| # | Title | Artist | Length |
|---|
| 1 | Der Freischütz, J. 277: Act 3, “Was gleicht wohl auf Erden dem Jägervergnügen?” | Carl Maria von Weber | 2:31 |
| 2 | La traviata: Act 1, “Libiamo ne’lieti calici” (Brindisi) | Giuseppe Verdi | 2:58 |
| 3 | Così fan tutte, K. 588: Act 1, “Soave sia il vento” | Wolfgang Amadeus Mozart | 3:22 |
| 4 | Lucia di Lammermoor: Act 1, “Chi mi frena in tal momento”- vocals:
- Fernando de la Mora, Plácido Domingo, Jennifer Larmore, Juan Pons, Samuel Ramey and Cheryl Studer
- orchestra:
- London Symphony Orchestra (in 1990-08)
- conductor:
- Ion Marin (in 1990-08)
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1990-08)
- recording of:
- Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1990-08)
- composer:
- Gaetano Donizetti
- part of:
- Lucia di Lammermoor: Atto II
| Gaetano Donizetti | 3:47 |
| 5 | Fidelio, op. 72: Act 1, “O welche Lust, in freier Luft den Atem leicht zu heben!”- producer:
- Günther Breest and Hans Weber
- choir vocals:
- Chor der Wiener Staatsoper (on 1978-02-21)
- solo bass vocals [2nd Prisoner]:
- Alfred Šramek (on 1978-02-21)
- solo tenor vocals [1st Prisoner]:
- Karl Terkal (on 1978-02-21)
- orchestra:
- Wiener Philharmoniker (on 1978-02-21)
- conductor:
- Leonard Bernstein (on 1978-02-21)
- balance engineer:
- Klaus Scheibe
- recorded at:
- Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1978-02-21)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (on 1978-02-21)
- composer:
- Ludwig van Beethoven (in 1805, in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | 7:18 |
| 6 | Le nozze di figaro, K. 492: Act 3, “Crudel! perchè finora”- executive producer:
- Dr. Peter Czornyj and Charlotte Kriesch
- producer:
- Karl-August Naegler
- cello [violoncello]:
- Timothy Mason (from 1993-06 until 1993-07)
- fortepiano:
- Sabine Vatin (from 1993-06 until 1993-07)
- baritone vocals [Il Conte di Almaviva]:
- Rodney Golfry (from 1993-06 until 1993-07)
- soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
- Alison Hagley (from 1993-06 until 1993-07)
- orchestra:
- English Baroque Soloists (from 1993-06 until 1993-07)
- conductor:
- Sir John Eliot Gardiner (from 1993-06 until 1993-07)
- balance engineer:
- Ulrich Vette (from 1993-06 until 1993-07)
- concertmaster:
- Alison Bury (from 1993-06 until 1993-07)
- recorded at:
- Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (from 1993-06 until 1993-07)
- recording of:
- Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1993-06 until 1993-07)
- composer:
- Wolfgang Amadeus Mozart
- librettist:
- Lorenzo Da Ponte
- part of:
- Le nozze di Figaro, K. 492: Atto III
- live recording of:
- Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1993-06 until 1993-07)
- composer:
- Wolfgang Amadeus Mozart
- librettist:
- Lorenzo Da Ponte
- part of:
- Le nozze di Figaro, K. 492: Atto III
| Wolfgang Amadeus Mozart | 2:28 |
| 7 | King Arthur, or The British Worthy, Z. 628: Act 3, See, See, We Assemble | Henry Purcell | 3:23 |
| 8 | Don Giovanni, K. 527: Act 2, “Don Giovanni, a cenar teco m’invitasti” | Wolfgang Amadeus Mozart | 6:36 |
| 9 | Lohengrin, WWV 75: Act 3, “Treulich geführt ziehet dahin” | Richard Wagner | 4:57 |
| 10 | La Bohème: Act 4, O Mimì, tu più non torni | Giacomo Puccini | 3:19 |
| 11 | Il Trovatore: Act 2, “Vedi! Le fosche notturne spoglie” (Anvil Chorus) | Giuseppe Verdi | 2:55 |
| 12 | Les Contes d’Hoffmann: Act 4, “Belle nuit, ô nuit d’amour” | Jacques Offenbach | 3:48 |
| 13 | Nabucco: Act 3, Chorus: “Va, pensiero, sull’ali dorate” | Giuseppe Verdi | 3:56 |
| 14 | Der Rosenkavalier, op. 59, TrV 227: Act 3, “Ist ein Traum, kann nicht wirklich sein” | Richard Strauss | 6:17 |
| 15 | Wozzeck: Act 3 Scene 4 (Conclusion) - Scene 5: Street Before Marie’s Door. “Ringel, Ringel, Rosenkranz” | Alban Berg | 5:10 |
