Camille Saint-Saëns Edition

~ Release by Camille Saint‐Saëns (see all versions of this release, 3 available)

Annotation

A 34-CD collection of a variety of works from Camille Saint-Saëns' oeuvre performed by various artists.

Tracklist

1▶CD: Orchestral Works: Symphony in A major / Symphonies nos. 1 & 2

2▶CD: Orchestral Works: Symphony “Urbs Roma” / Symphony no. 3 “Organ Symphony”

3▶CD: Orchestral Works: Danse macabre / La Jeunesse d'Hercule / Phaéton / Le Rouet d'Omphale / La Foi

4▶CD: Orchestral Works: Le Carnaval des Animaux / Suite for orchestra / Une nuit à Lisbonne / Spartacus, Overture

5▶CD: Concertante Music: Piano Concertos nos. 1, 2 & 4

6▶CD: Concertante Music: Piano Concertos nos. 3 & 5 / Wedding Cake / Africa

7▶CD: Concertante Music: Violin Concertos nos. 1 & 2 / 2 Romances for Violin / Morceau de concert / Caprice andalou / Prélude pour “Le Déluge”

8▶CD: Concertante Music: Violin Concerto no. 3 / La Muse et le poète / Introduction et Rondo capriccioso / Havanaise / Valse-caprice

9▶CD: Concertante Music: Odelette / Tarentelle / 2 Romances / 2 Morceaux de concert / Cyprès et lauriers / Rhapsodie d'Auvergne / Allegro appassionato

10▶CD: Concertante Music: Cello Concerto no. 1 / Allegro appassionato / Chamber Music: Violin Sonatas nos. 1 & 2

11▶CD: Chamber Music: Berceuse / 2 Élégies / 4 Romances / Fantaisie / Celle Sonata no. 1 / Élégie no. 2 / Allegro appassionato / Prière

12▶CD: Chamber Music: Cello Sonata no. 2 / Sérénade / Clarinet Sonata / Oboe Sonata / Bassoon Sonata

13▶CD: Chamber Music: Cavatine / Piano Trios nos. 1 & 2 / Caprice sur des airs danois et russes

14▶CD: Chamber Music: String Quartets nos. 1 & 2

15▶CD: Chamber Music: Piano Quartet / Piano Quintet

16▶CD: Chamber Music: Le Carnaval des Animaux / Septet / Instrumental Music: Fantaisie / Allegro appassionato / Valse nonchalante

17▶CD: Instrumental Music: Piano Works: Six Études, op. 52 / Six Études, op. 111 / Mazurka no. 3 / Valse mignonne / Valse gaie / Six Études pour la main gauche seule

18▶CD: Instrumental Music: Piano Works: Scherzo / Introduction et Rondo capriccioso / Caprice pour piano sur les airs de ballet d'Alceste de Glück / Symphony no. 2 / Étienne Marcel

19▶CD: Instrumental Music: Complete Solo Organ Works I: Marche religieuse / Trois Rhapsodies / 3 Fantaisies / Trois Préludes et fugues, op. 99

20▶CD: Instrumental Music: Complete Solo Organ Works II: Trois Préludes et fugues, op. 109 / Bénédiction nuptiale / Sept Improvisations / Cyprès et lauriers / Élévation

21▶CD: Vocal and Choral Music: Songs for voice and piano / Two choruses for mixed chorus / Saltarelle

22▶CD: Vocal and Choral Music: Messe à quatre voix / Opera: Operas Arias from Samson et Delila & Henry VIII

23▶CD: Opera: Samson et Dalila (beginning)

