Carmen

~ Release by Bizet; Maria Callas, Nicolai Gedda, Andréa Guiot, Robert Massard, Chœurs René Duclos, Orchestre du Théâtre National de l'Opéra de Paris, Georges Prêtre (see all versions of this release, 11 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Carmen : Acte II. Récit : « Mais qui donc attends-tu ? »
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Jacques Pruvost (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 15 Récit : « Mais qui donc attends-tu ? » (Le Dancaïre, Le Remendado, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet0:26
2Carmen : Acte II. Chanson : « Halte là ! »
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Jacques Pruvost (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:33
3Carmen : Acte II. Récit : « Enfin c'est toi ! » / Duo : « Tout doux, monsieur, tout doux »
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 16b Récit « Enfin c’est toi ! » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 16b Récit « Enfin c’est toi ! » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
part of:
Carmen : Acte II
Georges Bizet5:51
4Carmen : Acte II. Air de la fleur : « La fleur que tu m'avais jetée » / Duo : « Non, tu ne m'aimes pas »
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet7:49
5Carmen : Acte II. Final : « Holà Carmen ! Holà ! Holà ! »
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
bass vocals [Zuniga]:
Jacques Mars (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Maurice Maievski (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:54
6Carmen : Acte II. Entr’acte
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet2:59
7Carmen : Acte III. Sextuor et chœur : « Écoute, écoute, compagnon, écoute »
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Maurice Maievski (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
chorus master:
Jean Laforge (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:02
8Carmen : Acte III. Récit : « Reposons-nous une heure ici, mes camarades »
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. Récitative « Reposons‐nous une heure ici » (Le Dancaïre, Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet2:16
9Carmen : Acte III. Trio des cartes : « Mêlons ! Coupons ! »
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet6:51
10Carmen : Acte III. Récit : « Eh bien ? »
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. Récitative « Eh bien ? … » (Carmen, Le Dancaïre, Frasquita) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:38
11Carmen : Acte III. Morceau d'ensemble : « Quant au douanier, c'est notre affaire »
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet2:49
12Carmen : Acte III. Récit : « C'est des contrebandiers le refuge ordinaire » / Air de Micaëla : « Je dis que rien ne m'épouvante »
producer:
Michel Glotz
soprano vocals [Micaëla]:
Andréa Guiot (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:49
13Carmen : Acte III. Récit : « Je ne me trompe pas … c'est lui sur ce rocher »
producer:
Michel Glotz
soprano vocals [Micaëla]:
Andréa Guiot (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:28
14Carmen : Acte III. Duo : « Quelques lignes plus bas … » / Final : « Holà, holà! José ! »
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
bass-baritone vocals [Escamillo]:
Robert Massard (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
soprano vocals [Micaëla]:
Andréa Guiot (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Jacques Pruvost (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
chorus master:
Jean Laforge (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet11:31
15Carmen : Acte III. Entr’acte
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:01
16Carmen : Acte IV. Chœur : « A deux cuartos ! A deux cuartos ! »
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
chorus master:
Jean Laforge (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet1:55
17Carmen : Acte IV. Marche et chœur : « Les voici ! Voici la quadrille ! »
producer:
Michel Glotz
bass-baritone vocals [Escamillo]:
Robert Massard (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
chorus master:
Jean Laforge (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet6:53
18Carmen : Acte IV. Duo : « C'est toi !… » / « Carmen, il est temps encore » / « Viva ! La course est belle ! »
producer:
Michel Glotz
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
chorus master:
Jean Laforge (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte IV. « Viva ! Viva ! La course est belle » (Chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet8:44