Die Stimme des Jahrhunderts

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Orphée et Eurydice : « J’ai perdu mon Euridice »
soprano vocals [Orphée]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:25
2Alceste : « Divinités du Styx »
soprano vocals [Alceste]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:27
3Carmen: « L’amour est un oiseau rebelle »
soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:49
4Carmen: « Près des remparts de Séville »
recorded in:
Paris, Île-de-France, France (in 1964)
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (in 1964)
tenor vocals [Don José]:
Nicolai Gedda (in 1964, from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964) and Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (in 1964, from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1964)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:38
5Dinorah: “Ombra leggiera”
soprano vocals [Dinorah]:
Maria Callas (from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-20 until 1954-09-21)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Meyerbeer
librettist:
Barbier, Carré and De Lauzières
translated version of:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:40
6Lakmé: “Dov’è l’Indiana bruna“
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (from 1954-09-17 until 1954-09-18)
composer:
Léo Delibes
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (from 1954-09-20 until 1954-09-21)
composer:
Léo Delibes
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
Léo Delibes8:08
7Hamlet : « À vos jeux – Partagez‐vous mes fleurs »
choir vocals:
Philharmonia Chorus (from 1958-09-24 until 1958-09-25)
soprano vocals [Ophélie]:
Maria Callas (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (from 1958-09-24 until 1958-09-25)
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas
librettist:
Jules Barbier (, in 1868) and Michel Carré (, in 1868)
part of:
Hamlet : Acte IV.
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « Partagez-vous mes fleurs ! » (Ophélie, chœur) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas
librettist:
Jules Barbier and Michel Carré
part of:
Hamlet : Acte IV.
Ambroise Thomas10:26
8Le Cid : « Pleurez, mes yeux »
soprano vocals [Chimène]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (from 1961-03-28 until 1961-04-05)
composer:
Jules Massenet (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:12
9Werther : « Werther ! Qui m’aurait dit » – « Des cris joyeux »
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
conductor:
Georges Prêtre (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
balance engineer:
Francis Dillnutt
phonographic copyright (℗) by:
EMI Records Ltd.
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-03 until 1963-05-04)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet7:07
10Manon: « Je ne suis que faiblesse – Adieu petite table »
soprano vocals [Manon]:
Maria Callas (in 1963-05)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1963-05)
conductor:
Georges Prêtre (in 1963-05)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon) (in 1963-05)
composer:
Jules Massenet
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « Je ne suis que faiblesse » (Manon) (in 1963-05)
composer:
Jules Massenet
part of:
Manon : Acte II
Jules Massenet3:24
11Samson et Dalilah : « Printemps qui commence »
soprano vocals [Dalila]:
Maria Callas (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:14
3▶CD