Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)

2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)

3▶CD: Cantatas 182, 12, 54, 172 (1714)

4▶CD: Cantatas 21, 199 (1714)

5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)

6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)

7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)

8▶CD: Cantatas 75, 76, 24 (1723)

9▶CD: Cantatas 167, 147, 186, 136 (1723)

10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)

11▶CD: Cantatas 77, 25, 119, 138 (1723)

12▶CD: Cantatas 95, 148, 48, 109 (1723)

13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)

14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)

15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)

16▶CD: Cantatas 18, 66, 134, 67 (1724)

17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)

18▶CD: Cantatas 173, 184, 194 (1724)

19▶CD: Cantatas 20, 2, 7, 135 (1724)

20▶CD: Cantatas 10, 93, 107, 178 (1724)

21▶CD: Cantatas 94, 101, 113 (1724)

22▶CD: Cantatas 33, 78, 99, 8 (1724)

23▶CD: Cantatas 130, 114, 96, 5 (1724)

24▶CD: Cantatas 180, 38, 115, 139 (1724)

25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)

26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)

27▶CD: Cantatas 124, 3, 111, 92 (1725)

28▶CD: Cantatas 125, 126, 127 (1725)

29▶CD: Cantatas 1, 6, 42 (1725)

30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)

31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)

32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)

33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)

34▶CD: Cantatas 32, 13, 72, 43 (1726)

35▶CD: Cantatas 146, 129, 39 (1726)

36▶CD: Cantatas 88, 170, 187, 45 (1726)

37▶CD: Cantatas 102, 35, 17, 19 (1726)

38▶CD: Cantatas 27, 47, 169, 56 (1726)

39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)

40▶CD: Cantatas 82, 157, 84 (1727)

41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)

42▶CD: Cantatas 171, 156, 159, 120a (1729)

43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)

44▶CD: Cantatas 29, 140, 36 (1731)

45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)

46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)

47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)

48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas

49▶CD: 4-Part Chorales, BWV 250-318 AC-GO

50▶CD: 4-Part Chorales, BWV 319-381 GO-ME

51▶CD: 4-Part Chorales, BWV 382-438 MI-WO

52▶CD: Magnificat BWV 243, 243a

53▶CD: Motets

54▶CD: Mass in B minor (1 Mortensen)

55▶CD: Mass in B minor (2 Mortensen)

56▶CD: Mass in B minor (1 Brüggen)

57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233

58▶CD: Missas BWV 234-236

59▶CD: St. John Passion (1724) (1 Gardiner)

60▶CD: St. John Passion (1724) (2 Gardiner)

61▶CD: St. John Passion (1749) (1 Suzuki)

62▶CD: St. John Passion (1749) (2 Suzuki)

63▶CD: St. Matthew Passion (1 Gardiner)

64▶CD: St. Matthew Passion (2 Gardiner)

65▶CD: St. Matthew Passion (1 McCreesh)

66▶CD: St. Matthew Passion (2 McCreesh)

67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)

68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)

69▶CD: Christmas Oratorio (1 Gardiner)

70▶CD: Christmas Oratorio (2 Gardiner)

71▶CD: Christmas Oratorio (1 Chailly)

72▶CD: Christmas Oratorio (2 Chailly)

73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)

74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)

75▶CD: Cantatas 36c, 205, 34a (1725-1726)

76▶CD: Cantatas 207, 204, 216a (1726-1728)

77▶CD: Cantatas 198, 201 (1727-1729)

78▶CD: Cantatas 213, 214 (1733)

79▶CD: Cantatas 211, 215 (1734)

80▶CD: Cantatas 206, 30a (1736-1737)

81▶CD: Cantatas 209, 210, 212 (1730s-1740s)

82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)

83▶CD: Cantatas 56, 82, 4

84▶CD: Cantatas 31, 104, 57

85▶CD: Cantatas 199, 173, 74, 151

86▶CD: Easter Oratorio / Cantata 140

87▶CD: Cantatas 170, 159, 102

88▶CD: Cantatas 80, 52, 84, 209

89▶CD: Cantatas 82, 158, 56

90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)

