The History of Classical Music in 24 Hours

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Music of the Middle Ages
2CD: Music of the Renaissance
3CD: Baroque Vocal
4CD: Baroque Instrumental
5CD: The Classical Symphony
6CD: The Classical Concerto
7CD: A Trip to France
8CD: The Romantic Symphony
9CD: Cycles and Songs
10CD: The Virtuoso I
11CD: The Virtuoso II
12CD: The Romantic Cello
13CD: The Virtuoso III
14CD: Big Voice, Big Orchestra
15CD: Get Your Programme!
16CD: New Currents
17CD: A World Re‐Arranged
18CD: ¡Viva España!
19CD: Lasting Impressions
20CD: Points of View
21CD: Minimalism
22CD: Opera – Overtures
23CD: Opera – Arias
#TitleArtistLength
1Don Giovanni, K. 527, Prague version 1787: Act 1, “Madamina, il catalogo è questo”Wolfgang Amadeus Mozart5:48
2La Bohème: Act 1, “Che gelida manina”
tenor vocals:
Jerry Hadley
vocals:
Jerry Hadley (on 1987-06-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (on 1987-06-07)
conductor:
Leonard Bernstein (on 1987-06-07)
phonographic copyright (℗) by:
Polydor International GmbH (in 1988)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (on 1987-06-07)
live recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (on 1987-06-07)
composer:
Giacomo Puccini (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:16
3Il barbiere di Siviglia, ed. Alberto Zedda: Act 1 no. 2, Cavatina: “Largo al factotum”
baritone vocals [Figaro]:
Hermann Prey (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (in 1972)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:36
4Carmen, WD 31: Act 1, Chanson et duo: “Près des remparts de Séville”
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:33
5La traviata: Act 1, Sempre liberaGiuseppe Verdi3:19
6Turandot: Act 3, Nessun dorma!Giacomo Puccini3:28
7Tristan und Isolde, WWV 90: Act 3, “Mild und leise wie er lächelt” (Isoldes Liebestod)
recording engineer:
Günter Hermanns
executive producer:
Dr. Hans Hirsch and Otto Gerdes
producer:
Wolfgang Lohse
soprano vocals [Isolde]:
Birgit Nilsson (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (in 1966-08)
conductor:
Karl Böhm (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Richard-Wagner-Festspielhaus in Bayreuth, Bayern, Germany (in 1966-08)
live recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (in 1966-08)
composer:
Richard Wagner (from 1857-10 until 1859-08)
librettist:
Richard Wagner (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:16
8Tosca: Act 2, “Vissi d’arte, vissi d’amore”
producer:
Wolfgang D. Stengel
baritone vocals:
Samuel Ramey
bass-baritone vocals:
Samuel Ramey (in 1992)
soprano vocals:
Mirella Freni (in 1992)
soprano vocals [Tosca]:
Mirella Freni (in 1990-05, in 1992)
orchestra:
Philharmonia Orchestra (in 1990-05, in 1992)
conductor:
Giuseppe Sinopoli (in 1990-05, in 1992)
balance engineer:
Klaus Hiemann
recorded at:
All Saints Church in London, England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1990-05)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1992)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:37
9Die Zauberflöte, K. 620: Erster Aufzug, Der Vogelfänger bin ich ja (Papageno)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:37
10Il barbiere di Siviglia, ed. Alberto Zedda: Act 1, Una voce poco fa
mezzo-soprano vocals [Rosina]:
Teresa Berganza (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1971-09)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:33
11Pagliacci: Act 1,“Recitar!” - “Vesti la giubba”
producer:
Hans Weber
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio
balance engineer:
Günter Hermanns (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:06
12Die Zauberflöte, K. 620: Zweiter Aufzug, Der Hölle Rache kocht in meinem Herzen (Königin der Nacht)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
13Eugene Onegin, op. 24, TH. 5: Act 3, “Lyubvi vsye vozrasti pokorni”Peter Ilyich Tchaikovsky5:58
14L’elisir d’amore: Act 2, “Una furtiva lagrima”Gaetano Donizetti4:27
15Le nozze di figaro, K. 492: Act 1, “Non più andrai”
producer:
Karl-August Naegler
instruments and orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
bass vocals and bass-baritone vocals [Figaro]:
Bryn Terfel (from 1993-06 until 1993-07)
conductor:
John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (from 1993-06 until 1993-07: bass-baritone vocals)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (from 1993-06 until 1993-07)
edit of:
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) by Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:35
16Dido and Aeneas, Z. 626: Act 3, “Thy hand, Belinda… When I am laid in earth”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann
concertmaster:
Simon Standage (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1989) and Polydor International GmbH (in 1989)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:27
24CD: Opera – Duets & Choruses