| # | Title | Length |
|---|
| 1 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 1. Recitative: "Was mir behagt, ist nur die muntre Jagd"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 0:43 |
| 2 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 2. Aria: "Jagen ist die Lust der Götter"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 2:04 |
| 3 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 3. Recitative: "Wie, schönste Gottin"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 1:07 |
| 4 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 4. Aria: "Willst du dich nicht mehr ergötzen"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 4:24 |
| 5 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 5. Recitative: "Ich liebe dich zwar noch"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 2:23 |
| 6 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 6. Recitative: "Ich, der ich sonst ein Gott"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 0:31 |
| 7 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 7. Aria: "Ein Fürst ist seines Landes"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 3:15 |
| 8 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 8. Recitative: "Soll denn der Pales"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 0:38 |
| 9 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 9. Aria: "Schafe können sicher weiden"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Classic 100: Piano (number: 38)
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 4:01 |
| 10 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 10. Recitative: "So stimmt mit ein"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 0:11 |
| 11 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 11. Chorus: "Lebe, Sonne dieser Erden"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 3:03 |
| 12 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 12. Duet: "Entzücket uns beide, ihr Strahlen der Freude"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 2:05 |
| 13 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 13. Aria: "Weil die wollenreichen Herden"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 2:52 |
| 14 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 14. Aria: "Ihr Felder und Auen"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 2:33 |
| 15 | "Was mir behagt, ist nur die muntre Jagd", BWV 208: 15. Chorus: "Ihr lieblichste Blicke"- producer:
- Hein Dekker
- baritone vocals [baritone - Pan]:
- David Wilson‐Johnson (in 1996-11)
- choir vocals:
- Choir of the Age of Enlightenment (in 1996-11)
- soprano vocals [soprano I - Diana]:
- Monika Frimmer (in 1996-11)
- tenor vocals [tenor - Endymion]:
- John Elwes (in 1996-11)
- vocals:
- Lynne Dawson (in 1996-11)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1996-11)
- conductor:
- Gustav Leonhardt (in 1996-11)
- balance engineer:
- Ko Witteveen
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1996-11)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden”
- premiered in:
- Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
- composed in:
- Weimar, Thüringen, Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| 3:58 |
| 16 | "Weichet nur, betrübte Schatten". BWV 202: 1. [Aria:] "Weichet nur, betrübte Schatten"- producer:
- Chris Sayers
- creative direction:
- Christopher Hogwood
- soprano vocals:
- Emma Kirkby
- orchestra:
- Academy of Ancient Music
- conductor:
- Christopher Hogwood
- balance engineer:
- Neil Hutchinson
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (from 1996-07-09 until 1996-07-13)
- recording of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1996-07-09 until 1996-07-13)
- composer:
- Johann Sebastian Bach (from 1718 until 1723)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten"
- recording of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1996-07)
- composer:
- Johann Sebastian Bach (from 1718 until 1723)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten"
| 6:34 |
| 17 | "Weichet nur, betrübte Schatten". BWV 202: 2. [Recitative:] "Die Welt wird wieder neu" | 0:23 |
| 18 | "Weichet nur, betrübte Schatten". BWV 202: 3. Aria: "Phöbus eilt mit schnellen Pferden" | 3:01 |
| 19 | "Weichet nur, betrübte Schatten". BWV 202: 4. Recitative: "Drum sucht auch Amor sein Vergnügen" | 0:33 |
| 20 | "Weichet nur, betrübte Schatten". BWV 202: 5. Aria: "Wenn die Frühlingslüfte streichen" | 2:30 |
| 21 | "Weichet nur, betrübte Schatten". BWV 202: 6. Recitative: "Und dieses ist das Glücke" | 0:35 |
| 22 | "Weichet nur, betrübte Schatten". BWV 202: 7. Aria: "Sich üben im Lieben" | 3:56 |
| 23 | "Weichet nur, betrübte Schatten". BWV 202: 8. Recitative: "So sei das Band der keuschen Liebe" | 0:22 |
| 24 | "Weichet nur, betrübte Schatten". BWV 202: 9. Gavotte: "Sehet in Zufriedenheit"- producer:
- Chris Sayers
- creative direction:
- Christopher Hogwood
- soprano vocals:
- Emma Kirkby
- orchestra:
- Academy of Ancient Music
- conductor:
- Christopher Hogwood
- balance engineer:
- Neil Hutchinson
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (from 1996-07-09 until 1996-07-13)
- recording of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (from 1996-07-09 until 1996-07-13)
- composer:
- Johann Sebastian Bach (from 1718 until 1723)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten"
- recording of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1996-07)
- composer:
- Johann Sebastian Bach (from 1718 until 1723)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 202 "Weichet nur, betrübte Schatten"
| 1:50 |
| 25 | Quodlibet, BWV 524 | 11:40 |
