The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▶CD: Opera Arias (1947)
2▶CD: Choruses / Rosenkavalier And Salome Excerpts.
3▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
4▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
5▶CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▶CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7▶CD: Salome (Wiener Philharmoniker)
8▶CD: Salome (Wiener Philharmoniker)
9▶CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▶CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
11▶CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14▶CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15▶CD: Missa Solemnis in D major
16▶CD: Missa Solemnis in D major, Mozart, Strauss
17▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
18▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
19▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
21▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
22▶CD: Arias and Orchestral Music – 1954
23▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
24▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
25▶CD: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
26▶CD: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
27▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
28▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
29▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
30▶CD: Falstaff (Philharmonia Orchestra & Chorus)
31▶CD: Falstaff (Philharmonia Orchestra & Chorus)
32▼CD: Fidelio (Berliner Philharmoniker)
#TitleArtistLength
1Fidelio, Op. 72: Overture
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven7:02
2Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
producer:
Michel Glotz
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:41
3Fidelio, Op. 72: Act I, Scene I, No. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline)
producer:
Michel Glotz
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:13
4Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
vocals:
Helen Donath
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:59
5Fidelio, Op. 72: Act I, Scene I, No. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1970-10 until 1970-12)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:34
6Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
producer:
Michel Glotz
bass vocals:
Karl Riddersbusch
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (from 1970-10 until 1970-12)
vocals:
Helga Dernesch, Helen Donath, Horst Laubenthal and Karl Ridderbusch
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:41
7Fidelio, Op. 72: Act I, Scene I, No. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1970-10 until 1970-12)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:23
8Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:42
9Fidelio, Op. 72: Act I, Scene I, No. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1970-10 until 1970-12)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:08
10Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:17
11Fidelio, Op. 72: Act I, Scene II, No. 6. March
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:17
12Fidelio, Op. 72: Act I, Scene II, No. 6. "Depeschen?" (Pizarro, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1970-10 until 1970-12)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:34
13Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
producer:
Michel Glotz
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:58
14Fidelio, Op. 72: Act I, Scene II, No. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1970-10 until 1970-12)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:25
15Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:37
16Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore)
producer:
Michel Glotz
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:35
17Fidelio, Op. 72: Act I, Scene II, No. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1970-10 until 1970-12)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:35
18Fidelio, Op. 72: Act I, Scene II, No. 10. Prisoner's Chorus "O welche Lust"
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Staatsoper Berlin and Chor der Deutschen Oper Berlin (from 1970-10 until 1970-12)
vocals:
Siegfried Rudolf Frese and Werner Hollweg
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:16
19Fidelio, Op. 72: Act I, Scene II, No. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:15
20Fidelio, Op. 72: Act I, Scene II, No. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (from 1970-10 until 1970-12)
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:17
33▶CD: Fidelio (Berliner Philharmoniker)
34▶CD: Missa Solemnis in D major
35▶CD: Ein deutsches Requiem, Op. 45
36▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
37▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
38▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
39▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
41▶CD: Don Carlo (1884 4 Act Version)
42▶CD: Don Carlo (1884 4 Act Version)
43▶CD: Don Carlo (1884 4 Act Version)
44▶CD: Otello (Berliner Philharmoniker)
45▶CD: Otello (Berliner Philharmoniker)
46▶CD: Il Trovatore (Berliner Philharmoniker)
47▶CD: Il Trovatore (Berliner Philharmoniker)
48▶CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
49▶CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
50▶CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
51▶CD: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
52▶CD: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
53▶CD: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
54▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
55▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
56▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
57▶CD: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
58▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
59▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
60▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
61▶CD: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
62▶CD: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
63▶CD: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
64▶CD: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
65▶CD: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
66▶CD: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
67▶CD: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
68▶CD: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
69▶CD: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
70▶CD: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
71▶CD: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits