Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 18 available)

Tracklist

1▶CD: Volume 1: Symphonies
2▶CD: Volume 1: Symphonies
3▶CD: Volume 1: Symphonies
4▶CD: Volume 1: Symphonies
5▶CD: Volume 1: Symphonies
6▶CD: Volume 1: Symphonies
7▶CD: Volume 1: Symphonies
8▶CD: Volume 1: Symphonies
9▶CD: Volume 1: Symphonies
10▶CD: Volume 1: Symphonies
11▶CD: Volume 1: Symphonies
12▶CD: Volume 1: Symphonies
13▶CD: Volume 2: Serenades / Dances / Marches
14▶CD: Volume 2: Serenades / Dances / Marches
15▶CD: Volume 2: Serenades / Dances / Marches
16▶CD: Volume 2: Serenades / Dances / Marches
17▶CD: Volume 2: Serenades / Dances / Marches
18▶CD: Volume 2: Serenades / Dances / Marches
19▶CD: Volume 2: Serenades / Dances / Marches
20▶CD: Volume 2: Serenades / Dances / Marches
21▶CD: Volume 2: Serenades / Dances / Marches
22▶CD: Volume 2: Serenades / Dances / Marches
23▶CD: Volume 2: Serenades / Dances / Marches
24▶CD: Volume 2: Serenades / Dances / Marches
25▶CD: Volume 2: Serenades / Dances / Marches
26▶CD: Volume 3: Divertimenti / Serenades
27▶CD: Volume 3: Divertimenti / Serenades
28▶CD: Volume 3: Divertimenti / Serenades
29▶CD: Volume 3: Divertimenti / Serenades
30▶CD: Volume 3: Divertimenti / Serenades
31▶CD: Volume 3: Divertimenti / Serenades
32▶CD: Volume 3: Divertimenti / Serenades
33▶CD: Volume 3: Divertimenti / Serenades
34▶CD: Volume 3: Divertimenti / Serenades
35▶CD: Volume 3: Divertimenti / Serenades
36▶CD: Volume 3: Divertimenti / Serenades
37▶CD: Volume 4: Piano Concertos
38▶CD: Volume 4: Piano Concertos
39▶CD: Volume 4: Piano Concertos
40▶CD: Volume 4: Piano Concertos
41▶CD: Volume 4: Piano Concertos
42▶CD: Volume 4: Piano Concertos
43▶CD: Volume 4: Piano Concertos
44▶CD: Volume 4: Piano Concertos
45▶CD: Volume 4: Piano Concertos
46▶CD: Volume 4: Piano Concertos
47▶CD: Volume 4: Piano Concertos
48▶CD: Volume 4: Piano Concertos
49▶CD: Volume 5: Violin Concertos / Wind Concertos
50▶CD: Volume 5: Violin Concertos / Wind Concertos
51▶CD: Volume 5: Violin Concertos / Wind Concertos
52▶CD: Volume 5: Violin Concertos / Wind Concertos
53▶CD: Volume 5: Violin Concertos / Wind Concertos
54▶CD: Volume 5: Violin Concertos / Wind Concertos
55▶CD: Volume 5: Violin Concertos / Wind Concertos
56▶CD: Volume 5: Violin Concertos / Wind Concertos
57▶CD: Volume 5: Violin Concertos / Wind Concertos
58▶CD: Volume 6: Quintets, Quartets, Trios, etc.
59▶CD: Volume 6: Quintets, Quartets, Trios, etc.
60▶CD: Volume 6: Quintets, Quartets, Trios, etc.
61▶CD: Volume 6: Quintets, Quartets, Trios, etc.
62▶CD: Volume 6: Quintets, Quartets, Trios, etc.
63▶CD: Volume 6: Quintets, Quartets, Trios, etc.
64▶CD: Volume 6: Quintets, Quartets, Trios, etc.
65▶CD: Volume 6: Quintets, Quartets, Trios, etc.
