The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▶CD: Opera Arias (1947)
2▶CD: Choruses / Rosenkavalier And Salome Excerpts.
3▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
4▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
5▶CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▶CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7▶CD: Salome (Wiener Philharmoniker)
8▶CD: Salome (Wiener Philharmoniker)
9▶CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▶CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
11▶CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13▼CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
#TitleArtistLength
1Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:47
2Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem"
producer:
Walter Legge
choir vocals:
Wiener Singverein
orchestra:
Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:02
3Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum" (feat. Emma Kirkby, Christian Immler)
producer:
Walter Legge
contralto vocals:
Marga Höffgen (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
soprano vocals:
Elisabeth Schwarzkopf (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:16
4Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:08
5Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus Crucifixus"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
6Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:54
7Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum" (feat. David Thomas)
producer:
Walter Legge
bass vocals:
Heinz Rehfuss (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:35
8Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:36
9Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:00
10Mass in B minor, BWV 232: IVa. Chorus "Sanctus"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:24
11Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:41
12Mass in B minor, BWV 232: IVc. Aria "Benedictus"
producer:
Walter Legge
tenor vocals:
Nicolai Gedda (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:48
13Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:44
14Mass in B minor, BWV 232: IVe. Aria "Agnus Dei"
producer:
Walter Legge
contralto vocals:
Marga Höffgen (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:56
15Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem"
producer:
Walter Legge
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett and Harold Davidson
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:08
16Mass in B minor, BWV 232: Duet: "Christe eleison"
producer:
[unknown]
contralto vocals:
Kathleen Ferrier (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (on 1950-06-15)
balance engineer:
Anthony Griffith (on 1950-06-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:35
17Mass in B minor, BWV 232: Soprano Aria: "Laudamus te"
producer:
[unknown]
soprano vocals:
Elisabeth Schwarzkopf (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (on 1950-06-15)
balance engineer:
Anthony Griffith (on 1950-06-15)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:54
18Mass in B minor, BWV 232: Duet: "Et in unum Dominum"
producer:
[unknown]
contralto vocals:
Kathleen Ferrier (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (on 1950-06-15)
balance engineer:
Anthony Griffith (on 1950-06-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
14▶CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15▶CD: Missa Solemnis in D major
16▶CD: Missa Solemnis in D major, Mozart, Strauss
17▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
18▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
19▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
21▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
22▶CD: Arias and Orchestral Music – 1954
23▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
24▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
25▶CD: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
26▶CD: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
27▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
28▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
29▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
30▶CD: Falstaff (Philharmonia Orchestra & Chorus)
31▶CD: Falstaff (Philharmonia Orchestra & Chorus)
32▶CD: Fidelio (Berliner Philharmoniker)
33▶CD: Fidelio (Berliner Philharmoniker)
34▶CD: Missa Solemnis in D major
35▶CD: Ein deutsches Requiem, Op. 45
36▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
37▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
38▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
39▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
41▶CD: Don Carlo (1884 4 Act Version)
42▶CD: Don Carlo (1884 4 Act Version)
43▶CD: Don Carlo (1884 4 Act Version)
44▶CD: Otello (Berliner Philharmoniker)
45▶CD: Otello (Berliner Philharmoniker)
46▶CD: Il Trovatore (Berliner Philharmoniker)
47▶CD: Il Trovatore (Berliner Philharmoniker)
48▶CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
49▶CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
50▶CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
51▶CD: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
52▶CD: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
53▶CD: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
54▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
55▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
56▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
57▶CD: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
58▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
59▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
60▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
61▶CD: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
62▶CD: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
63▶CD: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
64▶CD: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
65▶CD: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
66▶CD: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
67▶CD: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
68▶CD: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
69▶CD: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
70▶CD: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
71▶CD: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits