The Decca Sound

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a newer 2016 release with barcode 028947892625 (possibly with Decca cat # 478 9262) is available at https://www.amazon.com/dp/B018FCVK8U/ (released Jan 15, 2016, referred to from https://www.deccaclassics.com/us/cat/4789262 )

Tracklist

1▶CD: Ansermet · Falla: El sombrero de tres picos / Debussy: Images
2▶CD: Argenta · España / Tchaikovsky: Violin Concerto
3▶CD: Ashkenazy · Rachmaninov: Piano Concerto 3 / Piano Sonata
4▶CD: Ashkenazy · Sibelius 1 / Mussorgsky: Pictures at an Exhibition
5▶CD: Bartoli · Italian Songs
6▶CD: Bell · Barber & Walton Concertos
7▶CD: Blomstedt · R. Strauss: Eine Alpensinfonie
8▶CD: Böhm · Bruckner 4
9▶CD: Boskovsky · New Year’s Day Concert, 1979
10▶CD: Britten · War Requiem
11▶CD: Chailly · Messiaen: Turangalîla‐sinfonie
12▶CD: Chung · Bruch & Mendelssohn Concertos
13▶CD: Curzon · Mozart: Piano Concertos 20 & 27
14▶CD: Dohnányi · Schoenberg / Berg / Webern
15▶CD: Dorati · Stravinsky: L’Oiseau de feu / Le Sacre du printemps
16▶CD: Dutoit · Ravel: Ma Mère l’Oye / Boléro
17▶CD: Fleming · Opera Scenes
18▶CD: Freire · Brahms: Piano Concerto 1 / Schumann: Carnaval
19▶CD: Haitink · Shostakovich 4 & 9
20▶CD: Hogwood · Purcell: Dido and Aeneas
21▶CD: Jansen · Britten & Beethoven Violin Concertos
22▶CD: Karajan · Holst: The Planets
23▶CD: Katchen · Bartók / Prokofiev: Piano Concerto 3 / Ravel: Piano Concerto
24▶CD: Kertész · Dvořak: New World Symphony / Symphony 8
25▶CD: King’s College Choir & St John’s College Choir · Haydn: Nelson Mass & Paukenmesse
26▶CD: Larrocha · Granados: Goyescas / Falla: Noches en los jardines de España
27▶CD: Lemper · Berlin Cabaret Songs
28▶CD: Lupu · Beethoven: Moonlight, Pathétique & Waldstein Sonatas
29▶CD: Maag · Mendelssohn: A Midsummer Night’s Dream / Symphony 3
30▶CD: Maazel · Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov
31▶CD: Mackerras · Janáček: Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite
32▶CD: Marriner · Tchaikovsky: Serenade for strings / Souvenir de Florence
33▶CD: Martinon · Ibert: Divertissement / Borodin 2
34▶CD: Mehta · Varèse / Ives 2
35▶CD: Monteux · Ravel: Daphnis et Chloé / Elgar: Enigma Variations
36▶CD: Münchinger · Bach: Magnificat / Cantatas 10 & 140
37▶CD: Nilsson / Solti · Wagner: Der Ring des Nibelungen (great scenes)
38▶CD: Carreras / Domingo / Pavarotti · In Concert, 1990
39▶CD: Pavarotti ・ Puccini: Turandot (highlights)
40▶CD: Pickett · Susato: Dansereye
41▶CD: Rogé · Saint‐Saëns: Piano Concertos 2, 4 & 5
42▶CD: Rousset · Pergolesi: Stabat Mater
43▶CD: Schiff · Bach: Goldber Variations
44▶CD: Solti · Romantic Russia / Suppé: 4 Overtures
45▼CD: Solti · Mahler 8
#TitleArtistLength
1Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: a. Veni creator spiritus
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:27
2Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: b. Imple superna gratia
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (in 1971-09)
solo bass vocals:
Martti Talvela (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (in 1971-09)
solo tenor vocals:
René Kollo (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:26
3Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: c. Infirma nostri corporis
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (in 1971-09)
solo bass vocals:
Martti Talvela (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (in 1971-09)
solo tenor vocals:
René Kollo (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler6:20
4Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: d. Accende lumen sensibus
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (in 1971-09)
solo bass vocals:
Martti Talvela (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (in 1971-09)
solo tenor vocals:
René Kollo (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:44
5Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: e. Veni, creator spiritus
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (in 1971-09)
solo bass vocals:
Martti Talvela (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (in 1971-09)
solo tenor vocals:
René Kollo (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:50
6Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: f. Gloria sit patri domino
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (in 1971-09)
solo bass vocals:
Martti Talvela (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (in 1971-09)
solo tenor vocals:
René Kollo (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:35
7Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: Poco Adagio – “Waldung, sie schwankt heran”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler14:16
8Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Ewiger Wonnebrand”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
solo baritone vocals [Pater Ecstaticus]:
John Shirley‐Quirk (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:35
9Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Wie Felsenabgrund mir zu Füßen”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
solo bass vocals [Pater Profundus]:
Martti Talvela (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
10Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Gerettet ist das edle Glied”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:03
11Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Uns bleibt ein Erdenrest”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo alto vocals:
Yvonne Minton (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:59
12Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Höchste Herrscherin der Welt”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (in 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:08
13Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Bei der Liebe, die den Fussen”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
solo contralto vocals [Maria Aegyptiaca]:
Helen Watts (in 1971-09)
solo contralto vocals [Mulier Samaritana]:
Yvonne Minton (in 1971-09)
solo soprano vocals [Magna Peccatrix]:
Heather Harper (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:54
14Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Neige, neige, du Ohnegleiche”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:18
15Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Blicket auf zum Retterblick”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1971-08 until 1971-09), Wiener Sängerknaben (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo soprano vocals [Mater Gloriosa]:
Arleen Augér (from 1971-08 until 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (from 1971-08 until 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:47
16Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Alles Vergängliche”
engineer:
Gordon Parry (from 1971-08 until 1971-09) and Kenneth Wilkinson (from 1971-08 until 1971-09)
producer:
David Harvey
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1971-08 until 1971-09), Wiener Sängerknaben (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo baritone vocals:
John Shirley‐Quirk (from 1971-08 until 1971-09)
solo bass vocals:
Martti Talvela (from 1971-08 until 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (from 1971-08 until 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (from 1971-08 until 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (from 1971-08 until 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (from 1971-08 until 1971-09)
solo tenor vocals:
René Kollo (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:43
46▶CD: Sutherland / Horne / Pavarotti · Live from Lincoln Center
47▶CD: Takács Quartet · Beethoven: Quartets opp. 95, 130 & 133
48▶CD: Tebaldi / Del Monaco · Puccini: La fanciulla del West (highlights)
49▶CD: Wiener Oktett · Mendelssohn: Octet / Beethoven: Septet
50▶CD: Winchester / Terfel · Walton: Belshazzar’s Feast

Credits

Release group

includes:A Midsummer Night’s Dream / Symphony no. 3 “Scottish” by Felix Mendelssohn; Peter Maag
Arcana / Intégrales / Ionisation by Edgard Varèse; Los Angeles Philharmonic Orchestra, Zubin Mehta
Barber: Violin Concerto / Walton: Violin Concerto / Bloch: Baal Shem by Barber, Walton, Bloch; Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major by Bartók, Ravel; Julius Katchen, London Symphony, István Kertész
Berlin Cabaret Songs by Ute Lemper
Dansereye (1551) by Tielman Susato; New London Consort, Philip Pickett
Daphnis et Chloé by Ravel; London Symphony Orchestra, Pierre Monteux
Eine Alpensinfonie / Don Juan by Richard Strauss; San Francisco Symphony, Herbert Blomstedt
España by Argenta, The London Symphony Orchestra
Goldberg Variations by Johann Sebastian Bach; András Schiff
Goyescas: Volumes 1 & 2 / El pelele by Granados; Alicia de Larrocha
Ibert: Divertissement / Bizet: Jeux d’enfants / Saint‐Säens: Danse macabre / Le rouet d’omphale by Ibert, Bizet, Saint‐Saëns; Paris Conservatoire Orchestra, Jean Martinon
In Concert by Carreras, Domingo, Pavarotti, Mehta
Italian Songs by Beethoven, Schubert, Mozart, Haydn; Cecilia Bartoli, András Schiff
La fanciulla del West by Puccini; Tebaldi, del Monaco, MacNeil, Tozzi, Orchestra e Coro dell’Accademia di Santa Cecilia, Roma, Franco Capuana
Le Sacre du printemps / L’Oiseau de feu by Stravinsky; Antal Doráti
Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales by Ravel; Orchestre symphonique de Montréal, Charles Dutoit
Magnificat in D major / Cantata no. 10 by Bach; Ameling, Van Bork, Watts, Krenn, Rintzler, Krause, Wiener Akademiechor, Stuttgart Chamber Orchestra, Karl Münchinger
Mendelssohn Octet / Beethoven Septet by Mendelssohn, Beethoven; Wiener Oktett
New Year's Day Concert in Vienna 1979 by Wiener Philharmoniker, Willi Boskovsky
Piano Concertos No. 20 K.466 & No. 27 K.595 by Mozart; Clifford Curzon, English Chamber Orchestra, Benjamin Britten
Piano Concertos nos. 2, 4 & 5 by Saint‐Saëns; Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
Piano Sonata op. 27 no. 2 “Moonlight” / Piano Sonata op. 13 “Pathetique” / Piano Sonata op. 53 “Waldstein” by Beethoven; Radu Lupu
Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov: Le Coq d’or (suite) by Respighi, Rimsky‐Korsakov; The Cleveland Orchestra, Lorin Maazel
Serenade for Strings / Souvenir de Florence by Tchaikovsky, Academy of St Martin in the Fields, Neville Marriner
Signatures: Great Opera Scenes by Renée Fleming, Sir Georg Solti, London Symphony Orchestra
Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite by Janáček; Wiener Philharmoniker, Charles Mackerras
Stabat Mater / Salve Regina by Pergolesi; Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Symphonie no. 8 by Mahler; Chicago Symphony Orchestra, Georg Solti
Symphony no. 4 by Bruckner; Vienna Philharmonic Orchestra, Karl Böhm
Symphony no. 9 in E minor, op. 95 “New World” by Dvořák; Vienna Philharmonic Orchestra, István Kertész
The Planets by Holst; Wiener Philharmoniker, Herbert von Karajan
The Three-cornered Hat / La Vida Breve - Interlude and Dance by Falla; Teresa Berganza, L’Orchestre de la Suisse Romande, Ernest Ansermet
Turandot by Puccini; Sutherland, Pavarotti, Caballé, Ghiaurov, Krause, Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta
Turangalîla‐Symphonie by Olivier Messiaen; Royal Concertgebouw Orchestra, Riccardo Chailly, Jean‐Yves Thibaudet, Takashi Harada
Violin Concertos / Scottish Fantasia by Mendelssohn, Bruch; Kyung Wha-Chung, Kempe, Dutoit
Walton: Belshazzar’s Feast / Coronation Te Deum / Parry: I Was Glad / Jerusalem by Walton, Parry; Bryn Terfel, Waynflete Singers, Winchester Cathedral Choir, Bournemouth Symphony Orchestra, Andrew Litton
War Requiem by Benjamin Britten; Galina Vishnevskaya, Peter Pears, Dietrich Fischer‐Dieskau