Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▼CD: Cantatas 102, 35, 17, 19 (1726)
#TitleLength
1"Herr, deine Augen sehen nach dem Glauben", BWV 102: 1. [Chorus:] "Herr, deine Augen sehen nach dem Glauben!"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
5:42
2"Herr, deine Augen sehen nach dem Glauben", BWV 102: 2. Recitativo "Wo ist das Ebenbild, das Gott uns eingepräget"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:00
3"Herr, deine Augen sehen nach dem Glauben", BWV 102: 3. Aria "Weh der Seele, die den Schaden"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
5:20
4"Herr, deine Augen sehen nach dem Glauben", BWV 102: 4. Arioso: "Verachtest du den Reichtum seiner Gnade"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
2:52
5"Herr, deine Augen sehen nach dem Glauben", BWV 102: 5. Aria: "Erschrecke doch"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
3:23
6"Herr, deine Augen sehen nach dem Glauben", BWV 102: 6. Recitative: "Beim Warten ist Gefahr"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:07
7"Herr, deine Augen sehen nach dem Glauben", BWV 102: 7. Chorale: "Heut lebst du, heut bekehre dich"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:33
8"Geist und Seele wird verwirret" BWV 35: 1. Concerto
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
countertenor vocals:
Andreas Scholl
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia (in 1997-07)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
5:39
9"Geist und Seele wird verwirret" BWV 35: 2. Aria: "Geist und Seele wird verwirret"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (in 1997-07)
countertenor vocals:
Andreas Scholl
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret" (in 1997-07)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
7:19
10"Geist und Seele wird verwirret" BWV 35: 3. Recitative: "Ich wundre mich"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (in 1997-07)
countertenor vocals:
Andreas Scholl
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, III. Recitativo (Alto) "Ich wundre mich, denn alles, was man sieht" (in 1997-07)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
1:19
11"Geist und Seele wird verwirret" BWV 35: 4. Aria: "Gott hat alles wohlgemacht"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (in 1997-07)
countertenor vocals:
Andreas Scholl
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (in 1997-07)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:13
12"Geist und Seele wird verwirret" BWV 35: 5. Sinfonia
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
countertenor vocals:
Andreas Scholl
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia (in 1997-07)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:27
13"Geist und Seele wird verwirret" BWV 35: 6. Recitative: "Ach, starker Gott, lass mich"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (in 1997-07)
countertenor vocals:
Andreas Scholl
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch" (in 1997-07)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
1:01
14"Geist und Seele wird verwirret" BWV 35: 7. Aria: "Ich wünsche nur, bei Gott zu leben"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (in 1997-07)
countertenor vocals:
Andreas Scholl
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben" (in 1997-07)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:08
15"Wer Dank opfert, der preiset mich", BWV 17: 1. Chorus: "Wer Dank opfert, der preiset mich"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" (in 1971-12)
composer:
Johann Sebastian Bach (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
5:04
16"Wer Dank opfert, der preiset mich", BWV 17: 2. Recitative: "Es muss die ganze Welt ein stummer Zeuge werden"
alto vocals:
Paul Esswood (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, II. Recitativo (Alto) "Er muß die ganze Welt ein stummer Zeuge werden" (in 1971-12)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
1:02
17"Wer Dank opfert, der preiset mich", BWV 17: 3. Aria: "Herr, deine Güte reicht, so weit der Himmel ist"
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, III. Aria (Soprano) "Herr, deine Güte reicht, so weit der Himmel ist" (in 1971-12)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
3:49
18"Wer Dank opfert, der preiset mich", BWV 17: 4. Recitative: "Einer aber unter ihnen"
tenor vocals:
Kurt Equiluz (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, IV. Recitativo (Tenore) "Einer aber unter ihnen" (in 1971-12)
composer:
Johann Sebastian Bach (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
0:41
19"Wer Dank opfert, der preiset mich", BWV 17: 5. Aria: "Welch Übermaß der Güte"
tenor vocals:
Kurt Equiluz (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, V. Aria (Tenore) "Welch Übermaß der Güte" (in 1971-12)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
4:12
20"Wer Dank opfert, der preiset mich", BWV 17: 6. Recitative: "Sieh meinen Willen an, ich kenne, was ich bin"
bass vocals:
Max van Egmond (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VI. Recitativo (Basso) "Sieh meinen Willen an" (in 1971-12)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
1:07
21"Wer Dank opfert, der preiset mich", BWV 17: 7. Chorale: "Wie sich ein Vatr erbarmet"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VII. Choral "Wie sich ein Vat'r erbarmet" (in 1971-12)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Johann Gramann (in 1530)
part of:
Breitkopf 389 Choralgesänge (number: 271)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
1:58
22"Es erhub sich ein Streit", BWV 19: 1. [Chorus:] "Es erhub sich ein Streit"
choir vocals:
Monteverdi Choir (on 2000-09-29)
orchestra:
English Baroque Soloists (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (on 2000-09-29)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
3:50
23"Es erhub sich ein Streit", BWV 19: 2. Recitative: "Gottlob! der Drache liegt"
bass vocals:
Peter Harvey (on 2000-09-29)
orchestra:
English Baroque Soloists (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (on 2000-09-29)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:52
24"Es erhub sich ein Streit", BWV 19: 3. Aria: "Gott schickt uns Mahanaim zu"
soprano vocals:
Malin Hartelius (on 2000-09-29)
orchestra:
English Baroque Soloists (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (on 2000-09-29)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
4:38
25"Es erhub sich ein Streit", BWV 19: 4. Recitative: "Was ist der schnöde Mensh, das Erdenkind?"
tenor vocals:
James Gilchrist (on 2000-09-29)
orchestra:
English Baroque Soloists (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (on 2000-09-29)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:52
26"Es erhub sich ein Streit", BWV 19: 5. Aria: "Bleibt, ihr Engel, bleibt bei mir!"
tenor vocals:
James Gilchrist (on 2000-09-29)
orchestra:
English Baroque Soloists (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (on 2000-09-29)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
8:02
27"Es erhub sich ein Streit", BWV 19: 6. Recitative: "Lasst uns das Angesicht"
soprano vocals:
Malin Hartelius (on 2000-09-29)
orchestra:
English Baroque Soloists (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (on 2000-09-29)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:35
28"Es erhub sich ein Streit", BWV 19: 7. Chorale: "Lass dein Engel mit mir fahren"
choir vocals:
Monteverdi Choir (on 2000-09-29)
orchestra:
English Baroque Soloists (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (on 2000-09-29)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
1:43
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life