91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)

92▶CD: Cantatas 92, 126, 182 (Easter)

93▶CD: Cantatas 1, 4, 67, 104 (Easter)

94▶CD: Cantatas 34, 68, 39 (Whitsun)

95▶CD: Cantatas 30, 147 (Whitsun)

96▶CD: Cantatas 76, 21 (Trinity)

97▶CD: Cantatas 135, 10, 45, 105 (Trinity)

98▶CD: Cantatas 51, 78, 8, 130 (Trinity)

99▶CD: Cantatas 27, 5, 60, 26 (Trinity)

100▶CD: St. Matthew Passion (1 Richter)

101▶CD: St. Matthew Passion (2 Richter)

102▼CD: St. Matthew Passion (3 Richter)
#	Title	Length
1	St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 49. Aria: "Aus Liebe will mein Heiland sterben" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) soprano vocals: Irmgard Seefried (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	4:31
2	St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 50a. "Sie schreien aber noch mehr"/ 50b. Chorus: "Lass ihn kreuzigen" / 50c. Recitative: "Da aber Pilatus sahe" / 50d. Chorus: "Sein Blut komme über uns" / 50e. Recitative: "Da gab er ihnen Barrabarn los" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) bass vocals [Pilate]: Max Proebstl (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" recording of: Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	2:09
3	St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 51. Recitative: "Erbarm es Gott!" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) alto vocals: Hertha Töpper (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	1:01
4	St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 52. Aria: "Können Tränen meiner Wangen" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) alto vocals: Hertha Töpper (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	8:03
5	St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 53a. Recitative: "Da nahmen die Kriegesknechte" / 53b. Chorus: "Gegrüßet seist du, Jüdenkönig" / 53c. Recitative: "Und speieten ihn an" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	1:17
6	St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 54. Chorale: "O Haupt voll Blut und Wunden" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1958-06 until 1958-08) lyricist: Paul Gerhardt composer: Johann Sebastian Bach librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 162) part of: Matthäus-Passion, BWV 244: Teil II	2:59
7	St. Matthew Passion, BWV 244: Part II. Simon of Cyrene: 55. Recitative: "Und da sie ihn verspottet hatten" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	1:12
8	St. Matthew Passion, BWV 244: Part II. Simon of Cyrene: 56. Recitative: "Ja freilich will in uns das Fleisch und Blut" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) bass vocals: Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	0:41
9	St. Matthew Passion, BWV 244: Part II. Simon of Cyrene: 57. Aria: "Komm, süßes Kreuz, so will ich sagen" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) bass vocals: Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	6:26
10	St. Matthew Passion, BWV 244: Part II. Crucifixion: 58a. Recitative: "Und da sie an die Stätte kamen" / 58b. Chorus: "Der du den Tempel Gottes zerbrichst" / 58c. Recitative: "Desgleichen auch die Hohenpriester" / 58d. Chorus: "Andern hat er geholfen" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" recording of: Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" recording of: Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" recording of: Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"	3:38
11	St. Matthew Passion, BWV 244: Part II. Crucifixion: 58e. Recitative: "Desgleichen schmähteten ihn auch die Mörder" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"	0:20
12	St. Matthew Passion, BWV 244: Part II. Crucifixion: 59. Recitative: "Ach, Golgatha" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) alto vocals: Hertha Töpper (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	1:42
13	St. Matthew Passion, BWV 244: Part II. Crucifixion: 60. Aria: "Sehet, Jesus hat die Hand" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) alto vocals: Hertha Töpper (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	3:51
14	St. Matthew Passion, BWV 244: Part II. Crucifixion: 61a. Recitative: "Und von der sechsten Stunde an" / 61b. Chorus: "Des rufet dem Elias!" / 61c. Recitative: "Und bald lief einer unter ihnen" / 61d. Chorus: "Halt! lass sehen" / 61e. Recitative: "Aber Jesus schriee abermals laut" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) bass vocals [Jesus]: Kieth Engen (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"	2:59