24▼CD: Opera: Samson et Dalila (end)
#	Title	Length
1	Samson et Dalila, opera in 3 acts, op. 47: Act II. Prélude producer: René Challan orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II. Prélude (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	2:05
2	Samson et Dalila, opera in 3 acts, op. 47: Act II. « Samson, recherchant ma présence … Amour ! viens aider ma faiblesse ! » (Dalila) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	3:58
3	Samson et Dalila, opera in 3 acts, op. 47: Act II. « J'ai gravi la montagne » (La Grand Prêtre, Dalila) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 2. « J’ai gravi la montagne » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	2:16
4	Samson et Dalila, opera in 3 acts, op. 47: Act II. « À tes genoux sa force un jour l'abandonna » (La Grand Prêtre, Dalila) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 2. « À tes genoux sa force un jour l’abondonna » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	2:54
5	Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mais sur son coœur déjà n'aurais-tu pas en vain » (La Grand Prêtre, Dalila) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 2. « Mais sur son cœur déjà n’aurais‐tu pas en vain » (Le grand prêtre) (from 1962-09-25 until 1962-10-10) part of: Samson et Dalila : Acte II	3:02
6	Samson et Dalila, opera in 3 acts, op. 47: Act II. « Il faut, pour assouvir ma haine » (Dalila, le Grand Prêtre) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 2. « Il faut, pour assouvir ma haine » (Dalila, le grand prêtre) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	2:10
7	Samson et Dalila, opera in 3 acts, op. 47: Act II. « Samson, me disais-tu, dans ces lieux doit se rendre ? … Se pourrait-il que sur son coœur » (Le Grand Prêtre, Dalila) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 2. « Samson, me disais‐tu, dans ces lieux doit se rendre ? » … « Se pourrait‐il que sur son cœur » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	3:15
8	Samson et Dalila, opera in 3 acts, op. 47: Act II. « En ces lieux, malgré moi, m'ont ramené mes pas » (Samson) producer: René Challan tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 3. « En ces lieux » (Samson, Dalila) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	1:09
9	Samson et Dalila, opera in 3 acts, op. 47: Act II. « C'est toi ! c'est toi, mon bien-aimé ! » (Dalila, Samson) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 3. « C’est toi, c’est toi, mon bien‐aimé ! » (Dalila, Samson) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	2:45
10	Samson et Dalila, opera in 3 acts, op. 47: Act II. « D'Israël renaîtr l'espérance » (Samson, Dalila) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 3. « D’Israël renaît l’espérance » (Samson) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	2:56
11	Samson et Dalila, opera in 3 acts, op. 47: Act II. « Un dieu plus puissant que le tien » (Dalila, Samson) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 3. « Un dieu plus puissant que le tien » (Dalila, Samson) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	3:07
12	Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mon coœur s'ouvre à ta voix » (Dalila, Samson) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	5:16
13	Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mais ! … non ! que dis-je ? hélas, la triste Dalila ! » (Dalila, Samson) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 3. « Mais ! Non ! Que dis-je ? Hélas ! La triste Dalila » (Dalila, Samson) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	4:46
14	Samson et Dalila, opera in 3 acts, op. 47: Act II. « À moi ! Philistins ! - Trahison ! » (Dalila, Samson) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte II, scène 3. « À moi ! Philistins ! À moi ! » … « Trahison ! » (Dalila, Samson) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	1:39
15	Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. Introduction producer: René Challan orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 1. Introduction (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:43
16	Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. « Vois ma misère, hélas ! vois ma détresse ! » (Samson, les Hébreux) producer: René Challan choir vocals [Les Hébreux]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	2:25
17	Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. « Hélas ! Israël dans les fers » (Samson, les Hébreux) producer: René Challan choir vocals [Les Hébreux]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 1. « Hélas ! Israël dans les fers » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:52
18	Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. « Frères ! votre chant douloureux » (Samson, les Hébreux) producer: René Challan choir vocals [Les Hébreux]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 1. « Frères ! Votre chant douloureux » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	2:54
19	Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. Interlude producer: René Challan orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 1. Interlude (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:24
20	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « L'aube qui blanchit déjà les coteaux » (Les Philistins) producer: René Challan choir vocals [Les Philistins]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 2. Chœur des Philistins « L’aube qui blanchit déjà les coteaux » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	2:33
21	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. Bacchanale producer: René Challan orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 2. Bacchanale (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	6:58
22	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Salut ! Salut au juge d'Israël » (Le Grand Prêtre, les Philistins) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) choir vocals [Les Philistins]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « Salut ! Salut au juge d’Israël » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:17
23	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « L'âme triste jusqu'à la mort » (Samson, Dalila) producer: René Challan mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « L’âme triste jusqu’à la mort » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	3:32
24	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Allons, Samson, divertis-nous » (Le Grand Prêtre, Samson, les Philistins) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) choir vocals [Les Philistins]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « Allons, Samson, divertis-nous » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	2:10
25	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Viens, Dalila, rendre grâce à nos dieux … Gloire à Dagon vainqueur ! » (Le Grane Prêtre, Dalila, les Philistins) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) choir vocals [Les Philistins]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « Gloire à Dagon » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	2:40
26	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Dagon se révèle ! » (Le Grand Prêtre, Dalila, les Philistins) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) choir vocals [Les Philistins]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « Dagon se révèle ! » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:17
27	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Pour que le sort soit favorable » (Le Grand Prêtre, Samson) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « Pour que le sort soit favorable » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:24
28	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Dagon se révèle ! » (Chorus, Dalila, le Grand Prêtre) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « Dagon se révèle ! » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:50
29	Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Souviens-toi de ton serviteur » (Samson, Dalila, le Grand Prêtre, les Philistins) producer: René Challan baritone vocals [Le Grand Prêtre de Dagon]: Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) choir vocals [Les Philistins]: Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) mezzo-soprano vocals [Dalila]: Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) tenor vocals [Samson]: Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) orchestra: Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) conductor: Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) chorus master: René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) balance engineer: Robert Gooch recorded at: Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10) recording of: Samson et Dalila : Acte III, scène 3. « Souviens‐toi de ton serviteur » (from 1962-09-25 until 1962-10-10) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte III	1:31

25▶CD: Transcriptions & Arrangements 1

26▶CD: Transcriptions & Arrangements 2

27▶CD: Historical Recordings: Camille Saint-Saëns plays Camille Saint-Saëns: Piano Rolls / Gramophone Acoustic Recordings 1904 & 1919

28▶CD: Historical Recordings: Tecum principium / Le Rouet d'Omphale / La Princesse jaune Overture / Havanaise / Prélude pour “Le Déluge” / Toccata / Étude en forme de valse / Violin Concerto no. 3

29▶CD: Historical Recordings: Piano Concerto no. 4 / Celle Concerto no. 1 / Introduction and Rondo capriccioso / Havanaise

30▶CD: Historical Recordings: Piano Concertos nos. 1-3

31▶CD: Historical Recordings: Piano Concertos nos. 4 & 5 / Septet

32▶CD: Historical Recordings: Symphony no. 3 “Organ Symphony” / Suite algérienne / Danse macabre / Phaéton

33▶CD: Historical Recordings: 6 Arias / Samson et Dalila (beginning)

34▶CD: Historical Recordings: Samson et Dalila (end)

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ASIN:	CA: B096HWHY7F [info]
purchase for mail-order:	https://www.prestomusic.com/classical/products/9246871--saint-saens-edition [info]
discography entry:	https://www.warnerclassics.com/release/camille-saint-saens-edition [info]

Camille Saint-Saëns Edition

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