Il trovatore

~ Release by Giuseppe Verdi; Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan (see all versions of this release, 9 available)

Tracklist

1▼Digital Media
#TitleArtistLength
1Il trovatore: Atto I, scena 1. “All’erta! All’erta!” (Ferrando, Coro)
producer:
Walter Legge
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:02
2Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, Coro)
producer:
Walter Legge
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:45
3Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, Coro)
producer:
Walter Legge
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:35
4Il trovatore: Atto I, scena 1. “Brevi e tristi giorni visse” (Ferrando, Coro)
producer:
Walter Legge
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “E il padre? – Brevi e tristi giorni visse” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “E il padre? – Brevi e tristi giorni visse” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:57
5Il trovatore: Atto I, scena 1. “Sull’orlo dei tetti” (Ferrando, Coro)
producer:
Walter Legge
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:20
6Il trovatore: Atto I, scena 2. “Che più t’arresti?” (Ines, Leonora)
producer:
Walter Legge
mezzo-soprano vocals [Ines]:
Luisa Villa (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:17
7Il trovatore: Atto I, scena 2. “Tacea la notte placida” (Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:34
8Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento” (Ines, Leonora)
producer:
Walter Legge
mezzo-soprano vocals [Ines]:
Luisa Villa (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento” (Ines, Leonora)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:49
9Il trovatore: Atto I, scena 2. “Di tale amor” (Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:41
10Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:49
11Il trovatore: Atto I, scena 2. “Il trovator!… Deserto sulla terra” (Conte, Manrico)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:45
12Il trovatore: Atto I, scena 2. “Anima mia!… Più dell’usato” (Conte, Leonora, Manrico)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Anima mia!” ... “Piu dell'usato” (Leonora, Manrico, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Anima mia!” ... “Piu dell'usato” (Leonora, Manrico, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:58
13Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte, Leonora, Manrico)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:34
14Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne” (Coro)
producer:
Walter Legge
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:58
15Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:41
16Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (Coro, Azucena, Manrico, Vecchio Zingaro)
producer:
Walter Legge
bass vocals [Uno zingaro]:
Giulio Mauri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:01
17Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:00
18Il trovatore: Atto II, scena 1. “Condotta ell’era in ceppi” (Azucena, Manrico)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:51
19Il trovatore: Atto II, scena 1. “Non son tuo figlio!” (Manrico, Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:27
20Il trovatore: Atto II, scena 1. “Mal reggendo all’aspro assalto” (Manrico, Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:08
21Il trovatore: Atto II, scena 1. “L’usato messo Ruiz invia!… Mi vendica!” (Manrico, Azucena, Messo)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Un messo]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:26
22Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:29
23Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte, Ferrando)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:34
24Il trovatore: Atto II, scena 2. “Il balen del suo sorriso” (Conte)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:15
25Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel!” (Conte, Ferrando, Coro)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:50
26Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte, Ferrando, Coro)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
27Il trovatore: Atto II, scena 2. “Ah! se l’error t’ingombra” (Coro, Conte, Ferrando)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:01
28Il trovatore: Atto II, scena 2. “Perché piangete?… O dolci amiche” (Leonora, Ines, Conte, Coro)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Ines]:
Luisa Villa (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:17
29Il trovatore: Atto II, scena 2. “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ines, Coro, Ferrando, Ruiz)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Ines]:
Luisa Villa (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:46
30Il trovatore: Atto III, scena 1. “Or co’ dadi, ma fra poco” (Coro, Ferrando)
producer:
Walter Legge
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:59
31Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Coro)
bass vocals [Ferrando]:
Nicola Zaccaria
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Herbert von Karajan
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (from 1956-08-03 until 1967-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:29
32Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte, Ferrando, Coro, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:12
33Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Conte, Ferrando, Coro, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:08
34Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
35Il trovatore: Atto III, scena 2. “Quale d’armi fragor” (Leonora, Manrico)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:02
36Il trovatore: Atto III, scena 2. “Ah sì, ben mio, coll’essere io tuo” (Manrico)
producer:
Walter Legge
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:53
37Il trovatore: Atto III, scena 2. “L’onda de’ suoni mistici” (Leonora, Manrico, Ruiz)
producer:
Walter Legge
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:29
38Il trovatore: Atto III, scena 2. “Di quella pira, l’orrendo foco” (Manrico, Leonora, Ruiz, Coro)
producer:
Walter Legge
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:15
39Il trovatore: Atto IV, scena 1. “Siam giunti, ecco la torre” (Ruiz, Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:06
40Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
producer:
Walter Legge
editor:
Jennifer Howells
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Italiana S.p.A.
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:02
41Il trovatore: Atto IV, scena 1. “Misere… Quel suon, quelle preci” (Coro, Leonora, Manrico)
producer:
Walter Legge
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
42Il trovatore: Atto IV, scena 1. “Di te, di te scordarmi! Tu vedrai che amore in terra” (Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:33
43Il trovatore: Atto IV, scena 1. “Udiste?” (Conte, Leonora)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:47
44Il trovatore: Atto IV, scena 1. “Mira, d’acerbe lagrime” (Leonora, Conte)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:19
45Il trovatore: Atto IV, scena 1. “Conte!… Né basti!” (Leonora, Conte)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:13
46Il trovatore: Atto IV, scena 1. “Colui vivrà… Vivrà! contende il giubilo” (Conte, Leonora)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:24
47Il trovatore: Atto IV, scena 2. “Madre, non dormi?” (Manrico, Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:54
48Il trovatore: Atto IV, scena 2. “Non odi Gente appressa” (Manrico, Azucena)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri
tenor vocals [Manrico]:
Giuseppe Di Stefano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Herbert von Karajan
partial recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi0:58
49Il trovatore: Atto IV, scena 2. “Un giorno turba feroce l’ava tua condusse” (Manrico, Azucena)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri
tenor vocals [Manrico]:
Giuseppe Di Stefano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Herbert von Karajan
partial recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:35
50Il trovatore: Atto IV, scena 2. “Sì, la stanchezza m’opprime” (Azucena, Manrico)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:18
51Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:04
52Il trovatore: Atto IV, scena 2. “Che! Non m’inganna” (Manrico, Leonora)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:08
53Il trovatore: Atto IV, scena 2. “Parlar non vuoi?…” (Manrico, Leonora, Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:00
54Il trovatore: Atto IV, scena 2. “Ti scosta!” (Manrico, Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:06
55Il trovatore: Atto IV, scena 2. “Prima che d’altri vivere” (Leonora, Manrico, Conte, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:33