15	St. Matthew Passion, BWV 244: Part II. Crucifixion: 62. Chorale: "Wenn ich einmal soll scheiden" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1958-06 until 1958-08) lyricist: Paul Gerhardt composer: Johann Sebastian Bach librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 164) part of: Matthäus-Passion, BWV 244: Teil II	2:02
16	St. Matthew Passion, BWV 244: Part II. Crucifixion: 63a. Recitative: "Und siehe da, der Vorhang im Tempel zerriss" / 63b. Chorus: "Wahrlich, dieser is Gottes Sohn gewesen" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) recording of: Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)	2:34
17	St. Matthew Passion, BWV 244: Part II. Crucifixion: 63c. Recitative: "Und es waren viel Weiber da" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)	1:33
18	St. Matthew Passion, BWV 244: Part II. Descent from the Cross: 64. Recitative: "Am Abend, da es kühle war" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) bass vocals: Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	2:15
19	St. Matthew Passion, BWV 244: Part II. Descent from the Cross: 65. Aria: "Mache dich, mein Herze, rein" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) bass vocals: Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	7:08
20	St. Matthew Passion, BWV 244: Part II. Burial: 66a. Recitative: "Und Joseph nahm den Leib" / 66b. Chorus: "Herr, wir haben gedacht" / 66c. Recitative: "Pilatus sprach zu ihnen" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) bass vocals [Pilate]: Max Proebstl (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) tenor vocals [Evangelist]: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	2:54
21	St. Matthew Passion, BWV 244: Part II. Burial: 67. Recitative: "Nun ist der Herr zur Ruh gebracht" / Chorus: "Mein Jesu, gute Nacht!" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) alto vocals: Hertha Töpper (from 1958-06 until 1958-08) bass vocals: Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) soprano vocals: Irmgard Seefried (from 1958-06 until 1958-08) tenor vocals: Ernst Haefliger (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	2:30
22	St. Matthew Passion, BWV 244: Part II. Burial: 68. Chorus: "Wir setzen uns mit Tränen nieder" recording engineer: Werner Wolf executive producer: Dr. Hans Hickmann producer: Otto Gerdes and Karl-Heinz Schneider bassoon: Karl Kolbinger (from 1958-06 until 1958-08) cello and viola da gamba: Oswald Uhl (from 1958-06 until 1958-08) double bass: Franz Ortner (from 1958-06 until 1958-08) oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]: Edgar Shann (from 1958-06 until 1958-08) oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]: Kurt Hausmann (from 1958-06 until 1958-08) organ: Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08) transverse flute: Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08) violin: Otto Büchner (from 1958-06 until 1958-08) choir vocals: Münchener Bach‐Chor (from 1958-06 until 1958-08) orchestra: Münchener Bach‐Orchester (from 1958-06 until 1958-08) conductor: Karl Richter (from 1958-06 until 1958-08) chorus master: Fritz Rothschuh (from 1958-06 until 1958-08) recorded at: Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08) recording of: Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1958-06 until 1958-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	6:26

103▶CD: Great Singers (1952-1965)

104▶CD: Great Singers (1967-2011)

105▶CD: Great Singers (Period Instruments)

106▶CD: Organ Works (Introduction 1)

107▶CD: Organ Works (Introduction 2)

108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)

109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works

110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works

111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works

112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)

113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)

114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)

115▶CD: Early Chorale Preludes / Chorale Partitas

116▶CD: Chorale Preludes (Mühlhausen & Weimar)

117▶CD: Breitkopf Collection, BWV 690-713

118▶CD: Orgelbüchlein (Preston)

119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)

120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)

121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)

122▶CD: Clavier-Übung III (1) (Preston)

123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)

124▶CD: Free Works of Unproven Authenticity

125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)