66▶CD: Volume 7: String Quartets / String Quintets
67▶CD: Volume 7: String Quartets / String Quintets
68▶CD: Volume 7: String Quartets / String Quintets
69▶CD: Volume 7: String Quartets / String Quintets
70▶CD: Volume 7: String Quartets / String Quintets
71▶CD: Volume 7: String Quartets / String Quintets
72▶CD: Volume 7: String Quartets / String Quintets
73▶CD: Volume 7: String Quartets / String Quintets
74▶CD: Volume 7: String Quartets / String Quintets
75▶CD: Volume 7: String Quartets / String Quintets
76▶CD: Volume 7: String Quartets / String Quintets
77▶CD: Volume 8: Violin Sonatas / String Duos & Trios
78▶CD: Volume 8: Violin Sonatas / String Duos & Trios
79▶CD: Volume 8: Violin Sonatas / String Duos & Trios
80▶CD: Volume 8: Violin Sonatas / String Duos & Trios
81▶CD: Volume 8: Violin Sonatas / String Duos & Trios
82▶CD: Volume 8: Violin Sonatas / String Duos & Trios
83▶CD: Volume 8: Violin Sonatas / String Duos & Trios
84▶CD: Volume 8: Violin Sonatas / String Duos & Trios
85▶CD: Volume 8: Violin Sonatas / String Duos & Trios
86▶CD: Volume 9: Piano Music
87▶CD: Volume 9: Piano Music
88▶CD: Volume 9: Piano Music
89▶CD: Volume 9: Piano Music
90▶CD: Volume 9: Piano Music
91▶CD: Volume 9: Piano Music
92▶CD: Volume 9: Piano Music
93▶CD: Volume 9: Piano Music
94▶CD: Volume 9: Piano Music
95▶CD: Volume 9: Piano Music
96▶CD: Volume 9: Piano Music
97▶CD: Volume 9: Piano Music
98▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
117▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
118▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶CD: Volume 13: Early Italian Operas
133▶CD: Volume 13: Early Italian Operas
134▶CD: Volume 13: Early Italian Operas
135▶CD: Volume 13: Early Italian Operas
136▶CD: Volume 13: Early Italian Operas
137▶CD: Volume 13: Early Italian Operas
138▶CD: Volume 13: Early Italian Operas
139▶CD: Volume 13: Early Italian Operas
140▶CD: Volume 13: Early Italian Operas
141▶CD: Volume 13: Early Italian Operas
142▶CD: Volume 13: Early Italian Operas
143▶CD: Volume 13: Early Italian Operas
144▶CD: Volume 13: Early Italian Operas
145▶CD: Volume 14: Middle Italian Operas
146▶CD: Volume 14: Middle Italian Operas
147▶CD: Volume 14: Middle Italian Operas
148▶CD: Volume 14: Middle Italian Operas
149▶CD: Volume 14: Middle Italian Operas
150▶CD: Volume 14: Middle Italian Operas
151▶CD: Volume 14: Middle Italian Operas
152▶CD: Volume 14: Middle Italian Operas
153▶CD: Volume 14: Middle Italian Operas
154▶CD: Volume 15: Late Italian Operas
155▶CD: Volume 15: Late Italian Operas
156▶CD: Volume 15: Late Italian Operas
157▶CD: Volume 15: Late Italian Operas
158▶CD: Volume 15: Late Italian Operas
159▶CD: Volume 15: Late Italian Operas
160▶CD: Volume 15: Late Italian Operas
161▶CD: Volume 15: Late Italian Operas
162▶CD: Volume 15: Late Italian Operas
163▶CD: Volume 15: Late Italian Operas
164▶CD: Volume 15: Late Italian Operas
165▶CD: Volume 16: German Operas
166▶CD: Volume 16: German Operas
167▶CD: Volume 16: German Operas
168▶CD: Volume 16: German Operas
169▶CD: Volume 16: German Operas
170▶CD: Volume 16: German Operas
171▶CD: Volume 16: German Operas
172▶CD: Volume 16: German Operas
173▶CD: Volume 16: German Operas
174▶CD: Volume 16: German Operas
175▶CD: Volume 16: German Operas
176▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▼CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
#TitleLength
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: I. Ouvertura (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Ouvertura
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
4:03
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: II. Introduzione. "Notte e giorno faticar" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:04
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: IV. "Madamina, il catalogo è questo" (for wind ensemble, Triebensee) (from 1973-11-04 until 1973-11-10)
lyricist:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:38
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: V. "Giovinette, che fate all'amore" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:10
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: VI."Là ci darem la mano" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:54
6Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria "Dalla sua pace" (Tenor)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: VIII. "Dalla sua pace" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:48
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
instruments:
Members of the Nederlands Wind Ensemble (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: IX. "Fin ch'han dal vino" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:01
8Il dissoluto punito, ossia il Don Giovanni, Op. 527: Act I. Finale I
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XI. "Presto, presto pria ch'ei venga" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
7:00
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XIV. "Deh vieni alla finestra" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:55
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XVI. "Vedrai, carino" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:29
11Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "Mi tradì quell'alma ingrata" (Soprano)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XVIII. "Mi tradí quell'alma ingrata" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:59
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XIX. "Non mi dir, bell'idol mio" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
4:11
13Il dissoluto punito, ossia il Don Giovanni, Op. 527: Act II. Finale II
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XX. "Già la mensa è preparata" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:08
14Die Entführung aus dem Serail, K. 384: Ouvertüre
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Overtura (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:36
15Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Hier soll ich dich denn sehen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:42
16Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 8 Aria "Durch Zärtlichkeit und Schmeicheln" (Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Durch Zärtlichkeit und Schmeichen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:58
17Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Ich gehe, doch rate ich dir (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:48
18Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Welche Wonne, welche Lust (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:42
19Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Jan Spronk (in 1973-11, from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Vivat Bacchus, Bacchus lebe (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:43
20Die Entführung aus dem Serail, K. 384: Act II, Scene IX. No. 15 Aria "Wenn der Freude Tränen fließen" (Belmonte)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Wenn der Freude Tränen fließen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
3:58
21Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (from 1973-11-04 until 1973-11-10) and Iman Soeteman (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (from 1973-11-04 until 1973-11-10) and Han de Vries (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Ha, wie will ich triumphieren (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:52
178▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises