Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 18 available)

Tracklist

1▶CD: Volume 1: Symphonies
2▶CD: Volume 1: Symphonies
3▶CD: Volume 1: Symphonies
4▶CD: Volume 1: Symphonies
5▶CD: Volume 1: Symphonies
6▶CD: Volume 1: Symphonies
7▶CD: Volume 1: Symphonies
8▶CD: Volume 1: Symphonies
9▶CD: Volume 1: Symphonies
10▶CD: Volume 1: Symphonies
11▶CD: Volume 1: Symphonies
12▶CD: Volume 1: Symphonies
13▶CD: Volume 2: Serenades / Dances / Marches
14▶CD: Volume 2: Serenades / Dances / Marches
15▶CD: Volume 2: Serenades / Dances / Marches
16▶CD: Volume 2: Serenades / Dances / Marches
17▶CD: Volume 2: Serenades / Dances / Marches
18▶CD: Volume 2: Serenades / Dances / Marches
19▶CD: Volume 2: Serenades / Dances / Marches
20▶CD: Volume 2: Serenades / Dances / Marches
21▶CD: Volume 2: Serenades / Dances / Marches
22▶CD: Volume 2: Serenades / Dances / Marches
23▶CD: Volume 2: Serenades / Dances / Marches
24▶CD: Volume 2: Serenades / Dances / Marches
25▶CD: Volume 2: Serenades / Dances / Marches
26▶CD: Volume 3: Divertimenti / Serenades
27▶CD: Volume 3: Divertimenti / Serenades
28▶CD: Volume 3: Divertimenti / Serenades
29▶CD: Volume 3: Divertimenti / Serenades
30▶CD: Volume 3: Divertimenti / Serenades
31▶CD: Volume 3: Divertimenti / Serenades
32▶CD: Volume 3: Divertimenti / Serenades
33▶CD: Volume 3: Divertimenti / Serenades
34▶CD: Volume 3: Divertimenti / Serenades
35▶CD: Volume 3: Divertimenti / Serenades
36▶CD: Volume 3: Divertimenti / Serenades
37▶CD: Volume 4: Piano Concertos
38▶CD: Volume 4: Piano Concertos
39▶CD: Volume 4: Piano Concertos
40▶CD: Volume 4: Piano Concertos
41▶CD: Volume 4: Piano Concertos
42▶CD: Volume 4: Piano Concertos
43▶CD: Volume 4: Piano Concertos
44▶CD: Volume 4: Piano Concertos
45▶CD: Volume 4: Piano Concertos
46▶CD: Volume 4: Piano Concertos
47▶CD: Volume 4: Piano Concertos
48▶CD: Volume 4: Piano Concertos
49▶CD: Volume 5: Violin Concertos / Wind Concertos
50▶CD: Volume 5: Violin Concertos / Wind Concertos
51▶CD: Volume 5: Violin Concertos / Wind Concertos
52▶CD: Volume 5: Violin Concertos / Wind Concertos
53▶CD: Volume 5: Violin Concertos / Wind Concertos
54▶CD: Volume 5: Violin Concertos / Wind Concertos
55▶CD: Volume 5: Violin Concertos / Wind Concertos
56▶CD: Volume 5: Violin Concertos / Wind Concertos
57▶CD: Volume 5: Violin Concertos / Wind Concertos
58▶CD: Volume 6: Quintets, Quartets, Trios, etc.
59▶CD: Volume 6: Quintets, Quartets, Trios, etc.
60▶CD: Volume 6: Quintets, Quartets, Trios, etc.
61▶CD: Volume 6: Quintets, Quartets, Trios, etc.
62▶CD: Volume 6: Quintets, Quartets, Trios, etc.
63▶CD: Volume 6: Quintets, Quartets, Trios, etc.
64▶CD: Volume 6: Quintets, Quartets, Trios, etc.
65▶CD: Volume 6: Quintets, Quartets, Trios, etc.