126▶CD: Keyboard Works (Introduction 1: Harpsichord)

127▶CD: Keyboard Works (Introduction 2: Piano)

128▶CD: Early Fugues & Capriccios

129▶CD: Early Suites & Sonatas

130▶CD: Toccatas, BWV 910-916

131▶CD: Virtuoso Fantasias & Fugues

132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)

133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943

134▶CD: English Suites 1-3 (Dreyfus)

135▶CD: English Suites 4-6 (Dreyfus)

136▶CD: French Suites 1-4 (Hogwood)

137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)

138▶CD: Partitas 1, 2, 6 (Rousset)

139▶CD: Partitas 3-5 (Rousset)

140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)

141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)

142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)

143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)

144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)

145▶CD: Goldberg Variations (Rousset)

146▶CD: Goldberg Variations (Esfahani)

147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)

148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)

149▶CD: French Suites 1-3 (Perahia)

150▶CD: French Suites 4-6 (Perahia)

151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)

152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)

153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)

154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)

155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)

156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)

157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)

158▶CD: Goldberg Variations (Schiff)

159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)

160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)

161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)

162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)

163▶CD: Orgelbüchlein (Walcha)

164▶CD: Brandenburg Concertos 1-6 (Goebel)

165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)

166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)

167▶CD: Orchestral Suites 1-3 (Goebel)

168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)

169▶CD: Orchestral Suites 1-4 (Pinnock)

170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054

171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R

172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R

173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)

174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064

175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)

176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)

177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)

178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)

179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)

180▶CD: Concertos (Alternative Instrumentations)

181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)

182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)

183▶CD: Suites for "Lute"

184▶CD: Cello Suites 1, 3, 5 (Watkin)

185▶CD: Cello Suites 2, 4, 6 (Watkin)

186▶CD: Violin Sonatas BWV 1014-1018

187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029

188▶CD: 5 Flute Sonatas / Partita for Solo Flute

189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas

190▶CD: Musical Offering / Canons (Goebel)

191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)

192▶CD: The Art of Fugue (Aimard)

193▶CD: The Art of Fugue (1742) (Gilbert)

194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)

195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)

196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)

197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)

198▶CD: Cello Suites 1-3 (Fournier)

199▶CD: Cello Suites 4-6 (Fournier)

200▶CD: Solo & Chamber Works (Alternative Instrumentations)

201▶CD: Clavier-Büchlein W. F. Bach (1)

202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)

203▶CD: Notenbüchlein A. M. Bach (1725) (1)

204▶CD: Notenbüchlein A. M. Bach (1725) (2)

205▶CD: Schemelli Gesangbuch BWV 439-474

206▶CD: Schemelli Gesangbuch BWV 475-507

207▶CD: Bach: Early Influences

208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)

209▶CD: Concertos at Weimar (Vivaldi)

210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)

211▶CD: The Bach Family

212▶CD: Bach & Other Composers (c. 1715-1730)

213▶CD: Bach & Other Composers (c. 1730-1742)

214▶CD: Bach & Other Composers (1742-1750)

215▶CD: Bach Renewed (From Bach's Sons to Mahler)

216▶CD: Bach Reimagined (Chaconne & Passacaglia)

217▶CD: Bach Orchestrated (Reger to Stokowski)

218▶CD: Inspired by Bach (Gounod to Pärt)

219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)

220▶CD: Bach & The Virtuoso Piano (The 20th Century)

221▶CD: Bach à la Jazz

222▶CD: New Colours of Bach

223▶DVD-Video: Bach: A Passionate Life

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ASIN:	US: B07D2Y539K [info]
discography entry:	https://www.bach333.com/en/ [info]

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part of:	Bach 333 - J.S. Bach Complete Works (order: 1)

standalone website:	US: B07D2Y539K [info] https://www.bach333.com/en/ [info] https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:	Q113958674 [info]

Bach 333 - J.S. Bach The New Complete Edition

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Genres: classical

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