A Life in Music, Vol. 1: Early Cantatas

~ Release by J S Bach; Les Arts Florissants, Paul Agnew, Benjamin Alard (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistLength
1Christ lag in Todes Banden, BWV 4: I. Sinfonia
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:30
2Christ lag in Todes Banden, BWV 4: II. Coro. Christ lag in Todes Banden
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
soprano vocals:
Miriam Allan (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:17
3Christ lag in Todes Banden, BWV 4: III. Duetto. Den Tod niemand zwingen kunnt
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
countertenor vocals:
Maarten Engeltjes (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:43
4Christ lag in Todes Banden, BWV 4: IV. Aria. Jesus Christus, Gottes Sohn
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
tenor vocals:
Thomas Hobbs (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:41
5Christ lag in Todes Banden, BWV 4: V. Coro. Es war ein wunderlicher Krieg
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:51
6Christ lag in Todes Banden, BWV 4: VI. Aria. Hie ist das rechte Osterlamm
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
bass vocals:
Edward Grint (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:15
7Christ lag in Todes Banden, BWV 4: VII. Duetto. So feiren wir das hohe Fest
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
soprano vocals:
Miriam Allan (in 2022-05)
tenor vocals:
Thomas Hobbs (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:34
8Christ lag in Todes Banden, BWV 4: VIII. Chorale. Wir essen und wir leben wohl
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 2022-05)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:12
9Choral ‟Christ lag in Todesbanden", BWV 718
assistant engineer:
Aude Besnard
engineer:
Alban Moraud
producer:
Arnaud Moral (task: direction artistique) and Alban Moraud
mixer:
Florent Ollivier
editor:
Aude Besnard and Alban Moraud
organ:
Benjamin Alard (ended, from 2018-05 until 2018-11)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (ended) and Église Saint-Vaast de Béthune in Béthune, Pas-de-Calais, Hauts-de-France, France (from 2018-05 until 2018-11)
recording of:
Christ lag in Todes Banden, BWV 718 (from 2018-05 until 2018-11)
composer:
Johann Sebastian Bach
part of:
Bach Compendium (number: BC K 119) and Bach-Werke-Verzeichnis (number: BWV 718)
recording of:
Christ lag in Todes Banden, BWV 718 (ended)
composer:
Johann Sebastian Bach
part of:
Bach Compendium (number: BC K 119) and Bach-Werke-Verzeichnis (number: BWV 718)
Johann Sebastian Bach5:00
10Christ lag in Todesbanden: I. Sonata
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: I. Sonata (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau1:19
11Christ lag in Todesbanden: II. Choral. Christ lag in Todesbanden
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: II. Choral “Christ lag in Todesbanden” (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau1:27
12Christ lag in Todesbanden: III. Coro. Alleluja es ist Victoria
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: III. Coro “Alleluja es ist Victoria” (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau1:38
13Christ lag in Todesbanden: IVa. Aria. Wir leben nun mit Jesu Christ
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
soprano vocals:
Miriam Allan (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: IVa. Aria (soprano) “Wir leben nun mit Jesu Christ” (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau0:51
14Christ lag in Todesbanden: IVb. Rittornello
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: IVb. Ritornello (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau1:10
15Christ lag in Todesbanden: IVc. Aria. Er ist das rechte Osterlamb
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
tenor vocals:
Thomas Hobbs (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: IVc. Aria (tenor) “Er ist das rechte Osterlamm” (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau0:55
16Christ lag in Todesbanden: IVd. Rittornello
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: IVd. Ritornello (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau1:08
17Christ lag in Todesbanden: IVe. Aria. Den hat schon Christus vor der Welt
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
bass vocals:
Edward Grint (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: IVe. Aria (bass) “Den hat schon Christus vor der Welt” (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau0:52
18Christ lag in Todesbanden: IVf. Rittornello
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: IVf. Ritornello (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau1:11
19Christ lag in Todesbanden: V. Coro. So feÿren wir das hohe Fest
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Christ lag in Todesbanden: V. Coro “So feiern wir das hohe Fest” (in 2022-05)
composer:
Johann Kuhnau
part of:
Christ lag in Todesbanden
Johann Kuhnau0:53
20Choral ‟Ach Herr, mich armen Sünder", BWV 742
assistant engineer:
Aude Besnard
engineer:
Alban Moraud
producer:
Arnaud Moral (task: direction artistique) and Alban Moraud
mixer:
Florent Ollivier
editor:
Aude Besnard and Alban Moraud
organ:
