Camille Saint-Saëns Edition

~ Release by Camille Saint‐Saëns (see all versions of this release, 3 available)

Annotation

A 34-CD collection of a variety of works from Camille Saint-Saëns' oeuvre performed by various artists.

Tracklist

1▶CD: Orchestral Works: Symphony in A major / Symphonies nos. 1 & 2
2▶CD: Orchestral Works: Symphony “Urbs Roma” / Symphony no. 3 “Organ Symphony”
3▶CD: Orchestral Works: Danse macabre / La Jeunesse d'Hercule / Phaéton / Le Rouet d'Omphale / La Foi
4▶CD: Orchestral Works: Le Carnaval des Animaux / Suite for orchestra / Une nuit à Lisbonne / Spartacus, Overture
5▶CD: Concertante Music: Piano Concertos nos. 1, 2 & 4
6▶CD: Concertante Music: Piano Concertos nos. 3 & 5 / Wedding Cake / Africa
7▶CD: Concertante Music: Violin Concertos nos. 1 & 2 / 2 Romances for Violin / Morceau de concert / Caprice andalou / Prélude pour “Le Déluge”
8▶CD: Concertante Music: Violin Concerto no. 3 / La Muse et le poète / Introduction et Rondo capriccioso / Havanaise / Valse-caprice
9▶CD: Concertante Music: Odelette / Tarentelle / 2 Romances / 2 Morceaux de concert / Cyprès et lauriers / Rhapsodie d'Auvergne / Allegro appassionato
10▶CD: Concertante Music: Cello Concerto no. 1 / Allegro appassionato / Chamber Music: Violin Sonatas nos. 1 & 2
11▶CD: Chamber Music: Berceuse / 2 Élégies / 4 Romances / Fantaisie / Celle Sonata no. 1 / Élégie no. 2 / Allegro appassionato / Prière
12▶CD: Chamber Music: Cello Sonata no. 2 / Sérénade / Clarinet Sonata / Oboe Sonata / Bassoon Sonata
13▶CD: Chamber Music: Cavatine / Piano Trios nos. 1 & 2 / Caprice sur des airs danois et russes
14▶CD: Chamber Music: String Quartets nos. 1 & 2
15▶CD: Chamber Music: Piano Quartet / Piano Quintet
16▶CD: Chamber Music: Le Carnaval des Animaux / Septet / Instrumental Music: Fantaisie / Allegro appassionato / Valse nonchalante
17▶CD: Instrumental Music: Piano Works: Six Études, op. 52 / Six Études, op. 111 / Mazurka no. 3 / Valse mignonne / Valse gaie / Six Études pour la main gauche seule
18▶CD: Instrumental Music: Piano Works: Scherzo / Introduction et Rondo capriccioso / Caprice pour piano sur les airs de ballet d'Alceste de Glück / Symphony no. 2 / Étienne Marcel
19▶CD: Instrumental Music: Complete Solo Organ Works I: Marche religieuse / Trois Rhapsodies / 3 Fantaisies / Trois Préludes et fugues, op. 99
20▶CD: Instrumental Music: Complete Solo Organ Works II: Trois Préludes et fugues, op. 109 / Bénédiction nuptiale / Sept Improvisations / Cyprès et lauriers / Élévation
21▶CD: Vocal and Choral Music: Songs for voice and piano / Two choruses for mixed chorus / Saltarelle
22▶CD: Vocal and Choral Music: Messe à quatre voix / Opera: Operas Arias from Samson et Delila & Henry VIII
23▼CD: Opera: Samson et Dalila (beginning)
#TitleLength
1Samson et Dalila, opera in 3 acts, op. 47: Act I. Introduction
producer:
René Challan
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. Introduction (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
2:09
2Samson et Dalila, opera in 3 acts, op. 47: Act I. « Dieu ! Dieu d'Israël ! écoute la prière de tes enfants » (Les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Dieu ! Dieu d’Israël ! » (Les Hébreux) (from 1962-09-25 until 1962-10-10)
writer and composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
3:41
3Samson et Dalila, opera in 3 acts, op. 47: Act I. « Quoi ! veux-tu donc qui'à jamais on efface » (Les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Quoi ! Veux‐tu donc qu’à jamais on efface » (Les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
3:05
4Samson et Dalila, opera in 3 acts, op. 47: Act I. « Arrêtez, ô mes frères ! » (Samson, les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Arrêtez, ô mes frères » (Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
3:42
5Samson et Dalila, opera in 3 acts, op. 47: Act I. « Implorons à genoux le Seigneur qui nous aime ! » (Samson, les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Implorons à genoux » (Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
2:05
6Samson et Dalila, opera in 3 acts, op. 47: Act I. « Qui donc élève ici la voix ? » (Abimélech)
producer:
René Challan
baritone vocals [Abimélech]:
Anton Diakov (from 1962-10-01 until 1962-10-10)
bass vocals [Abimélech]:
Anton Diakov (from 1962-09-25 until 1962-09-28)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « Qui donc élève ici la voix ? » (Abimélech, Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
2:59
7Samson et Dalila, opera in 3 acts, op. 47: Act I. « C'est toi que sa bouche invective » (Samson, les Hébreux, Abimélech)
producer:
René Challan
baritone vocals [Abimélech]:
Anton Diakov (from 1962-10-01 until 1962-10-10)
bass vocals [Abimélech]:
