Die Stimme des Jahrhunderts

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1Norma: “Casta Diva”
soprano vocals [Norma]:
Maria Callas (from 1954-04-23 until 1954-05-04)
vocals:
Coro del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-04)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-04)
conductor:
Tullio Serafin (from 1954-04-23 until 1954-05-04)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1954-04-23 until 1954-05-04)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini7:20
2Norma: “Fine al rito … Ah! bello a me ritorna”
soprano vocals [Norma]:
Maria Callas (from 1954-04-23 until 1954-05-04)
vocals:
Coro del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-04)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-04)
conductor:
Tullio Serafin (from 1954-04-23 until 1954-05-04)
recording of:
Norma: Atto I, scena 1. Cabaletta “Ah! bello a me ritorna” (Norma, Oroveso, coro) (from 1954-04-23 until 1954-05-04)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Recitativo “Fine al rito” (Norma, Oroveso, coro) (from 1954-04-23 until 1954-05-04)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:13
3La Sonnamula: “Ah! non credea mirarti”
soprano vocals [Amina]:
Maria Callas (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini
librettist:
Felice Romani
part of:
La sonnambula: Atto II
Vincenzo Bellini4:51
4I Puritani: “O rendetemi la speme“
baritone vocals [Riccardo]:
Rolando Panerai (from 1953-03-24 until 1953-03-30)
bass vocals [Giorgio]:
Nicola Rossi‐Lemeni (from 1953-03-24 until 1953-03-30)
soprano vocals [Elvira]:
Maria Callas (from 1953-03-24 until 1953-03-30)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1953-03-24 until 1953-03-30)
conductor:
Tullio Serafin (from 1953-03-24 until 1953-03-30)
recording of:
I puritani: Atto II. N°16a “O rendetemi la speme” (Elvira, Riccardo, Giorgio) (from 1953-03-24 until 1953-03-30)
composer:
Vincenzo Bellini
librettist:
Carlo Pepoli
part of:
I puritani: Atto II
Vincenzo Bellini10:05
5I Puritani: “Vien, diletto e’in ciel la luna”
baritone vocals [Riccardo]:
Rolando Panerai (from 1953-03-24 until 1953-03-30)
bass vocals [Giorgio]:
Nicola Rossi‐Lemeni (from 1953-03-24 until 1953-03-30)
soprano vocals [Elvira]:
Maria Callas (from 1953-03-24 until 1953-03-30)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1953-03-24 until 1953-03-30)
conductor:
Tullio Serafin (from 1953-03-24 until 1953-03-30)
recording of:
I puritani: Atto II. N°16d Cabaletta “Vien, diletto, è in ciel la luna!” (Elvira, Giorgio, Riccardo) (from 1953-03-24 until 1953-03-30)
composer:
Vincenzo Bellini
librettist:
Carlo Pepoli
part of:
I puritani: Atto II
Vincenzo Bellini2:58
6Meda: “Dei tuoi figli la madre”
soprano vocals [Medea]:
Maria Callas (from 1955-06-10 until 1955-06-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-06-10 until 1955-06-12)
conductor:
Tullio Serafin (from 1955-06-10 until 1955-06-12)
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (from 1955-06-10 until 1955-06-12)
composer:
Luigi Cherubini
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini4:48
7La Vestale: “Tu che invoco“
soprano vocals [Giulia]:
Maria Callas (from 1955-06-10 until 1955-06-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-06-10 until 1955-06-12)
conductor:
Tullio Serafin (from 1955-06-10 until 1955-06-12)
recording of:
La vestale: Atto II. "Tu che invoco" (Giulia) (from 1955-06-10 until 1955-06-12)
composer:
Gaspare Spontini
librettist:
Étienne de Jouy and Giovanni Schmidt
translated version of:
La Vestale : Acte II. No. 8. Air « Toi que j’implore avec effroi » (Julia)
part of:
La vestale: Atto II (italian version)
Gaspare Spontini10:54
8Lucia di Lammermoor: “Regnava nel silenzio”
recorded in:
Firenze, Firenze, Toscana, Italy (in 1953)
choir vocals:
Coro del Maggio Musicale Fiorentino (in 1953)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1954)
recorded at:
Teatro comunale in Firenze, Firenze, Toscana, Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
lyricist:
Salvadore Cammarano
composer:
Gaetano Donizetti
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01 until 1953-02)
composer:
Gaetano Donizetti
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
composer:
Gaetano Donizetti
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
composer:
Gaetano Donizetti
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (in 1953)
lyricist:
Salvadore Cammarano
composer:
Gaetano Donizetti
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti7:53
9Il barbiere di Siviglia: “Una voce poco fa”
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:26
10Il Turco In Italia: “Non si da follia maggiore”
soprano vocals [Fiorilla]:
Maria Callas (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. No. 3a. Cavatina “Non si dà follia maggiore” (Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini
librettist:
Felice Romani
part of:
Il turco in Italia: Atto I
Gioachino Rossini3:45
11Ah, perfido
engineer and balance engineer:
Paul Vavasseur
producer:
Michel Glotz
soprano vocals:
Maria Callas (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1964-01-08)