Benjamin Alard (ended, from 2018-05 until 2018-11)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (ended) and Église Saint-Vaast de Béthune in Béthune, Pas-de-Calais, Hauts-de-France, France (from 2018-05 until 2018-11)
recording of:
Ach Herr, mich armen Sünder, BWV 742 (from 2018-05 until 2018-11)
composer:
Johann Sebastian Bach
part of:
Neumeister-Sammlung (number: 36) and Bach-Werke-Verzeichnis (number: BWV 742)
recording of:
Ach Herr, mich armen Sünder, BWV 742 (ended)
composer:
Johann Sebastian Bach
part of:
Neumeister-Sammlung (number: 36) and Bach-Werke-Verzeichnis (number: BWV 742)
Johann Sebastian Bach2:17
21Nach dir, Herr, verlanget mich, BWV 150: I. Sinfonia
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (in 2022-05)
composer:
Johann Sebastian Bach (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:30
22Nach dir, Herr, verlanget mich, BWV 150: II. Coro. Nach dir, Herr, verlanget mich
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (in 2022-05)
composer:
Johann Sebastian Bach (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:13
23Nach dir, Herr, verlanget mich, BWV 150: III. Aria. Doch bin und bleibe ich vergnügt
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
soprano vocals:
Miriam Allan (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (in 2022-05)
composer:
Johann Sebastian Bach (from 1704 until 1707)
librettist:
[anonymous]
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:30
24Nach dir, Herr, verlanget mich, BWV 150: IV. Coro. Leite mich in deiner Wahrheit
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (in 2022-05)
composer:
Johann Sebastian Bach (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:35
25Nach dir, Herr, verlanget mich, BWV 150: V. Aria. Zedern müssen von den Winden
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
bass vocals:
Edward Grint (in 2022-05)
countertenor vocals:
Maarten Engeltjes (in 2022-05)
tenor vocals:
Thomas Hobbs (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (in 2022-05)
composer:
Johann Sebastian Bach (from 1704 until 1707)
librettist:
[anonymous]
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:03
26Nach dir, Herr, verlanget mich, BWV 150: VI. Coro. Meine Augen sehen stets
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
Johann Sebastian Bach2:01
27Nach dir, Herr, verlanget mich, BWV 150: VII. Chorale (ciaccona). Meine Tage in dem Leide
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (in 2022-05)
composer:
Johann Sebastian Bach (from 1704 until 1707)
librettist:
[anonymous]
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:58
28Choral ‟Jesu, meines Lebens Leben", BWV 1107
assistant engineer:
Aude Besnard
engineer:
Alban Moraud
producer:
Arnaud Moral (task: direction artistique) and Alban Moraud
mixer:
Florent Ollivier
editor:
Aude Besnard and Alban Moraud
organ:
Benjamin Alard (ended, from 2018-05 until 2018-11)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (ended) and Église Saint-Vaast de Béthune in Béthune, Pas-de-Calais, Hauts-de-France, France (from 2018-05 until 2018-11)
recording of:
Jesu, meines Lebens Leben, BWV 1107 (from 2018-05 until 2018-11)
composer:
Johann Sebastian Bach
part of:
Neumeister-Sammlung (number: 57) and Bach-Werke-Verzeichnis (number: BWV 1107)
recording of:
Jesu, meines Lebens Leben, BWV 1107 (ended)
composer:
Johann Sebastian Bach
part of:
Neumeister-Sammlung (number: 57) and Bach-Werke-Verzeichnis (number: BWV 1107)
Johann Sebastian Bach1:48
29Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:33
30Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIa. Coro. Gottes Zeit ist die allerbeste
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:34
31Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIb. Arioso. Ach, Herr, lehre uns bedenken
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
tenor vocals:
Thomas Hobbs (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:59
32Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIc. Aria. Bestelle dein Haus
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:00
33Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IId. Coro. Es ist der alte Bund
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:51
34Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIIa. Aria. In deine Hände, befehl ich meinen Geist
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:13
35Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIIb. Arioso e Corale. Heute wirst du mit mir
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
bass vocals:
Edward Grint (in 2022-05)
countertenor vocals:
Maarten Engeltjes (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach4:11
36Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IV. Coro. Glorie, Lob, Ehr und Herrlichkeit
assistant recording engineer:
Jérémy Chevillard (in 2022-05)
recording engineer:
Florent Ollivier (in 2022-05)
producer:
Arnaud Moral (task: direction artistique)
mixer:
Florent Ollivier
choir vocals:
Les Arts Florissants (in 2022-05)
orchestra:
Les Arts Florissants (in 2022-05)
conductor:
Benjamin Alard (in 2022-05)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (in 2022-05)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 2022-05)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:34