05)
soprano vocals:
Hanna Kappelin (in 2013-05), Maria Keohane (in 2013-05), Joanne Lunn (in 2013-05) and Else Torp (in 2013-05)
tenor vocals:
Jan Kobow (in 2013-05), Valdemar Villadsen (in 2013-05) and Christopher Watson (in 2013-05)
orchestra:
Concerto Copenhagen (in 2013-05)
conductor:
Lars Ulrik Mortensen (in 2013-05)
recorded at:
Garnisonskirken in Copenhagen, Capital Region of Denmark, Denmark (in 2013-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 2013-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:25
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
215CD: Bach Renewed (From Bach's Sons to Mahler)
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life