vocals:
Maria Callas (on 1963-12-30)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1963-12-30, on 1964-01-08)
conductor:
Nicola Rescigno (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1963-12-30, on 1964-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1963-12-30, on 1964-01-08)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-06)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (from 1963-12-12 until 1964-01-13)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-18)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-23)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-30)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1964-01-08)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
Ludwig van Beethoven14:26
2▼CD
#TitleArtistLength
1Orphée et Eurydice : « J’ai perdu mon Euridice »
soprano vocals [Orphée]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:25
2Alceste : « Divinités du Styx »
soprano vocals [Alceste]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:27
3Carmen: « L’amour est un oiseau rebelle »
soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:49
4Carmen: « Près des remparts de Séville »
recorded in:
Paris, Île-de-France, France (in 1964)
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (in 1964)
tenor vocals [Don José]:
Nicolai Gedda (in 1964, from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964) and Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (in 1964, from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1964)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:38
5Dinorah: “Ombra leggiera”
soprano vocals [Dinorah]:
Maria Callas (from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-20 until 1954-09-21)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Meyerbeer
librettist:
Barbier, Carré and De Lauzières
translated version of:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:40
6Lakmé: “Dov’è l’Indiana bruna“
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (from 1954-09-17 until 1954-09-18)
composer:
Léo Delibes
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (from 1954-09-20 until 1954-09-21)
composer:
Léo Delibes
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
Léo Delibes8:08
7Hamlet : « À vos jeux – Partagez‐vous mes fleurs »
choir vocals:
Philharmonia Chorus (from 1958-09-24 until 1958-09-25)
soprano vocals [Ophélie]:
Maria Callas (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (from 1958-09-24 until 1958-09-25)
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas
librettist:
Jules Barbier (, in 1868) and Michel Carré (, in 1868)
part of:
Hamlet : Acte IV.
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « Partagez-vous mes fleurs ! » (Ophélie, chœur) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas
librettist:
Jules Barbier and Michel Carré
part of:
Hamlet : Acte IV.
Ambroise Thomas10:26
8Le Cid : « Pleurez, mes yeux »
soprano vocals [Chimène]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (from 1961-03-28 until 1961-04-05)
composer:
Jules Massenet (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:12
9Werther : « Werther ! Qui m’aurait dit » – « Des cris joyeux »
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
conductor:
Georges Prêtre (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
balance engineer:
Francis Dillnutt
phonographic copyright (℗) by:
EMI Records Ltd.
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-03 until 1963-05-04)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet7:07
10Manon: « Je ne suis que faiblesse – Adieu petite table »
soprano vocals [Manon]:
Maria Callas (in 1963-05)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1963-05)
conductor:
Georges Prêtre (in 1963-05)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon) (in 1963-05)
composer:
Jules Massenet
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « Je ne suis que faiblesse » (Manon) (in 1963-05)
composer:
Jules Massenet
part of:
Manon : Acte II
Jules Massenet3:24
11Samson et Dalilah : « Printemps qui commence »
soprano vocals [Dalila]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:14
3▼CD
#TitleArtistLength
1Rigoletto: “Caro nome che il mio cor”
baritone vocals [Marullo]:
William Dickie (from 1955-09-03 until 1955-09-16)
bass vocals [Ceprano]:
Carlo Forti (from 1955-09-03 until 1955-09-16)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
soprano vocals [Gilda]:
Maria Callas (from 1955-09-03 until 1955-09-16)
tenor vocals [Borsa]:
Renato Ercolani (from 1955-09-03 until 1955-09-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
conductor:
Tullio Serafin (from 1955-09-03 until 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi
part of:
Rigoletto: Atto I
Giuseppe Verdi6:50
2La forza del destino: “Son giunta! Grazie o Dio”
soprano vocals [Leonora]:
Maria Callas (from 1954-08-17 until 1954-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1954-08-17 until 1954-08-24)
conductor:
Tullio Serafin (from 1954-08-17 until 1954-08-24)
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (from 1954-08-17 until 1954-08-24)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi1:41
3La forza del destiono: “Madre, pietosa Vergine”
soprano vocals [Leonora]:
Maria Callas (from 1954-08-17 until 1954-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1954-08-17 until 1954-08-24)
conductor:
Tullio Serafin (from 1954-08-17 until 1954-08-24)
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (from 1954-08-17 until 1954-08-24)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi5:19
4Macbeth: “La luce langue”
soprano vocals [Lady Macbeth]:
Maria Callas (from 1958-09-19 until 1958-09-24)
orchestra:
Philharmonia Orchestra (from 1958-09-19 until 1958-09-24)
conductor:
Nicola Rescigno (from 1958-09-19 until 1958-09-24)
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (from 1958-09-19 until 1958-09-24)
composer:
Giuseppe Verdi
additional librettist:
Andrea Maffei
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
Giuseppe Verdi4:14
5Un ballo in maschera: “Morrò, ma prima in grazia”
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:19
6I vespri siciliani: “Arrigo! ah parli a un …”
soprano vocals [Elena]:
Maria Callas (on 1964-02-21)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1964-02-21)
conductor:
Nicola Rescigno (on 1964-02-21)
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (on 1964-02-21)
composer:
Giuseppe Verdi
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:33
7Il trovatore: “D’amor sull’ali rosee”
soprano vocals [Leonora]:
Maria Callas (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1957)
conductor:
Herbert von Karajan (in 1957)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1957)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:07
8Il trovatore: “Miserere – Quel suon. quelle preci”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957)
soprano vocals [Leonora]:
Maria Callas (in 1957)
tenor vocals [Manrico]:
Giuseppe Di Stefano (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1957)
conductor:
Herbert von Karajan (in 1957)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1957)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:54
9Il trovatore: “Di te! scordarmi di te”
soprano vocals [Leonora]:
Maria Callas (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1957)
conductor:
Herbert von Karajan (in 1957)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (in 1957)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:38
10Aida: “Ritorna vincitor”
producer:
Walter Legge
soprano vocals [Aida]:
Maria Callas (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:47
11Cavalleria rusticana: “Voi lo sapete, o mamma”
mezzo-soprano vocals [Lucia]:
Ebe Ticozzi (from 1953-06 until 1953-08)
soprano vocals [Santuzza]:
Maria Callas (from 1953-06 until 1953-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1953-06 until 1953-08)
conductor:
Tullio Serafin (from 1953-06 until 1953-08)
recording of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia) (from 1953-06 until 1953-08)
composer:
Pietro Mascagni
librettist:
Guido Menasci and Giovanni Targioni-Tozzetti
part of:
Cavalleria rusticana
Pietro Mascagni6:19
12La Bohème: “Sì, mi chiamano Mimì”
producer:
Walter Jellinek and Walter Legge
soprano vocals [Mimì]:
Maria Callas (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
tenor vocals [Rodolfo]:
Giuseppe Di Stefano (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
conductor:
Antonino Votto (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd.
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1956-08-20 until 1956-08-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1956-09-03 until 1956-09-04)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:03
13Manon Lescaut: “Sola, perduta, abbandona”
soprano vocals [Manon]:
Maria Callas (from 1957-08-18 until 1957-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1957-08-18 until 1957-08-27)
conductor:
Tullio Serafin (from 1957-08-18 until 1957-08-27)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (from 1957-08-18 until 1957-08-27)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Giacomo Puccini5:08
14Gianni Schicchi: “O mio babbino caro”
producer:
Walter Jellinek and Walter Legge
soprano vocals:
Maria Callas (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1954)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:39
15Madama Butterfly: “Un bel di vedremo”
soprano vocals [Butterfly]:
Maria Callas (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:47
16Turandot: “In questa reggia”
soprano vocals [Turandot]:
Maria Callas (from 1957-07-09 until 1957-07-15)
tenor vocals [Calaf]:
Eugenio Fernandi (from 1957-07-09 until 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-15)
conductor:
Tullio Serafin (from 1957-07-09 until 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (from 1957-07-09 until 1957-07-15)
composer:
Giacomo Puccini
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:27
17Tosca: “Vissi d’arte”
producer:
Walter Legge
soprano vocals [Floria Tosca]:
Maria Callas (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
IDOL (in 2013)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:14