Pure Maria Callas (Remastered)

~ Release by Maria Callas (see all versions of this release, 2 available)

Annotation

24-Bit
96.0 kHz - Stereo

Tracklist

1▼Digital Media
#	Title	Artist	Length
1	Carmen, Act I; L'amour est un oiseau rebelle (Habanera) producer: Michel Glotz editor: Jennifer Howells choir vocals: Chœurs René Duclos (from 1964-07-06 until 1964-07-20) mezzo-soprano vocals [Carmen]: Maria Callas (from 1964-07-06 until 1964-07-20) soprano vocals: Maria Callas vocals: Maria Callas orchestra: Orchestre du Théâtre National de l’Opéra (from 1964-07-06 until 1964-07-20) conductor: Georges Prêtre (from 1964-07-06 until 1964-07-20) balance engineer: Paul Vavasseur (from 1964-07-06 until 1964-07-20) phonographic copyright (℗) by: EMI Records Ltd. (in 1964) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20) recording of: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20) composer: Georges Bizet librettist: Ludovic Halévy and Henri Meilhac is based on: El arreglito part of: Carmen : Acte I	Georges Bizet	4:27
2	Norma, Act I; Casta Diva soprano vocals: Maria Callas recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) composer: Vincenzo Bellini (until 1831) librettist: Felice Romani (until 1831) part of: Norma: Atto I	Vincenzo Bellini	5:35
3	Gianni Schicchi, Act I; O mio babbino caro soprano vocals: Maria Callas recording of: Gianni Schicchi: “O mio babbino caro” (Lauretta) composer: Giacomo Puccini librettist: Giovacchino Forzano publisher: Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. part of: Gianni Schicchi	Giacomo Puccini	2:36
4	La Wally, Act I; Ebben? ne andrò lontana soprano vocals: Maria Callas recording of: La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) composer: Alfredo Catalani librettist: Luigi Illica (in 1892) publisher: Lam Larghetto Music (from 1993 to present) part of: La Wally: Atto I	Alfredo Catalani	4:52
5	La Traviata, Act I; Ah, fors'è lui soprano vocals: Maria Callas recording of: La traviata: Atto I. “Ah, fors’è lui” (Violetta) composer: Giuseppe Verdi librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi	3:06
6	La Traviata, Act I; Sempre libera soprano vocals: Maria Callas recording of: La traviata: Atto I. “Sempre libera” (Violetta) composer: Giuseppe Verdi librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi	3:59
7	Tosca, Act II; Vissi d'arte soprano vocals: Maria Callas recording of: Tosca: Atto II. “Vissi d’arte” (Tosca) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Tosca: Atto II (Tosca: Act II)	Giacomo Puccini	3:18
8	Madama Butterfly, Act II; Un bel dì vedremo soprano vocals: Maria Callas recording of: Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini	4:44
9	Andrea Chénier, Act III; La mamma morta soprano vocals: Maria Callas recording of: Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) composer: Umberto Giordano librettist: Luigi Illica publisher: Edoardo Sonzogno Ltd. and MCPS part of: Andrea Chénier: Atto III	Umberto Giordano	4:52
10	La Bohème, Act III; Donde lieta uscì soprano vocals: Maria Callas recording of: La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)	Giacomo Puccini	3:24
11	Adriana Lecouvreur, Act I; Ecco: respiro appena. Io son l'umile ancella producer: Walter Legge soprano vocals: Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) orchestra: Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) conductor: Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) balance engineer: Robert Beckett phonographic copyright (℗) by: EMI Records Ltd. (in 1955) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) recording of: Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-17 until 1954-09-18) composer: Francesco Cilea librettist: Arturo Colautti publisher: Ascherberg, Hopwood & Crew and MCPS part of: Adriana Lecouvreur: Atto I recording of: Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-20 until 1954-09-21) composer: Francesco Cilea librettist: Arturo Colautti publisher: Ascherberg, Hopwood & Crew and MCPS part of: Adriana Lecouvreur: Atto I	Francesco Cilea	3:48
12	Lucia di Lammermoor, Act III; Il dolce suono soprano vocals: Maria Callas recording of: Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) composer: Gaetano Donizetti librettist: Salvadore Cammarano part of: Lucia di Lammermoor: Atto III	Gaetano Donizetti	2:58
13	Il Trovatore, Act IV; D'amor sull'ali rosee soprano vocals: Maria Callas recording of: Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) composer: Giuseppe Verdi librettist: Salvadore Cammarano part of: Il trovatore: Atto IV. Il supplicio	Giuseppe Verdi	4:06
14	Otello, Act IV; Ave Maria soprano vocals: Maria Callas recording of: Otello: Atto IV. “Ave Maria” (Desdemona) composer: Giuseppe Verdi (from 1884 until 1886-11-01, in 1887) librettist: Arrigo Boito part of: Otello: Atto IV	Giuseppe Verdi	4:47
15	Il Barbiere di Siviglia, Act I; Una voce poco fa soprano vocals: Maria Callas orchestra: Philharmonia Orchestra conductor: Alceo Galliera recording of: Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) composer: Gioachino Rossini librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini	6:21
16	Orphée et Eurydice, Act IV; J'ai perdu mon Eurydice soprano vocals: Maria Callas recording of: Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) composer: Christoph Willibald Gluck additional librettist: Pierre-Louis Moline translator: Pierre-Louis Moline translated version of: Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) part of: Orphée et Eurydice, Wq. 41 : Acte III	Christoph Willibald Gluck	4:25
17	Samson et Dalila, Act II; Mon coeur s'ouvre à ta voix soprano vocals: Maria Callas recording of: Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte II	Camille Saint‐Saëns	5:20
18	Carmen, Act II; Les tringles des sistres tintaient (Chanson bohème) soprano vocals: Maria Callas recording of: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) composer: Georges Bizet librettist: Ludovic Halévy and Henri Meilhac part of: Carmen : Acte II	Georges Bizet	4:29

Credits

Release

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