Trésors d’Archiv: The Best Early Music Recordings

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

DG cat. no.
449 393-2 SET
449 394-2 CD 1
449 395-2 CD 2
449 396-2 CD 3
449 397-2 CD 4
449 398-2 CD 5

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (from 1982-03 until 1982-05)
transverse flute:
Lisa Beznosiuk (from 1982-03 until 1982-05)
violin:
Simon Standage (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1982)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach9:50
2Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (from 1982-03 until 1982-05)
transverse flute:
Lisa Beznosiuk (from 1982-03 until 1982-05)
violin:
Simon Standage (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1982)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:11
3Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (from 1982-03 until 1982-05)
transverse flute:
Lisa Beznosiuk (from 1982-03 until 1982-05)
violin:
Simon Standage (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1982)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:08
4Suite for Orchestra in B minor, BWV 1067: I. Overture
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (in 1978-06)
double bass and violone:
Richard Webb (in 1978-06)
flute:
Lisa Beznosiuk
harpsichord:
Trevor Pinnock (in 1978-06)
transverse flute:
Stephen Preston (in 1978-06)
viola:
Trevor Jones (in 1978-06)
violin:
Monica Huggett (in 1978-06) and Simon Standage (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (in 1978-06)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1979)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (in 1978-06)
composer:
Johann Sebastian Bach
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach6:10
5Suite for Orchestra in B minor, BWV 1067: II. Rondeau
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (in 1978-06)
double bass and violone:
Richard Webb (in 1978-06)
flute:
Lisa Beznosiuk
harpsichord:
Trevor Pinnock (in 1978-06)
transverse flute:
Stephen Preston (in 1978-06)
viola:
Trevor Jones (in 1978-06)
violin:
Monica Huggett (in 1978-06) and Simon Standage (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (in 1978-06)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1979)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (in 1978-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:59
6Suite for Orchestra in B minor, BWV 1067: III. Sarabande
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (in 1978-06)
double bass and violone:
Richard Webb (in 1978-06)
flute:
Lisa Beznosiuk
harpsichord:
Trevor Pinnock (in 1978-06)
transverse flute:
Stephen Preston (in 1978-06)
viola:
Trevor Jones (in 1978-06)
violin:
Monica Huggett (in 1978-06) and Simon Standage (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (in 1978-06)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1979)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (in 1978-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:53
7Suite for Orchestra in B minor, BWV 1067: IV. Bourée I / II
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (in 1978-06)
double bass and violone:
Richard Webb (in 1978-06)
flute:
Lisa Beznosiuk
harpsichord:
Trevor Pinnock (in 1978-06)
transverse flute:
Stephen Preston (in 1978-06)
viola:
Trevor Jones (in 1978-06)
violin:
Monica Huggett (in 1978-06) and Simon Standage (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (in 1978-06)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1979)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (in 1978-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:57
8Suite for Orchestra in B minor, BWV 1067: V. Polonaise - Double
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (in 1978-06)
double bass and violone:
Richard Webb (in 1978-06)
flute:
Lisa Beznosiuk
harpsichord:
Trevor Pinnock (in 1978-06)
transverse flute:
Stephen Preston (in 1978-06)
viola:
Trevor Jones (in 1978-06)
violin:
Monica Huggett (in 1978-06) and Simon Standage (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (in 1978-06)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1979)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (in 1978-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:42
9Suite for Orchestra in B minor, BWV 1067: VI. Menuet
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (in 1978-06)
double bass and violone:
Richard Webb (in 1978-06)
flute:
Lisa Beznosiuk
harpsichord:
Trevor Pinnock (in 1978-06)
transverse flute:
Stephen Preston (in 1978-06)
viola:
Trevor Jones (in 1978-06)
violin:
Monica Huggett (in 1978-06) and Simon Standage (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (in 1978-06)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1979)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1978-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:30
10Suite for Orchestra in B minor, BWV 1067: VII. Badinerie
engineer and balance engineer:
Karl-August Naegler
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (in 1978-06)
double bass and violone:
Richard Webb (in 1978-06)
flute:
Lisa Beznosiuk
harpsichord:
Trevor Pinnock (in 1978-06)
transverse flute:
Stephen Preston (in 1978-06)
viola:
Trevor Jones (in 1978-06)
violin:
Monica Huggett (in 1978-06) and Simon Standage (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (in 1978-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1979) and Polydor International GmbH (in 1979)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1978-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:36
11Six "Schübler" Chorales: I. Wachet auf, ruft uns die Stimme, BWV 645
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1956-09)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:15
12Six "Schübler" Chorales: II. Wo soll ich fliehin hin, oder: Auf meinen lieben Gott, BWV 646
organ:
Helmut Walcha (in 1971-05)
performer:
Helmut Walcha (in 1971-05)
balance engineer:
Hansjoachim Reiser
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wo soll ich fliehen hin, BWV 646 (in 1971-05)
composer:
Johann Sebastian Bach (from 1748 until 1749)
part of:
Bach-Werke-Verzeichnis (number: BWV 646)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach2:04
13Six "Schübler" Chorales: III. Wer nur den lieben Gott läßt walten, BWV 647
organ:
Helmut Walcha (in 1971-05)
performer:
Helmut Walcha (in 1971-05)
balance engineer:
Hansjoachim Reiser
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (in 1971-05)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:11
14Six "Schübler" Chorales: IV. Meine Seele erhebt den Herrn, BWV 648
organ:
Helmut Walcha (in 1971-05)
performer:
Helmut Walcha (in 1971-05)
balance engineer:
Hansjoachim Reiser
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (in 1971-05)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 648)
is based on:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach1:54
15Six "Schübler" Chorales: V. Ach, bleib bei uns, Herr Jesu Christ, BWV 649
organ:
Helmut Walcha (in 1971-05)
performer:
Helmut Walcha (in 1971-05)
balance engineer:
Hansjoachim Reiser
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (in 1971-05)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 649)
is based on:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:08
16Six "Schübler" Chorales: VI. Kommst du nun, Jesus, vom Himmel herunter, BWV 650
organ:
Helmut Walcha (in 1971-05)
balance engineer:
Hansjoachim Reiser
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (in 1971-05)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:31
17Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: I. Molto adagio
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:37
18Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: II. "Gottes Zeit ist die allerbeste Zeit" / "Ach, Herr lehre uns bendenken" / "Bestelle dein Haus" / "Es ist alte Bund"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
bass vocals:
Stephen Varcoe (in 1989-09)
choir vocals:
Monteverdi Choir (in 1989-09)
soprano vocals:
Nancy Argenta (in 1989-09)
tenor vocals:
Anthony Rolfe Johnson (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach7:56
19Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: III. "In deine Hände befehl ich meinen Geist" / "Heute wirst du mit mir"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
bass vocals:
Stephen Varcoe (in 1989-09)
choir vocals [altos]:
Monteverdi Choir (in 1989-09)
countertenor vocals [alto]:
Michael Chance (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
compilation of:
Actus tragicus, BWV106: Arioso 'In deine Hände befehl ich meinen Geist' by Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach5:47
20Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: IV. "Glorie, Lob, Ehr und Herrlichkeit"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1989-09)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:30
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