Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 18 available)

Tracklist

1▶CD: Volume 1: Symphonies
2▶CD: Volume 1: Symphonies
3▶CD: Volume 1: Symphonies
4▶CD: Volume 1: Symphonies
5▶CD: Volume 1: Symphonies
6▶CD: Volume 1: Symphonies
7▶CD: Volume 1: Symphonies
8▶CD: Volume 1: Symphonies
9▶CD: Volume 1: Symphonies
10▶CD: Volume 1: Symphonies
11▶CD: Volume 1: Symphonies
12▶CD: Volume 1: Symphonies
13▶CD: Volume 2: Serenades / Dances / Marches
14▶CD: Volume 2: Serenades / Dances / Marches
15▶CD: Volume 2: Serenades / Dances / Marches
16▶CD: Volume 2: Serenades / Dances / Marches
17▶CD: Volume 2: Serenades / Dances / Marches
18▶CD: Volume 2: Serenades / Dances / Marches
19▶CD: Volume 2: Serenades / Dances / Marches
20▶CD: Volume 2: Serenades / Dances / Marches
21▶CD: Volume 2: Serenades / Dances / Marches
22▶CD: Volume 2: Serenades / Dances / Marches
23▶CD: Volume 2: Serenades / Dances / Marches
24▶CD: Volume 2: Serenades / Dances / Marches
25▶CD: Volume 2: Serenades / Dances / Marches
26▶CD: Volume 3: Divertimenti / Serenades
27▶CD: Volume 3: Divertimenti / Serenades
28▶CD: Volume 3: Divertimenti / Serenades
29▶CD: Volume 3: Divertimenti / Serenades
30▶CD: Volume 3: Divertimenti / Serenades
31▶CD: Volume 3: Divertimenti / Serenades
32▶CD: Volume 3: Divertimenti / Serenades
33▶CD: Volume 3: Divertimenti / Serenades
34▶CD: Volume 3: Divertimenti / Serenades
35▶CD: Volume 3: Divertimenti / Serenades
36▶CD: Volume 3: Divertimenti / Serenades
37▶CD: Volume 4: Piano Concertos
38▶CD: Volume 4: Piano Concertos
39▶CD: Volume 4: Piano Concertos
40▶CD: Volume 4: Piano Concertos
41▶CD: Volume 4: Piano Concertos
42▶CD: Volume 4: Piano Concertos
43▶CD: Volume 4: Piano Concertos
44▶CD: Volume 4: Piano Concertos
45▶CD: Volume 4: Piano Concertos
46▶CD: Volume 4: Piano Concertos
47▶CD: Volume 4: Piano Concertos
48▶CD: Volume 4: Piano Concertos
49▶CD: Volume 5: Violin Concertos / Wind Concertos
50▶CD: Volume 5: Violin Concertos / Wind Concertos
51▶CD: Volume 5: Violin Concertos / Wind Concertos
52▶CD: Volume 5: Violin Concertos / Wind Concertos
53▶CD: Volume 5: Violin Concertos / Wind Concertos
54▶CD: Volume 5: Violin Concertos / Wind Concertos
55▶CD: Volume 5: Violin Concertos / Wind Concertos
56▶CD: Volume 5: Violin Concertos / Wind Concertos
57▶CD: Volume 5: Violin Concertos / Wind Concertos
58▶CD: Volume 6: Quintets, Quartets, Trios, etc.
59▶CD: Volume 6: Quintets, Quartets, Trios, etc.
60▶CD: Volume 6: Quintets, Quartets, Trios, etc.
61▶CD: Volume 6: Quintets, Quartets, Trios, etc.
62▶CD: Volume 6: Quintets, Quartets, Trios, etc.
63▶CD: Volume 6: Quintets, Quartets, Trios, etc.
64▶CD: Volume 6: Quintets, Quartets, Trios, etc.
65▶CD: Volume 6: Quintets, Quartets, Trios, etc.
66▶CD: Volume 7: String Quartets / String Quintets
67▶CD: Volume 7: String Quartets / String Quintets
68▶CD: Volume 7: String Quartets / String Quintets
69▶CD: Volume 7: String Quartets / String Quintets
70▶CD: Volume 7: String Quartets / String Quintets
71▶CD: Volume 7: String Quartets / String Quintets
72▶CD: Volume 7: String Quartets / String Quintets
73▶CD: Volume 7: String Quartets / String Quintets
74▶CD: Volume 7: String Quartets / String Quintets
75▶CD: Volume 7: String Quartets / String Quintets
76▶CD: Volume 7: String Quartets / String Quintets
77▶CD: Volume 8: Violin Sonatas / String Duos & Trios
78▶CD: Volume 8: Violin Sonatas / String Duos & Trios
79▶CD: Volume 8: Violin Sonatas / String Duos & Trios
80▶CD: Volume 8: Violin Sonatas / String Duos & Trios
81▶CD: Volume 8: Violin Sonatas / String Duos & Trios
82▶CD: Volume 8: Violin Sonatas / String Duos & Trios
83▶CD: Volume 8: Violin Sonatas / String Duos & Trios
84▶CD: Volume 8: Violin Sonatas / String Duos & Trios
85▶CD: Volume 8: Violin Sonatas / String Duos & Trios
86▶CD: Volume 9: Piano Music
87▶CD: Volume 9: Piano Music
88▶CD: Volume 9: Piano Music
89▶CD: Volume 9: Piano Music
90▶CD: Volume 9: Piano Music
91▶CD: Volume 9: Piano Music
92▶CD: Volume 9: Piano Music
93▶CD: Volume 9: Piano Music
94▶CD: Volume 9: Piano Music
95▶CD: Volume 9: Piano Music
96▶CD: Volume 9: Piano Music
97▶CD: Volume 9: Piano Music
98▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
117▼CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
#TitleLength
1Oratorio in F major, K. 74c/118 "La Betulia liberata": XIX. Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XIX. Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
6:12
2Oratorio in F major, K. 74c/118 "La Betulia liberata": XX. Parte seconda: No. 10 Aria "Se Dio veder tu vuoi" (Ozia)
producer:
Gottfried Kraus and Rudolf Werner
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XX. Parte seconda: No. 10 Aria "Se Dio veder tu vuoi" (Ozia) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
7:50
3Oratorio in F major, K. 74c/118 "La Betulia liberata": XXI. Parte seconda: Recitativo "Confuso io son" (Achior, Ozia, Amital)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXI. Parte seconda: Recitativo "Confuso io son" (Achior, Ozia, Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
1:22
4Oratorio in F major, K. 74c/118 "La Betulia liberata": XXII. Parte seconda: No. 11 Aria "Quel nocchier che in gran procella" (Amital)
producer:
Gottfried Kraus and Rudolf Werner
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXII. Parte seconda: No. 11 Aria "Quel nocchier che in gran procella" (Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
6:35
5Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIII. Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Coro, Cabri, Giuditta, Achior)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
choir vocals:
Salzburger Kammerchor (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIII. Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Coro, Cabri, Giuditta, Achior) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
9:23
6Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIV. Parte seconda: No. 12 Aria "Prigionier che fa ritorno" (Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIV. Parte seconda: No. 12 Aria "Prigionier che fa ritorno" (Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
8:37
7Oratorio in F major, K. 74c/118 "La Betulia liberata": XXV. Parte seconda: Recitativo "Giuditta, Ozia, popoli, amici" (Achior)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXV. Parte seconda: Recitativo "Giuditta, Ozia, popoli, amici" (Achior) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
1:09
8Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVI. Parte seconda: No. 13 Aria "Te solo adoro" (Achior)
producer:
Gottfried Kraus and Rudolf Werner
bass vocals [Achior]:
Walter Berry (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVI. Parte seconda: No. 13 Aria "Te solo adoro" (Achior) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
