| # | Title | Length |
|---|
| 1 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 1 Chorus: "Jauchzet, frohlocket, auf, preiset die Tage"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
- part of:
- Weihnachts-Oratorium, BWV 248
| 7:41 |
| 2 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 2 Recitative: "Es begab sich abe zu der Zeit"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- tenor vocals [Evangelist]:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 1:11 |
| 3 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 3 [Recitative]: "Nun wird mein liebster Bräutigam"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:51 |
| 4 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 4 Aria: "Bereite dich, Zion, mit zärtlichen Trieben"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- performer:
- Anthony Robson (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 5:03 |
| 5 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 5 Chorale: "Wie soll ich dich empfangen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Wie soll ich dich empfangen
- part of:
- Weihnachts-Oratorium, BWV 248
| 1:04 |
| 6 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 6 Recitative: "Und sie gebar ihren ersten Sohn"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- tenor vocals [Evangelist]:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:21 |
| 7 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 7 Chorale: "Er ist auf Erden kommen arm"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- soprano vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 2:57 |
| 8 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 8 Aria: "Großer Herr, o starker König"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- trumpet:
- Crispian Steele‐Perkins (in 1987-01)
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 4:22 |
| 9 | Christmas Oratorio, BWV 248: Part I - For the First Day of Christmas: no. 9 Chorale: "Ach mein herzliebes Jesulein"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 1:20 |
| 10 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 10 Sinfonia- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 5:18 |
| 11 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 11 Recitative: "Und es waren Hirten in dreselben Gegend"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- tenor vocals [Evangelist]:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:34 |
| 12 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 12 Chorale: "Brich an, o schönes Morgenlicht"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- librettist:
- Johann von Rist (in 1641)
- part of:
- Breitkopf 389 Choralgesänge (number: 80)
- part of:
- Weihnachts-Oratorium, BWV 248
| 1:01 |
| 13 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 13 Recitative: "Und der Engel sprach zu ihnen" / Angelus: "Fürchtet euch nicht"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- soprano vocals [Angel]:
- Ruth Holton (in 1987-01)
- tenor vocals [Evangelist]:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:38 |
| 14 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 14 Recitative: "Was Gott dem Abraham verheißen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:42 |
| 15 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 15 Aria: "Frohe Hirten, eilt, ach eilet"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- flute:
- Lisa Beznosiuk (in 1987-01)
- tenor vocals:
- Hans Peter Blochwitz (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 3:19 |
| 16 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 16 Recitative: "Und das habt zum Zeichen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- tenor vocals [Evangelist]:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:22 |
| 17 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 17 Chorale: "Schaut hin, dort liegt im finstern Stall"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- lyricist:
- Paul Gerhardt
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 323)
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:39 |
| 18 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 18 Recitative: "So geht denn hin, ihr Hirten"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:49 |
| 19 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 19 Aria: "Schlafe, mein Liebster, genieße der Ruh"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 9:21 |
| 20 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 20 Recitative: "Und alsobald war da bei dem Engel"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- tenor vocals [Evangelist]:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:15 |
| 21 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 21 Chorus: "Ehre sei Gott in der Höhe"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 2:27 |
| 22 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 22 Recitative: "So recht ihr Engel, jauchzt und singet"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:23 |
| 23 | Christmas Oratorio, BWV 248: Part II - For the Second Day of Christmas: no. 23 Chorale: "Wir singen dir in deinem Heer"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 1:17 |
| 24 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 24 Chorus: "Herrscher des Himmels, erhöre das Lallen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 1:51 |
| 25 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 25 Recitative: "Und da die Engel von ihnen gen Himmel fuhren" | 0:09 |
| 26 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 26 Chorus: "Lasset uns nun gehen gen Bethlehem" | 0:39 |
| 27 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 27 Recitative: "Er hat sein Volk getröst'" | 0:36 |
| 28 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 28 Chorale: "Dies hat er alles uns getan" | 0:44 |
| 29 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 29 Duet: "Herr, dein Mitleid, dein Erbarmen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- oboe d'amore:
- Valerie Darke (in 1987-01) and Anthony Robson (in 1987-01)
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- soprano vocals:
- Nancy Argenta (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 6:49 |
| 30 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 30 Recitative: "Und sie kamen eilend" | 1:09 |
| 31 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 31 Aria: "Schließe, mein Herze, dies selige Wunder"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 4:59 |
| 32 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 32 Recitative: "Ja, ja, mein Herz soll es bewahren"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| 0:21 |
| 33 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 33 Chorale: "Ich will dich mit Fleiß bewahren" | 0:50 |
| 34 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 34 Recitative: "Und die Hirten kehrten wieder um" | 0:23 |
| 35 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 35 Chorale: "Seid froh dieweil" | 0:43 |
| 36 | Christmas Oratorio, BWV 248: Part III - For the Third Day of Christmas: no. 24 Chorus de capo: "Herrscher des Himmels erhöre das Lallen" | 1:56 |