Anton Diakov (from 1962-09-25 until 1962-09-28)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « C’est toi que sa bouche invective » (Samson, les Hébreux, Abimélech) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
1:17
8Samson et Dalila, opera in 3 acts, op. 47: Act I. « Israël ! romps ta chaine ! » (Samson, les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « Israel ! Romps ta chaîne ! » (Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
1:58
9Samson et Dalila, opera in 3 acts, op. 47: Act I. « Que vois-je ! Abimélech ! frappé par des esclaves ! » (Le Grand Prêtre, Premier Philistin, Deuxième Philistin)
producer:
René Challan
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
bass vocals [Deuxième Philistin]:
Jean-Pierre Hurteau (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Premier Philistin]:
Jacques Potier (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 3. « Que vois‐je ? Abimélech » (Le grand prêtre, premier Philistin, deuxième Philistin) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
1:15
10Samson et Dalila, opera in 3 acts, op. 47: Act I. « Seigneur ! la troupe furieuse … Maudite à jamais soit la race » (Un messager, les deux Philistin, le Grand Prêtre)
producer:
René Challan
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Un messager]:
Rémi Corazza (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 4. « Seigneur ! La troupe furieuse » … « Maudite à jamais soit ta race » (Messager, deux Philistins, le grand prêtre) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
2:49
11Samson et Dalila, opera in 3 acts, op. 47: Act I. Lever du jour
producer:
René Challan
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 5. Lever du jour (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
1:24
12Samson et Dalila, opera in 3 acts, op. 47: Act I. « Hymne de joie, hymne de délivrance » (Les vieillards hébreux, un vieillard hébreu)
producer:
René Challan
bass vocals [Un vieillard hébreu]:
Anton Diakov (from 1962-09-25 until 1962-09-28)
bass vocals [Un vielillard hébreu]:
Anton Diakov (from 1962-10-01 until 1962-10-10)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 5. « Hymne de joie, hymne de délivrance » (Les vieillards hébreux, un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
4:08
13Samson et Dalila, opera in 3 acts, op. 47: Act I. « Voici le printemps nous portant des fleurs » (Les Philistins)
producer:
René Challan
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Voici le printemps » (Les Philistins) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
2:17
14Samson et Dalila, opera in 3 acts, op. 47: Act I. « Je viens célébrer la victoire … Ô mon bien-aimé, suis mes pas vers Sorek » (Dalila, Samson, un vieillard hébreu)
producer:
René Challan
baritone vocals [Un vieillard hébreu]:
Anton Diakov (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Je viens célébrer la victoire » (Dalila, Samson, un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
3:30
15Samson et Dalila, opera in 3 acts, op. 47: Act I. « Danse des prêtresses de Dagon »
producer:
René Challan
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. Danse des prêtresses de Dagon (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
2:13
16Samson et Dalila, opera in 3 acts, op. 47: Act I. « Printemps qui commence, portant l'espérance » (Dalila)
producer:
René Challan
mezzo-soprano vocals [Dalila]:
Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
3:28
17Samson et Dalila, opera in 3 acts, op. 47: Act I. « L'esprit du mal a conduit cette femme » (Un vieillard hébreu, Dalila)
producer:
René Challan
bass vocals [Un vieillard hébreu]:
Anton Diakov (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « L’esprit du mal a conduit cette femme » (Un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
2:30
24▶CD: Opera: Samson et Dalila (end)
25▶CD: Transcriptions & Arrangements 1
26▶CD: Transcriptions & Arrangements 2
27▶CD: Historical Recordings: Camille Saint-Saëns plays Camille Saint-Saëns: Piano Rolls / Gramophone Acoustic Recordings 1904 & 1919
28▶CD: Historical Recordings: Tecum principium / Le Rouet d'Omphale / La Princesse jaune Overture / Havanaise / Prélude pour “Le Déluge” / Toccata / Étude en forme de valse / Violin Concerto no. 3
29▶CD: Historical Recordings: Piano Concerto no. 4 / Celle Concerto no. 1 / Introduction and Rondo capriccioso / Havanaise
30▶CD: Historical Recordings: Piano Concertos nos. 1-3
31▶CD: Historical Recordings: Piano Concertos nos. 4 & 5 / Septet
32▶CD: Historical Recordings: Symphony no. 3 “Organ Symphony” / Suite algérienne / Danse macabre / Phaéton
33▶CD: Historical Recordings: 6 Arias / Samson et Dalila (beginning)
34▶CD: Historical Recordings: Samson et Dalila (end)