66▶CD: Volume 7: String Quartets / String Quintets
67▶CD: Volume 7: String Quartets / String Quintets
68▶CD: Volume 7: String Quartets / String Quintets
69▶CD: Volume 7: String Quartets / String Quintets
70▶CD: Volume 7: String Quartets / String Quintets
71▶CD: Volume 7: String Quartets / String Quintets
72▶CD: Volume 7: String Quartets / String Quintets
73▶CD: Volume 7: String Quartets / String Quintets
74▶CD: Volume 7: String Quartets / String Quintets
75▶CD: Volume 7: String Quartets / String Quintets
76▶CD: Volume 7: String Quartets / String Quintets
77▶CD: Volume 8: Violin Sonatas / String Duos & Trios
78▶CD: Volume 8: Violin Sonatas / String Duos & Trios
79▶CD: Volume 8: Violin Sonatas / String Duos & Trios
80▶CD: Volume 8: Violin Sonatas / String Duos & Trios
81▶CD: Volume 8: Violin Sonatas / String Duos & Trios
82▶CD: Volume 8: Violin Sonatas / String Duos & Trios
83▶CD: Volume 8: Violin Sonatas / String Duos & Trios
84▶CD: Volume 8: Violin Sonatas / String Duos & Trios
85▶CD: Volume 8: Violin Sonatas / String Duos & Trios
86▶CD: Volume 9: Piano Music
87▶CD: Volume 9: Piano Music
88▶CD: Volume 9: Piano Music
89▶CD: Volume 9: Piano Music
90▶CD: Volume 9: Piano Music
91▶CD: Volume 9: Piano Music
92▶CD: Volume 9: Piano Music
93▶CD: Volume 9: Piano Music
94▶CD: Volume 9: Piano Music
95▶CD: Volume 9: Piano Music
96▶CD: Volume 9: Piano Music
97▶CD: Volume 9: Piano Music
98▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▼CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
#TitleLength
1Oratorio in F major, K. 74c/118 "La Betulia liberata": I. Parte prima: Overtura
producer:
Gottfried Kraus and Rudolf Werner
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Overtura (in 1978-02)
composer:
Wolfgang Amadeus Mozart
part of:
La Betulia liberata, K. 74c/118
3:56
2Oratorio in F major, K. 74c/118 "La Betulia liberata": II. Parte prima: Recitativo "Popoli di Betulia" (Ozia)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Popoli di Betulia" (Ozia) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
0:58
3Oratorio in F major, K. 74c/118 "La Betulia liberata": III. Parte prima: No. 1 Aria "D’ogni colpa la colpa maggiore" (Ozia)
producer:
Gottfried Kraus and Rudolf Werner
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 1. Aria "D’ogni colpa la colpa maggiore" (Ozia) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
6:54
4Oratorio in F major, K. 74c/118 "La Betulia liberata": IV. Parte prima: Recitativo "E in che sperar?" (Cabri, Amital)
producer:
Gottfried Kraus and Rudolf Werner
cello [cello, continuo]:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "E in che sperar?" (Cabri, Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
1:41
5Oratorio in F major, K. 74c/118 "La Betulia liberata": V. Parte prima: No. 2 Aria "Ma qual virtù non cede" (Cabri)
producer:
Gottfried Kraus and Rudolf Werner
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 2. Aria "Ma qual virtù non cede" (Cabri) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:34
6Oratorio in F major, K. 74c/118 "La Betulia liberata": VI. Parte prima: Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:17
7Oratorio in F major, K. 74c/118 "La Betulia liberata": VII. Parte prima: No. 3 Aria "Non hai cor" (Amital)
producer:
Gottfried Kraus and Rudolf Werner
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 3. Aria "Non hai cor" (Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
4:58
8Oratorio in F major, K. 74c/118 "La Betulia liberata": VIII. Parte prima: Recitativo "E qual pace sperate" (Ozia, Amital, Coro)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
choir vocals:
Salzburger Kammerchor (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "E qual pace sperate" (Ozia, Amital, Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:29
9Oratorio in F major, K. 74c/118 "La Betulia liberata": IX. Parte prima: No. 4 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
producer:
Gottfried Kraus and Rudolf Werner
choir vocals:
Salzburger Kammerchor (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 4. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:57
10Oratorio in F major, K. 74c/118 "La Betulia liberata": X. Parte prima: Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:54
11Oratorio in F major, K. 74c/118 "La Betulia liberata": XI. Parte prima: No. 5 Aria "Del pari infeconda" (Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 5. Aria "Del pari infeconda" (Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
5:59
12Oratorio in F major, K. 74c/118 "La Betulia liberata": XII. Parte prima: Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:22
13Oratorio in F major, K. 74c/118 "La Betulia liberata": XIII. Parte prima: No. 6 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
producer:
Gottfried Kraus and Rudolf Werner
choir vocals:
Salzburger Kammerchor (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 6. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:57
14Oratorio in F major, K. 74c/118 "La Betulia liberata": XIV. Parte prima: Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
soprano vocals [Carmi]:
Margarita Zimmermann (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:56
15Oratorio in F major, K. 74c/118 "La Betulia liberata": XV. Parte prima: No. 7 Aria "Terribile d’aspetto" (Achior)
producer:
Gottfried Kraus and Rudolf Werner
bass vocals [Achior]:
Walter Berry (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 7. Aria "Terribile d’aspetto" (Achior) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:57
16Oratorio in F major, K. 74c/118 "La Betulia liberata": XVI. Parte prima: Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:51
17Oratorio in F major, K. 74c/118 "La Betulia liberata": XVII. Parte prima: No. 8 Aria "Parto inerme, e non pavento" (Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 8. Aria "Parto inerme, e non pavento" (Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
6:56
18Oratorio in F major, K. 74c/118 "La Betulia liberata": XVIII. Parte prima: No. 9 Coro "Oh prodigio! Oh stupor!" (Coro)
producer:
Gottfried Kraus and Rudolf Werner
choir vocals:
Salzburger Kammerchor (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 9. Coro "Oh prodigio! Oh stupor!" (Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:26
117▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
118▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶CD: Volume 13: Early Italian Operas
133▶CD: Volume 13: Early Italian Operas
134▶CD: Volume 13: Early Italian Operas
135▶CD: Volume 13: Early Italian Operas
136▶CD: Volume 13: Early Italian Operas
137▶CD: Volume 13: Early Italian Operas
138▶CD: Volume 13: Early Italian Operas
139▶CD: Volume 13: Early Italian Operas
140▶CD: Volume 13: Early Italian Operas
141▶CD: Volume 13: Early Italian Operas
142▶CD: Volume 13: Early Italian Operas
143▶CD: Volume 13: Early Italian Operas
144▶CD: Volume 13: Early Italian Operas
145▶CD: Volume 14: Middle Italian Operas
146▶CD: Volume 14: Middle Italian Operas
147▶CD: Volume 14: Middle Italian Operas
148▶CD: Volume 14: Middle Italian Operas
149▶CD: Volume 14: Middle Italian Operas
150▶CD: Volume 14: Middle Italian Operas
151▶CD: Volume 14: Middle Italian Operas
152▶CD: Volume 14: Middle Italian Operas
153▶CD: Volume 14: Middle Italian Operas
154▶CD: Volume 15: Late Italian Operas
155▶CD: Volume 15: Late Italian Operas
156▶CD: Volume 15: Late Italian Operas
157▶CD: Volume 15: Late Italian Operas
158▶CD: Volume 15: Late Italian Operas
159▶CD: Volume 15: Late Italian Operas
160▶CD: Volume 15: Late Italian Operas
161▶CD: Volume 15: Late Italian Operas
162▶CD: Volume 15: Late Italian Operas
163▶CD: Volume 15: Late Italian Operas
164▶CD: Volume 15: Late Italian Operas
165▶CD: Volume 16: German Operas
166▶CD: Volume 16: German Operas
167▶CD: Volume 16: German Operas
168▶CD: Volume 16: German Operas
169▶CD: Volume 16: German Operas
170▶CD: Volume 16: German Operas
171▶CD: Volume 16: German Operas
172▶CD: Volume 16: German Operas
173▶CD: Volume 16: German Operas
174▶CD: Volume 16: German Operas
175▶CD: Volume 16: German Operas
176▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
178▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises