Tracklist

1CD: Opera Arias (1947)
2CD: Choruses / Rosenkavalier And Salome Excerpts.
3CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
4CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
5CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7CD: Salome (Wiener Philharmoniker)
#TitleArtistLength
1Salome, Op. 54: "Wie schön ist die Prinzessin Salome heute Nacht!"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Wie schön ist die Prinzessin Salome heute nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:52
2Salome, Op. 54: "Nach mir wird Einer kommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Ein Cappadocier]:
Helge von Bömches (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:48
3Salome, Op. 54: "Ich will nicht bleiben"
producer:
Michel Glotz
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Ich will nicht bleiben. Ich kann nicht bleiben" (Salome, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:49
4Salome, Op. 54: "Siehe, der Herr ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Ein Sklave]:
Horst Nitsche (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Zweiter Soldat, Narraboth, Sklave, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:38
5Salome, Op. 54: "Jauchze nicht, du Land Palästina"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:26
6Salome, Op. 54: "Du wirst das für mich tun"
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Du wirst das für mich tun" (Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:22
7Salome, Op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wo ist er, dessen Sündenbecher jetzt voll ist?" (Jochanaan, Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:37
8Salome, Op. 54: "Jochanaan! Ich bin verliebt in deinen Leib"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:48
9Salome, Op. 54: "Wird dir nicht bange, Tochter der Herodias?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wird dir nicht bange, Tochter der Herodias?" (Jochanaan, Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:27
10Salome, Op. 54: "Wo ist Salome? Wo ist die Prinzessin?"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:38
11Salome, Op. 54: "Es ist kalt hier. Es weht ein Wind"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Es ist kalt hier. Es weht ein Wind" (Herodes, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:27
12Salome, Op. 54: "Salome, komm, trink Wein mit mir"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:49
13Salome, Op. 54: "Sieh, die Zeit ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Sieh, die Zeit ist gekommen" (Jochanaan, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss0:54
14Salome, Op. 54: "Warhaftig, Herr es wäre besser"
producer:
Michel Glotz
baritone vocals [Fünfter Jude]:
Erich Kunz (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Dritter Jude]:
Martin Vantin (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
tenor vocals [Vierter Jude]:
Gerhard Unger (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Jude]:
David Knutson (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben" (Erster Soldat, Herodes, Zweiter Jude, Dritter Jude, Vierter Jude, Fünfter Jude, Herodias, Erster Nazarener) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:58
15Salome, Op. 54: "Siehe, der Tag ist nahe, der Tag des Herrn"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Nazarener]:
Dieter Ellenbeck (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (from 1977-05-09 until 1978-05-02) and James Lock (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Siehe, der Tag ist nahe, der Tag des Herrn" (Jochanaan, Herodes, Erster Nazarener, Erster Jude, Zweiter Nazarener, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:03
8CD: Salome (Wiener Philharmoniker)
9CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
11CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15CD: Missa Solemnis in D major
16CD: Missa Solemnis in D major, Mozart, Strauss
17CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
18CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
19CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20CD: Così fan tutte (Philharmonia Orchestra & Chorus)
21CD: Così fan tutte (Philharmonia Orchestra & Chorus)
22CD: Arias and Orchestral Music – 1954
23CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
24CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
25CD: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
26CD: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
27CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
28CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
29CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
30CD: Falstaff (Philharmonia Orchestra & Chorus)
31CD: Falstaff (Philharmonia Orchestra & Chorus)
32CD: Fidelio (Berliner Philharmoniker)
33CD: Fidelio (Berliner Philharmoniker)
34CD: Missa Solemnis in D major
35CD: Ein deutsches Requiem, Op. 45
36CD: Pelléas et Mélisande (Berliner Philharmoniker)
37CD: Pelléas et Mélisande (Berliner Philharmoniker)
38CD: Pelléas et Mélisande (Berliner Philharmoniker)
39CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
41CD: Don Carlo (1884 4 Act Version)
42CD: Don Carlo (1884 4 Act Version)
43CD: Don Carlo (1884 4 Act Version)
44CD: Otello (Berliner Philharmoniker)
45CD: Otello (Berliner Philharmoniker)
46CD: Il Trovatore (Berliner Philharmoniker)
47CD: Il Trovatore (Berliner Philharmoniker)
48CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
49CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
50CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
51CD: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
52CD: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
53CD: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
54CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
55CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
56CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
57CD: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
58CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
59CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
60CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
61CD: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
62CD: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
63CD: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
64CD: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
65CD: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
66CD: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
67CD: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
68CD: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
69CD: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
70CD: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
71CD: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits