Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▼CD: Cantatas 209, 210, 212 (1730s-1740s)
#TitleLength
1"Non sa che sia dolore", BWV 209: 1. Sinfonia
producer:
Peter Wadland
soprano vocals:
Julianne Baird (in 1987-06)
orchestra:
The Bach Ensemble (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
6:26
2"Non sa che sia dolore", BWV 209: 2. Recitative: "Non sa che sia dolore"
producer:
Peter Wadland
soprano vocals:
Julianne Baird (in 1987-06)
orchestra:
The Bach Ensemble (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
0:51
3"Non sa che sia dolore", BWV 209: 3. Aria: "Parti pur e con dolore"
producer:
Peter Wadland
soprano vocals:
Julianne Baird (in 1987-06)
orchestra:
The Bach Ensemble (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
7:51
4"Non sa che sia dolore", BWV 209: 4. Recitative: "Tuo saver al tempo"
producer:
Peter Wadland
soprano vocals:
Julianne Baird (in 1987-06)
orchestra:
The Bach Ensemble (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
0:30
5"Non sa che sia dolore", BWV 209: 5. Aria: "Ricetti gramezza e pavento"
producer:
Peter Wadland
soprano vocals:
Julianne Baird (in 1987-06)
orchestra:
The Bach Ensemble (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
[anonymous]
part of:
Kantate, BWV 209 "Non sa che sia dolore"
5:33
6"O holder Tag, erwünschte Zeit", BWV 210: 1. Recitative: "O holder Tag, erwünschte Zeit"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
0:50
7"O holder Tag, erwünschte Zeit", BWV 210: 2. Aria: "Spielet, ihr beseelten Lieder"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
6:06
8"O holder Tag, erwünschte Zeit", BWV 210: 3. Recitative: "Doch, haltet ein, ihr muntern Saiten"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:00
9"O holder Tag, erwünschte Zeit", BWV 210: 4. Aria: "Ruhet hie, matte Töne"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
7:01
10"O holder Tag, erwünschte Zeit", BWV 210: 5. Recitative: "So glaubt man denn, dass die Musik verführe"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:44
11"O holder Tag, erwünschte Zeit", BWV 210: 6. Aria: "Schweigt, ihr Flöten, schweigt, ihr Töne"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
4:17
12"O holder Tag, erwünschte Zeit", BWV 210: 7. Recitative: "Was luft? Was Grab"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:23
13"O holder Tag, erwünschte Zeit", BWV 210: 8. Aria: "Großer Gönner, dein Vergnügen"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
3:10
14"O holder Tag, erwünschte Zeit", BWV 210: 9. Recitative:1 "Hochteurer Mann, so fahre ferner fort"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:16
15"O holder Tag, erwünschte Zeit", BWV 210: 10. Aria: "Seid beglückt"
producer:
Chris Sayers
soprano vocals:
Emma Kirkby (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (in 1996-07)
balance engineer:
Neil Hutchinson
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (from 1740 until 1750)
librettist:
[anonymous]
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
5:11
16"Mer hahn en neue Oberkeet", BWV 212: 1. [Overture]
producer:
Peter Wadland
creative direction:
Christopher Hogwood
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:03
17"Mer hahn en neue Oberkeet", BWV 212: 2. Duet: "Mer hahn en neue Oberkeet" / 3. Recitative: "Nu, Mieke, gib dein Guschel immer her"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:18
18"Mer hahn en neue Oberkeet", BWV 212: 4. [Aria:] "Ach, es schmeckt doch gar zu gut" / 5. Recitative: "Der Herr ist gut"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:21
19"Mer hahn en neue Oberkeet", BWV 212: 6. Aria: "Ach, Herr Schösser, geht nicht gar zu schlimm" / 7. Recitative: "Es bleibt dabei"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:35
20"Mer hahn en neue Oberkeet", BWV 212: 8. [Aria:] "Unser trefflicher lieber Kammerherr" / 9. Recitative: "Er hilft uns allein, alt und jung"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:06
21"Mer hahn en neue Oberkeet", BWV 212: 10. Aria: "Das ist galant, es spricht niemand" / 11. Recitative: "Und unsre gnädge Frau"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:52
22"Mer hahn en neue Oberkeet", BWV 212: 12. Aria: "Fünfzig Taler bares Geld" / 13. Recitative: "Im Ernst ein Wort"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld" by Academy of Ancient Music, Christopher Hogwood
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:09
23"Mer hahn en neue Oberkeet", BWV 212: 14. Aria: "Klein-Zschocher müsse so zart und süße" / 15. Recitative: "Das ist zu klug vor dich"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse" by Academy of Ancient Music, Christopher Hogwood
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
5:51
24"Mer hahn en neue Oberkeet", BWV 212: 16. Aria col come de Chasse: "Es nehme zehntausend Dukaten" / 17. Recitative: "Das klingt zu liederlich"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:58
25"Mer hahn en neue Oberkeet", BWV 212: 18. [Aria:] "Gib, Schöne, viel Söhne" / 19. Recitative: "Du hast wohl recht"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:48
26"Mer hahn en neue Oberkeet", BWV 212: 20. Aria: "Dein Wachstum sei feste und lache vor Lust" / 21. Recitative: "Und damit sei es auch genug
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
5:58
27"Mer hahn en neue Oberkeet", BWV 212: 22. [Aria:] "Und dass ihrs alle wisst" / 23. [Recitative:] "Mein Schatz, erraten"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:13
28"Mer hahn en neue Oberkeet", BWV 212: 24. Chorus: "Wir gehn nun, wo der Tudelsack"
producer:
Peter Wadland
creative direction:
Christopher Hogwood
bass vocals:
David Thomas (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:08
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life