Maria Callas (eyes)

~ Release by Maria Callas (see all versions of this release, 4 available)

Tracklist

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1▼CD
#TitleArtistLength
1Carmen : Habanera « L'amour est un oiseau rebelle »
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
soprano vocals:
Maria Callas
vocals:
Maria Callas
orchestra:
Orchestre du Théâtre National de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:24
2Carmen : Seguidilla « Près des remparts de Séville »
recorded in:
Paris, Île-de-France, France (in 1964)
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (in 1964)
tenor vocals [Don José]:
Nicolai Gedda (in 1964, from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964) and Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (in 1964, from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1964)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:36
3Carmen : « Les tringles des sistres tintaient » (Zigeunerlied)
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:23
4Norma: “Casta diva”
producer:
Walter Jellinek and Walter Legge
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch
phonographic copyright (℗) by:
EMI Records Ltd. (in 1961)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:37
5La Wally: “Ebben? Ne andro lontana”
soprano vocals [Wally]:
Maria Callas (in 1954)
orchestra:
Philharmonia Orchestra (in 1954)
conductor:
Tullio Serafin (in 1954)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
composer:
Alfredo Catalani
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:55
6Gianni Schicchi: “O mio babbino caro”
soprano vocals [Lauretta]:
Maria Callas
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:39
7Tosca: “Vissi d'arte”
soprano vocals [Tosca]:
Maria Callas
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:18
8Madama Butterfly. “Un bel di vedremo”
producer:
Walter Jellinek and Walter Legge
soprano vocals:
Maria Callas (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd.
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:39
9Il trovatore: “D'amor sull'ali rosee“
soprano vocals [Leonora]:
Maria Callas
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:08
10Manon Lescaut: “In quelle trine morbide“
soprano vocals [Manon]:
Maria Callas
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:54
11La Bohème: “Si. Mi chiamano Mimì”
producer:
Walter Jellinek and Walter Legge
soprano vocals:
Maria Callas (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd.
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:50
12La Bohème: “Donde lieta usci”
soprano vocals [Mimì]:
Maria Callas
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:24
13Adriana Lecouvreur: “Io son l'umile ancella”
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-17 until 1954-09-18)
composer:
Francesco Cilea
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS
part of:
Adriana Lecouvreur: Atto I
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-20 until 1954-09-21)
composer:
Francesco Cilea
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea3:50
14La traviata: “Ah, fors'è lui”
soprano vocals [Violetta]:
Maria Callas
orchestra:
Orquestra sinfónica do Teatro Nacional de São Carlos
conductor:
Franco Ghione
live recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:20
15La traviata: “Addio, del passato”
soprano vocals [Violetta]:
Maria Callas (on 1958-03-27)
orchestra:
Orquestra sinfónica do Teatro Nacional de São Carlos (on 1958-03-27)
conductor:
Franco Ghione (on 1958-03-27)
recorded at:
Teatro Nacional de São Carlos in Lisboa, Lisboa, Portugal (on 1958-03-27)
live recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) (on 1958-03-27)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:19
16Turandot: “Signore, ascolta”
soprano vocals [Liù]:
Maria Callas
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
composer:
Giacomo Puccini
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:33
17Turandot: “Tu che di gel sei cinta“
soprano vocals [Liù]:
Maria Callas
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:52
18Anna Bolena: “Al dolce guidami castel natio”
soprano vocals [Anna]:
Maria Callas (in 1958)
orchestra:
Philharmonia Orchestra (in 1958)
conductor:
Nicola Rescigno (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Al dolce guidami” (Anna, Coro) (in 1958)
composer:
Gaetano Donizetti
part of:
Anna Bolena: Atto II
Gaetano Donizetti3:54
19Lucia di Lammermoor: “Spargi d'amaro pianto”
soprano vocals [Lucia]:
Maria Callas
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro)
composer:
Gaetano Donizetti
librettist:
Salvadore Cammarano
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:50
2▼CD
#TitleArtistLength
1Andrea Chénier: “La mamma morta”
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS
part of:
Andrea Chénier: Atto III
Umberto Giordano4:58
2Rigoletto: “Caro nome“
recorded in:
Milano, Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
producer:
Walter Legge
baritone vocals [Marullo]:
William Dickie (from 1955-09-03 until 1955-09-16)
bass vocals [Il conte di Ceprano]:
Carlo Forti (from 1955-09-03 until 1955-09-16)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1955, from 1955-09-03 until 1955-09-16)
soprano vocals [Gilda]:
Maria Callas (from 1955-09-03 until 1955-09-16)
tenor vocals [Borsa]:
Renato Ercolani (from 1955-09-03 until 1955-09-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
conductor:
Tullio Serafin (from 1955-09-03 until 1955-09-16)
chorus master:
Norberto Mola (from 1955-09-03 until 1955-09-16)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi
part of:
Rigoletto: Atto I
Giuseppe Verdi7:36
3Il barbiere di Siviglia: “Una voce poco fa”
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
baritone vocals:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1958)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:24
4Dinorah: “Ombra leggiera”
soprano vocals [Dinorah]:
Maria Callas
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah)
composer:
Giacomo Meyerbeer
librettist:
Barbier, Carré and De Lauzières
translated version of:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:47
5Romeo et Juliette : « Ah! Je veux vivre »
soprano vocals [Juliette]:
Maria Callas
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette)
composer:
Charles Gounod (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:41
6Samson et Dalila : « Printemps qui commence »
soprano vocals [Dalila]:
Maria Callas
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:15
7Samson et Dalila : « Mon cœur s'ouvre à ta voix »
soprano vocals [Dalila]:
Maria Callas
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:20
8Orphée et Eurydice : « J'ai perdu mon Eurydice »
soprano vocals [Orphée]:
Maria Callas
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée)
composer:
Christoph Willibald Gluck
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:28
9Le Cid : « Pleurez, mes yeux ! »
soprano vocals [Chimène]:
Maria Callas
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène)
composer:
Jules Massenet (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:07
10Manon : « Adieu, notre petite table »
soprano vocals [Manon]:
Maria Callas
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
composer:
Jules Massenet
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet3:22
11Louise : « Depuis le jour »
soprano vocals [Louise]:
Maria Callas
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier
part of:
Louise: Acte III, Scène I.
Marc‐Antoine Charpentier4:46
12La vestale: “O Nume tutelar”
soprano vocals:
Maria Callas
recording of:
La vestale: Atto II. "O Nume tutelar" (Giulia, Gran Sacerdote)
composer:
Gaspare Spontini
librettist:
Étienne de Jouy and Giovanni Schmidt
translated version of:
La Vestale : Acte II. « Ô des infortunés déesse tutélaire ! » (Julia, Le grand pontife)
part of:
La vestale: Atto II (italian version)
Gaspare Spontini2:35
13La sonnambula: “Ah! non credea mirarti”
soprano vocals [Amina]:
Maria Callas
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino)
composer:
Vincenzo Bellini
librettist:
Felice Romani
part of:
La sonnambula: Atto II
Vincenzo Bellini5:06
14Le nozze di Figaro: “Porgi, amor”
soprano vocals [La contessa]:
Maria Callas
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:17
15Otello: “Ave Maria”
soprano vocals [Desdemona]:
Maria Callas
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito
part of:
Otello: Atto IV
Giuseppe Verdi4:33