Bach 333: Sacred & secular vocal (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: 4-Part Chorales, BWV 250-318 AC-GO
2CD: 4-Part Chorales, BWV 319-381 GO-ME
3CD: 4-Part Chorales, BWV 382-438 MI-WO
4CD: Magnificat BWV 243, 243a
5CD: Motets
6CD: Mass in B minor (1 Mortensen)
7CD: Mass in B minor (2 Mortensen)
8CD: Mass in B minor (1 Brüggen)
9CD: Mass in B minor (2 Brüggen) / Missa BWV 233
10CD: Missas BWV 234-236
11CD: St. John Passion (1724) (1 Gardiner)
12CD: St. John Passion (1724) (2 Gardiner)
13CD: St. John Passion (1749) (1 Suzuki)
14CD: St. John Passion (1749) (2 Suzuki)
15CD: St. Matthew Passion (1 Gardiner)
16CD: St. Matthew Passion (2 Gardiner)
#TitleLength
1St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 38a. Recitative: "Petrus aber saß draußen" / 38b. Chorus: "Wahrlich, du bist auch einer von denen" / 38c. "Da hub er an, sich zu verfluchen"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [Peter]:
Olaf Bär (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04)
soprano vocals [Maid I]:
Gill Ross (in 1988-04)
soprano vocals [Maid II]:
Ruth Holton (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:20
2St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 39. Aria: "Erbarme dich, mein Gott"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
countertenor vocals:
Michael Chance (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1988-04)
orchestrator:
Ton Koopman
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:42
3St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 40. Chorale: "Bin ich gleich von dir gewichen"0:54
4St. Matthew Passion, BWV 244: Part II. Judas im Tempel: 41a. Recitative: "Des Morgens aber hielten alle Hohepriester" / 41b. Chorus: "Was gehet uns das an?" / 41c. Recitative: "Und er warf die Silberlinge in den Tempel"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [High Priest I]:
Olaf Bär (in 1988-04)
bass vocals [Judas]:
Cornelius Hauptmann (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:44
5St. Matthew Passion, BWV 244: Part II. Judas im Tempel: 42. Aria: "Gebt mir meinen Jesum wieder"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
bass vocals:
Cornelius Hauptmann (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:52
6St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 43. Recitative: "Sie hielten aber einen Rat"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [Jesus]:
Andreas Schmidt (in 1988-04)
baritone vocals [Pilate]:
Olaf Bär (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:01
7St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 44. Chorale: "Befiehl du deine Wege"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1988-04)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
0:58
8St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 45a. Recitative: "Auf das Fest aber hatte der Landpfleger Gewohnheit" / 45b. Chorus: "Lass ihn kreuzigen"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [Pilate]:
Olaf Bär (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
soprano vocals [Pilate's Wife]:
Barbara Bonney (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:09
9St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 46. Chorale: "Wie wunderbarlich ist doch diese Strafe"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1988-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
0:38
10St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 47. Recitative: "Der Landpfleger sagte"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [Pilate]:
Olaf Bär (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:14
11St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 48. Recitative: "Er hat uns allen wohlgetan"1:04
12St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 49. Aria: "Aus Liebe will mein Heiland sterben"5:19
13St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 50a. Recitative: "Sie schrieen aber noch mehr" / 50b. Chorus: "Lass ihn kreuzigen" / 50c. "Da aber Pilatus sahe" / 50d. Chorus: "Sein Blut komme über uns" / 50e. "Da gab er ihnen Barrabam los"1:50
14St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 51. Recitative: "Erbarm es Gott"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:57
15St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 52. Aria: "Können Tränen meiner Wangen"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:45
16St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 53a. "Da nahmen die Kriegsknechte" / 53b. Chorus: "Gegrüßet seist du, Jüdenkönig" / 53c. Recitative: "Und speieten ihn an"0:57
17St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 54. Chorale: "O Haupt voll Blut und Wunden"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1988-04)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
1:47
18St. Matthew Passion, BWV 244: Part II. Simon von Kyrene: 55. Recitative: "Und da sie ihn verspottet hatten"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:53
19St. Matthew Passion, BWV 244: Part II. Simon von Kyrene: 56. Recitative: "Ja freilich will in uns das Fleisch und Blut"0:32
20St. Matthew Passion, BWV 244: Part II. Simon von Kyrene: 57. Aria: "Komm, süßes Kreuz, so will ich sagen"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [bass]:
Olaf Bär (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:07
21St. Matthew Passion, BWV 244: Part II. Kreuzigung: 58a. Recitative: "Und da sie an die Stätte kamen" / 58b. Chorus: "Der du den Tempel Gottes zerbrichst" / 58c. Recitative: "Desgleichen auch die Hohenpriester" / 58d. Chorus: "Andern hat er geholfen" -3:26
22St. Matthew Passion, BWV 244: Part II. Kreuzigung: 59. Recitative: "Ach Golgotha, unselges Golgotha"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
countertenor vocals:
Michael Chance (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:25
23St. Matthew Passion, BWV 244: Part II. Kreuzigung: 60. Aria: "Sehet, Jesus hat die Hand"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
countertenor vocals:
Michael Chance (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:18
24St. Matthew Passion, BWV 244: Part II. Kreuzigung: 61a. Recitative: "Und von der sechsten Stunde an" / 61b. Chorus: "Der rufet dem Elias" / 61c. Chorus: "Und bald lief einer unter ihnen" / 61d. Chorus: "Halt, lass sehen" / 61e. Recitative: "Aber Jesus schriee abermal laut"2:03
25St. Matthew Passion, BWV 244: Part II. Kreuzigung: 62. Chorale: "Wenn ich einmal soll scheiden"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1988-04)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
1:10
26St. Matthew Passion, BWV 244: Part II. Kreuzigung: 63a. Recitative: "Und siehe da, der Vorhang im Tempel zerriss" / 63b. Chorus: "Wahrlich, dieser ist Gottes Sohn gewesen" / 63c. Recitative: "Und es waren viel Weiber da"2:28
27St. Matthew Passion, BWV 244: Part II. Kreuzigung: 64. Recitative: "Am Abend, da es kühle war"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
bass vocals:
Cornelius Hauptmann (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:58
28St. Matthew Passion, BWV 244: Part II. Kreuzigung: 65. Aria: "Mache dich, mein Herze, rein"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
bass vocals:
Cornelius Hauptmann (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:57
29St. Matthew Passion, BWV 244: Part II. Und Joseph nahm den Leib: 66a. Recitative: "Und Joseph nahm den Leib" / 66b. Chorus: "Herr, wir haben gedacht" / 66c. "Pilatus sprach zu ihnen"
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [Pilate]:
Olaf Bär (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
Sir John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:30
30St. Matthew Passion, BWV 244: Part II. Und Joseph nahm den Leib: 67. Recitative: "Nun ist der Herr zur Ruh gebracht"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
baritone vocals [bass]:
Olaf Bär (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1988-04)
soprano vocals:
Barbara Bonney (in 1988-04)
tenor vocals:
Howard Crook (in 1988-04)
orchestra:
English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:36
31St. Matthew Passion, BWV 244: Part II. Und Joseph nahm den Leib: 68. Chorus: "Wir setzen uns mit Tränen nieder"
recording engineer:
Klaus Behrens
sound engineer and balance engineer:
Ulrich Vette
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
instruments and orchestra:
English Baroque Soloists (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1988-04)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:12
17CD: St. Matthew Passion (1 McCreesh)
18CD: St. Matthew Passion (2 McCreesh)
19CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
20CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
21CD: Christmas Oratorio (1 Gardiner)
22CD: Christmas Oratorio (2 Gardiner)
23CD: Christmas Oratorio (1 Chailly)
24CD: Christmas Oratorio (2 Chailly)
25CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
26CD: Cantatas 134a, 203, 173a (1719-c. 1723)
27CD: Cantatas 36c, 205, 34a (1725-1726)