The Decca Sound

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a newer 2016 release with barcode 028947892625 (possibly with Decca cat # 478 9262) is available at https://www.amazon.com/dp/B018FCVK8U/ (released Jan 15, 2016, referred to from https://www.deccaclassics.com/us/cat/4789262 )

Tracklist

1▶CD: Ansermet · Falla: El sombrero de tres picos / Debussy: Images

2▶CD: Argenta · España / Tchaikovsky: Violin Concerto

3▶CD: Ashkenazy · Rachmaninov: Piano Concerto 3 / Piano Sonata

4▶CD: Ashkenazy · Sibelius 1 / Mussorgsky: Pictures at an Exhibition

5▶CD: Bartoli · Italian Songs

6▶CD: Bell · Barber & Walton Concertos

7▶CD: Blomstedt · R. Strauss: Eine Alpensinfonie

8▶CD: Böhm · Bruckner 4

9▶CD: Boskovsky · New Year’s Day Concert, 1979

10▶CD: Britten · War Requiem

11▶CD: Chailly · Messiaen: Turangalîla‐sinfonie

12▶CD: Chung · Bruch & Mendelssohn Concertos

13▶CD: Curzon · Mozart: Piano Concertos 20 & 27

14▶CD: Dohnányi · Schoenberg / Berg / Webern

15▶CD: Dorati · Stravinsky: L’Oiseau de feu / Le Sacre du printemps

16▶CD: Dutoit · Ravel: Ma Mère l’Oye / Boléro

17▶CD: Fleming · Opera Scenes

18▶CD: Freire · Brahms: Piano Concerto 1 / Schumann: Carnaval

19▶CD: Haitink · Shostakovich 4 & 9

20▶CD: Hogwood · Purcell: Dido and Aeneas

21▶CD: Jansen · Britten & Beethoven Violin Concertos

22▶CD: Karajan · Holst: The Planets

23▶CD: Katchen · Bartók / Prokofiev: Piano Concerto 3 / Ravel: Piano Concerto

24▶CD: Kertész · Dvořak: New World Symphony / Symphony 8

25▶CD: King’s College Choir & St John’s College Choir · Haydn: Nelson Mass & Paukenmesse

26▶CD: Larrocha · Granados: Goyescas / Falla: Noches en los jardines de España

27▶CD: Lemper · Berlin Cabaret Songs

28▶CD: Lupu · Beethoven: Moonlight, Pathétique & Waldstein Sonatas

29▶CD: Maag · Mendelssohn: A Midsummer Night’s Dream / Symphony 3

30▶CD: Maazel · Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov

31▶CD: Mackerras · Janáček: Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite

32▶CD: Marriner · Tchaikovsky: Serenade for strings / Souvenir de Florence

33▶CD: Martinon · Ibert: Divertissement / Borodin 2

34▶CD: Mehta · Varèse / Ives 2

35▶CD: Monteux · Ravel: Daphnis et Chloé / Elgar: Enigma Variations

36▼CD: Münchinger · Bach: Magnificat / Cantatas 10 & 140
#	Title	Artist	Length
1	Magnificat in D major, BWV 243: I. Coro. Magnificat choir vocals: Vienna Academy Chorus (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	3:21
2	Magnificat in D major, BWV 243: II. Aria. Et exsultavit spiritus meus soprano vocals: Hanneke van Bork (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1966-09) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243 recording of: Magnificat, op. 26: II. Et exultavit composer: Urmas Sisask (in 1990) part of: Magnificat, op. 26	Johann Sebastian Bach	2:32
3	Magnificat in D major, BWV 243: III. Aria. Quia respexit humilitatem – IV. Coro. Omnes generationes choir vocals: Vienna Academy Chorus (in 1968-05) contralto vocals: Helen Watts (in 1968-05) soprano vocals: Elly Ameling (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243 recording of: Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	4:22
4	Magnificat in D major, BWV 243: V. Aria. Quia fecit mihi magna baritone vocals: Tom Krause (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	2:20
5	Magnificat in D major, BWV 243: VI. Aria (duetto). Et misericordia tenor vocals: Werner Krenn (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	4:18
6	Magnificat in D major, BWV 243: VII. Coro. Fecit potentiam choir vocals: Vienna Academy Chorus (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	2:02
7	Magnificat in D major, BWV 243: VIII. Aria. Deposuit potentes tenor vocals: Werner Krenn (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	2:08
8	Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis contralto vocals: Helen Watts (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243 recording of: Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) composer: Johann Sebastian Bach arranger: Andreas N. Tarkmann arrangement of: Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"	Johann Sebastian Bach	3:12
9	Magnificat in D major, BWV 243: X. Aria (terzetto). Suscepit Israel contralto vocals: Helen Watts (in 1968-05) soprano vocals: Elly Ameling (in 1968-05) and Hanneke van Bork (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	2:12
10	Magnificat in D major, BWV 243: XI. Coro. Sicut locutus est orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	2:02
11	Magnificat in D major, BWV 243: XII. Coro. Gloria Patri orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1968-05) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	2:36
12	Cantata, BWV 10 Meine Seel erhebt den Herren: I. Coro. Meine Seel erhebt den Herren choir vocals: Wiener Akademie and Vienna Academy Chorus (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (from 1968-05-01 until 1968-05-13) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 10 "Meine Seel erhebt den Herren"	Johann Sebastian Bach	4:12
13	Cantata, BWV 10 Meine Seel erhebt den Herren: II. Aria. Herr, der du stark und mächtig bist soprano vocals: Elly Ameling (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (from 1968-05-01 until 1968-05-13) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 10 "Meine Seel erhebt den Herren"	Johann Sebastian Bach	7:04
14	Cantata, BWV 10 Meine Seel erhebt den Herren: III. Recitativo. Des Höchsten Güt und Treu tenor vocals: Werner Krenn (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (from 1968-05-01 until 1968-05-13) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 10 "Meine Seel erhebt den Herren"	Johann Sebastian Bach	1:25
15	Cantata, BWV 10 Meine Seel erhebt den Herren: IV. Aria. Gewaltige stößt Gott vom Stuhl bass vocals: Marius Rintzler (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (from 1968-05-01 until 1968-05-13) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 10 "Meine Seel erhebt den Herren"	Johann Sebastian Bach	3:26
16	Cantata, BWV 10 Meine Seel erhebt den Herren: V. Duetto. Er denket der Barmherzigkeit alto vocals: Helen Watts bass vocals: Marius Rintzler (in 1968-05) contralto vocals: Helen Watts (in 1968-05) tenor vocals: Werner Krenn orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (from 1968-05-01 until 1968-05-13) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 10 "Meine Seel erhebt den Herren"	Johann Sebastian Bach	2:03
17	Cantata, BWV 10 Meine Seel erhebt den Herren: VI. Recitativo. Was Gott den Vätern alter Zeiten tenor vocals: Werner Krenn (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (from 1968-05-01 until 1968-05-13) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 10 "Meine Seel erhebt den Herren"	Johann Sebastian Bach	2:25
18	Cantata, BWV 10 Meine Seel erhebt den Herren: VII. Choral. Lob und Preis sei Gott dem Vater choir vocals: Wiener Akademie and Vienna Academy Chorus (in 1968-05) orchestra: Stuttgarter Kammerorchester (in 1968-05) conductor: Karl Münchinger (in 1968-05) recording of: Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (from 1968-05-01 until 1968-05-13) composer: Johann Sebastian Bach (in 1724) part of: Breitkopf 389 Choralgesänge (number: 122) part of: Kantate, BWV 10 "Meine Seel erhebt den Herren"	Johann Sebastian Bach	1:24
19	Cantata, BWV 140 Wachet auf, ruft uns die Stimme: I. Wachet auf, ruft uns die Stimme choir vocals: Stuttgarter Hymnus-Chorknaben (in 1984-02) orchestra: Stuttgarter Kammerorchester (in 1984-02) conductor: Karl Münchinger (in 1984-02) recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (from 1984-02-01 until 1984-02-04) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	6:14
20	Cantata, BWV 140 Wachet auf, ruft uns die Stimme: II. Recitativo. Er kommt, er kommt tenor vocals: Gösta Winbergh (in 1984-02) orchestra: Stuttgarter Kammerorchester (in 1984-02) conductor: Karl Münchinger (in 1984-02) recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1984-02-01 until 1984-02-04) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	1:14
21	Cantata, BWV 140 Wachet auf, ruft uns die Stimme: III. Aria (duetto). Wenn kömmst du, mein Heil bass vocals: Tom Krause (in 1984-02) soprano vocals: Gabriele Fontana (in 1984-02) orchestra: Stuttgarter Kammerorchester (in 1984-02) conductor: Karl Münchinger (in 1984-02) recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1984-02-01 until 1984-02-04) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	6:13
22	Cantata, BWV 140 Wachet auf, ruft uns die Stimme: IV. Choral. Zion hört die Wächter singen choir vocals: Stuttgarter Hymnus-Chorknaben (in 1984-02) tenor vocals: Gösta Winbergh orchestra: Stuttgarter Kammerorchester (in 1984-02) conductor: Karl Münchinger (in 1984-02) recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1984-02-01 until 1984-02-04) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	3:58
23	Cantata, BWV 140 Wachet auf, ruft uns die Stimme: V. Recitativo. So geh herein zu mir bass vocals: Tom Krause (in 1984-02) orchestra: Stuttgarter Kammerorchester (in 1984-02) conductor: Karl Münchinger (in 1984-02) recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (from 1984-02-01 until 1984-02-04) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	1:41
24	Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VI. Aria (duetto). Mein Freund ist mein bass vocals: Tom Krause (in 1984-02) soprano vocals: Gabriele Fontana (in 1984-02) orchestra: Stuttgarter Kammerorchester (in 1984-02) conductor: Karl Münchinger (in 1984-02) recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (from 1984-02-01 until 1984-02-04) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	7:35
25	Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VII. Choral. Gloria sei dir gesungen choir vocals: Stuttgarter Hymnus-Chorknaben (in 1984-02) orchestra: Stuttgarter Kammerorchester (in 1984-02) conductor: Karl Münchinger (in 1984-02) recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (from 1984-02-01 until 1984-02-04) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) lyricist: Philipp Nicolai composer: Johann Sebastian Bach (in 1731) part of: Breitkopf 389 Choralgesänge (number: 329) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	1:52

37▶CD: Nilsson / Solti · Wagner: Der Ring des Nibelungen (great scenes)

38▶CD: Carreras / Domingo / Pavarotti · In Concert, 1990

39▶CD: Pavarotti ・ Puccini: Turandot (highlights)

40▶CD: Pickett · Susato: Dansereye

41▶CD: Rogé · Saint‐Saëns: Piano Concertos 2, 4 & 5

42▶CD: Rousset · Pergolesi: Stabat Mater

43▶CD: Schiff · Bach: Goldber Variations

44▶CD: Solti · Romantic Russia / Suppé: 4 Overtures

45▶CD: Solti · Mahler 8

46▶CD: Sutherland / Horne / Pavarotti · Live from Lincoln Center

47▶CD: Takács Quartet · Beethoven: Quartets opp. 95, 130 & 133

48▶CD: Tebaldi / Del Monaco · Puccini: La fanciulla del West (highlights)

49▶CD: Wiener Oktett · Mendelssohn: Octet / Beethoven: Septet

50▶CD: Winchester / Terfel · Walton: Belshazzar’s Feast

Credits

Release

Discogs:	https://www.discogs.com/release/3299620 [info]
ASIN:	US: B005D51II0 [info]
discography entry:	http://deccasound.com/boxset.php [info] http://www.deccaclassics.com/en/cat/4789262 [info]

Release group

includes:

A Midsummer Night’s Dream / Symphony no. 3 “Scottish” by Felix Mendelssohn; Peter Maag
Arcana / Intégrales / Ionisation by Edgard Varèse; Los Angeles Philharmonic Orchestra, Zubin Mehta
Barber: Violin Concerto / Walton: Violin Concerto / Bloch: Baal Shem by Barber, Walton, Bloch; Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major by Bartók, Ravel; Julius Katchen, London Symphony, István Kertész
Berlin Cabaret Songs by Ute Lemper
Dansereye (1551) by Tielman Susato; New London Consort, Philip Pickett
Daphnis et Chloé by Ravel; London Symphony Orchestra, Pierre Monteux
Eine Alpensinfonie / Don Juan by Richard Strauss; San Francisco Symphony, Herbert Blomstedt
España by Argenta, The London Symphony Orchestra
Goldberg Variations by Johann Sebastian Bach; András Schiff
Goyescas: Volumes 1 & 2 / El pelele by Granados; Alicia de Larrocha
Ibert: Divertissement / Bizet: Jeux d’enfants / Saint‐Säens: Danse macabre / Le rouet d’omphale by Ibert, Bizet, Saint‐Saëns; Paris Conservatoire Orchestra, Jean Martinon
In Concert by Carreras, Domingo, Pavarotti, Mehta
Italian Songs by Beethoven, Schubert, Mozart, Haydn; Cecilia Bartoli, András Schiff
La fanciulla del West by Puccini; Tebaldi, del Monaco, MacNeil, Tozzi, Orchestra e Coro dell’Accademia di Santa Cecilia, Roma, Franco Capuana
Le Sacre du printemps / L’Oiseau de feu by Stravinsky; Antal Doráti
Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales by Ravel; Orchestre symphonique de Montréal, Charles Dutoit
Magnificat in D major / Cantata no. 10 by Bach; Ameling, Van Bork, Watts, Krenn, Rintzler, Krause, Wiener Akademiechor, Stuttgart Chamber Orchestra, Karl Münchinger
Mendelssohn Octet / Beethoven Septet by Mendelssohn, Beethoven; Wiener Oktett
New Year's Day Concert in Vienna 1979 by Wiener Philharmoniker, Willi Boskovsky
Piano Concertos No. 20 K.466 & No. 27 K.595 by Mozart; Clifford Curzon, English Chamber Orchestra, Benjamin Britten
Piano Concertos nos. 2, 4 & 5 by Saint‐Saëns; Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
Piano Sonata op. 27 no. 2 “Moonlight” / Piano Sonata op. 13 “Pathetique” / Piano Sonata op. 53 “Waldstein” by Beethoven; Radu Lupu
Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov: Le Coq d’or (suite) by Respighi, Rimsky‐Korsakov; The Cleveland Orchestra, Lorin Maazel
Serenade for Strings / Souvenir de Florence by Tchaikovsky, Academy of St Martin in the Fields, Neville Marriner
Signatures: Great Opera Scenes by Renée Fleming, Sir Georg Solti, London Symphony Orchestra
Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite by Janáček; Wiener Philharmoniker, Charles Mackerras
Stabat Mater / Salve Regina by Pergolesi; Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Symphonie no. 8 by Mahler; Chicago Symphony Orchestra, Georg Solti
Symphony no. 4 by Bruckner; Vienna Philharmonic Orchestra, Karl Böhm
Symphony no. 9 in E minor, op. 95 “New World” by Dvořák; Vienna Philharmonic Orchestra, István Kertész
The Planets by Holst; Wiener Philharmoniker, Herbert von Karajan
The Three-cornered Hat / La Vida Breve - Interlude and Dance by Falla; Teresa Berganza, L’Orchestre de la Suisse Romande, Ernest Ansermet
Turandot by Puccini; Sutherland, Pavarotti, Caballé, Ghiaurov, Krause, Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta
Turangalîla‐Symphonie by Olivier Messiaen; Royal Concertgebouw Orchestra, Riccardo Chailly, Jean‐Yves Thibaudet, Takashi Harada
Violin Concertos / Scottish Fantasia by Mendelssohn, Bruch; Kyung Wha-Chung, Kempe, Dutoit
Walton: Belshazzar’s Feast / Coronation Te Deum / Parry: I Was Glad / Jerusalem by Walton, Parry; Bryn Terfel, Waynflete Singers, Winchester Cathedral Choir, Bournemouth Symphony Orchestra, Andrew Litton
War Requiem by Benjamin Britten; Galina Vishnevskaya, Peter Pears, Dietrich Fischer‐Dieskau

The Decca Sound

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Genres: cabaret

Other tags: agustín lara, alban berg, alexander borodin, alicia de larrocha, amilcare ponchielli

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