2:48
9Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVII. Parte seconda: Recitativo "Di tua vittoria" (Ozia, Amital)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVII. Parte seconda: Recitativo "Di tua vittoria" (Ozia, Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
0:37
10Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVIII. Parte seconda: No. 14 Aria "Con troppa rea viltà" (Amital)
producer:
Gottfried Kraus and Rudolf Werner
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVIII. Parte seconda: No. 14 Aria "Con troppa rea viltà" (Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
5:36
11Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIX. Parte seconda: Recitativo "Quanta cura hai di noi" (Cabri, Carmi, Ozia, Amital)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
soprano vocals [Carmi]:
Margarita Zimmermann (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIX. Parte seconda: Recitativo "Quanta cura hai di noi" (Cabri, Carmi, Ozia, Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
3:33
12Oratorio in F major, K. 74c/118 "La Betulia liberata": XXX. Parte seconda: No. 15 Aria "Quei moti che senti" (Carmi)
producer:
Gottfried Kraus and Rudolf Werner
soprano vocals [Carmi]:
Margarita Zimmermann (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXX. Parte seconda: No. 15 Aria "Quei moti che senti" (Carmi) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
2:21
13Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXI. Parte seconda: Recitativo "Seguansi, oh Carmi" (Ozia, Amital, Cabri, Achior, Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXI. Parte seconda: Recitativo "Seguansi, oh Carmi" (Ozia, Amital, Cabri, Achior, Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
0:59
14Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXII. Parte seconda: No. 16 Aria con il Coro "Lodi al gran Dio" (Giuditta, Coro)
producer:
Gottfried Kraus and Rudolf Werner
choir vocals:
Salzburger Kammerchor (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXII. Parte seconda: No. 16 Aria con il Coro "Lodi al gran Dio" (Giuditta, Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte II
8:05
118▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶CD: Volume 13: Early Italian Operas
133▶CD: Volume 13: Early Italian Operas
134▶CD: Volume 13: Early Italian Operas
135▶CD: Volume 13: Early Italian Operas
136▶CD: Volume 13: Early Italian Operas
137▶CD: Volume 13: Early Italian Operas
138▶CD: Volume 13: Early Italian Operas
139▶CD: Volume 13: Early Italian Operas
140▶CD: Volume 13: Early Italian Operas
141▶CD: Volume 13: Early Italian Operas
142▶CD: Volume 13: Early Italian Operas
143▶CD: Volume 13: Early Italian Operas
144▶CD: Volume 13: Early Italian Operas
145▶CD: Volume 14: Middle Italian Operas
146▶CD: Volume 14: Middle Italian Operas
147▶CD: Volume 14: Middle Italian Operas
148▶CD: Volume 14: Middle Italian Operas
149▶CD: Volume 14: Middle Italian Operas
150▶CD: Volume 14: Middle Italian Operas
151▶CD: Volume 14: Middle Italian Operas
152▶CD: Volume 14: Middle Italian Operas
153▶CD: Volume 14: Middle Italian Operas
154▶CD: Volume 15: Late Italian Operas
155▶CD: Volume 15: Late Italian Operas
156▶CD: Volume 15: Late Italian Operas
157▶CD: Volume 15: Late Italian Operas
158▶CD: Volume 15: Late Italian Operas
159▶CD: Volume 15: Late Italian Operas
160▶CD: Volume 15: Late Italian Operas
161▶CD: Volume 15: Late Italian Operas
162▶CD: Volume 15: Late Italian Operas
163▶CD: Volume 15: Late Italian Operas
164▶CD: Volume 15: Late Italian Operas
165▶CD: Volume 16: German Operas
166▶CD: Volume 16: German Operas
167▶CD: Volume 16: German Operas
168▶CD: Volume 16: German Operas
169▶CD: Volume 16: German Operas
170▶CD: Volume 16: German Operas
171▶CD: Volume 16: German Operas
172▶CD: Volume 16: German Operas
173▶CD: Volume 16: German Operas
174▶CD: Volume 16: German Operas
175▶CD: Volume 16: German Operas
176▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
178▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises